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LITTLE DOOR SLIDES BACK

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But then, from way off, with crankingcomes my night, and when it arrivesI go to it like a callboy to a c-note.--"My Interior""Jeff Clark's poems . . . marry the stoned reveries of our postmodern era with the symbolist bliss of a previous one . . . In meticulously crafted verse and prose poems, The Little Door Slides Back offers the reader glimpses of a shadow world, seen by a visionary who has a clear strategy for depicting them." --*Ruth Andrews, Rain Taxi"A 120-page spell . . . This is a beautiful work whose accuracy edges on the uncanny. Within, among, and around it all is presence, an almost hallucinogenic immediacy in which everything is seen and is in turn seeing." --Cole Swenson, American Letters & Commentary"Clark integrates fin-de-siècle richness, hallucinatory vision, and a gothicism extracted from the bleak cul-de-sacs of postmodern life . . . constructing a flaneur who is both terrified and bemused by the world he enters as 'the little door slides back.'"--John Yau, Boston Review

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  • Sprog:
  • Ukendt
  • ISBN:
  • 9780374188580
  • Indbinding:
  • Paperback
  • Sideantal:
  • 97
  • Udgivet:
  • 1. april 2004
  • Størrelse:
  • 140x9x208 mm.
  • Vægt:
  • 145 g.
  • Ukendt - mangler pt..

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But then, from way off, with crankingcomes my night, and when it arrivesI go to it like a callboy to a c-note.--"My Interior""Jeff Clark's poems . . . marry the stoned reveries of our postmodern era with the symbolist bliss of a previous one . . . In meticulously crafted verse and prose poems, The Little Door Slides Back offers the reader glimpses of a shadow world, seen by a visionary who has a clear strategy for depicting them." --*Ruth Andrews, Rain Taxi"A 120-page spell . . . This is a beautiful work whose accuracy edges on the uncanny. Within, among, and around it all is presence, an almost hallucinogenic immediacy in which everything is seen and is in turn seeing." --Cole Swenson, American Letters & Commentary"Clark integrates fin-de-siècle richness, hallucinatory vision, and a gothicism extracted from the bleak cul-de-sacs of postmodern life . . . constructing a flaneur who is both terrified and bemused by the world he enters as 'the little door slides back.'"--John Yau, Boston Review

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