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Listening with the Eye - An Asemic Notebook - Volume 4

Bag om Listening with the Eye - An Asemic Notebook - Volume 4

This work is intended to be purely visual with no reference to literary content or convey any sort of symbols. There is an interest however in musicality, of moving the focal point of the eye along during the reading through repetition, cadence, movement, etc. It is a form of listening with the eye as the title of the book suggests. The idea behind asemic writing is to create artworks that are based on the act of mark making similar to handwriting but without reference to semantic content or literary meaning. Hence each 'writer' has a unique way of writing or making marks. When we look at handwriting, even if we are unable to decipher it, we are getting some sort of visual content out of it from looking at the marks and rhythms or distributions of the markings on the page. You might say this is the body language of the writing beyond the message conveyed. This body language is the part that is of interest in this work.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781794770249
  • Indbinding:
  • Paperback
  • Sideantal:
  • 110
  • Udgivet:
  • 17. december 2019
  • 2-3 uger.
  • 14. december 2024
Forlænget returret til d. 31. januar 2025

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Beskrivelse af Listening with the Eye - An Asemic Notebook - Volume 4

This work is intended to be purely visual with no reference to literary content or convey any sort of symbols. There is an interest however in musicality, of moving the focal point of the eye along during the reading through repetition, cadence, movement, etc. It is a form of listening with the eye as the title of the book suggests.
The idea behind asemic writing is to create artworks that are based on the act of mark making similar to handwriting but without reference to semantic content or literary meaning. Hence each 'writer' has a unique way of writing or making marks.
When we look at handwriting, even if we are unable to decipher it, we are getting some sort of visual content out of it from looking at the marks and rhythms or distributions of the markings on the page. You might say this is the body language of the writing beyond the message conveyed. This body language is the part that is of interest in this work.

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