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Linda Foard Roberts: Passage

Bag om Linda Foard Roberts: Passage

Linda Foard Roberts: Passage is a compilation of five series, created over the past ten years, by North Carolina based photographer Linda Foard Roberts. Roberts works in enduring genres--landscape, portrait and still life--and photographs her 21st-century surroundings using 4x5, 5x7 and 8x10 cameras and vintage lenses, some over 100 years old. The result is seemingly eternal, timeless, black-and-white photography that exploits the peculiar ability of the camera to produce images that are both extremely present and yet suspended in time. Over the past decade, Roberts has been exploring the inevitable movement of time in life, focusing on memory and the acceptance of transience and imperfection. The photographs in this volume, Roberts first monograph, are meant to be read like visual lines in a poem, metaphorical and layered, with each photograph bestowing a deeper meaning upon the next.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781942185161
  • Indbinding:
  • Hardback
  • Sideantal:
  • 176
  • Udgivet:
  • 28. februar 2017
  • Størrelse:
  • 287x28x318 mm.
  • Vægt:
  • 1724 g.
  • Ukendt - mangler pt..

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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
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Beskrivelse af Linda Foard Roberts: Passage

Linda Foard Roberts: Passage is a compilation of five series, created over the past ten years, by North Carolina based photographer Linda Foard Roberts. Roberts works in enduring genres--landscape, portrait and still life--and photographs her 21st-century surroundings using 4x5, 5x7 and 8x10 cameras and vintage lenses, some over 100 years old. The result is seemingly eternal, timeless, black-and-white photography that exploits the peculiar ability of the camera to produce images that are both extremely present and yet suspended in time. Over the past decade, Roberts has been exploring the inevitable movement of time in life, focusing on memory and the acceptance of transience and imperfection. The photographs in this volume, Roberts first monograph, are meant to be read like visual lines in a poem, metaphorical and layered, with each photograph bestowing a deeper meaning upon the next.

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