John Betjeman
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- Indbinding:
- Paperback
- Udgivet:
- 1. juni 1999
- Størrelse:
- 138x216x8 mm.
- Vægt:
- 181 g.
- Ukendt - mangler pt..
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af John Betjeman
Sir John Betjeman remains the most popular English poet of today. He has been termed a 'national teddy bear', and some commentary has addressed his work in
rather such terms. However, it is evident that most of his key themes - the spirit of place (or 'place-myth'), mundane lives ('petit récits') or historical continuity (the 'presence of the past') - have specific relevance to postmodern and, especially, environmental concerns. Dennis Brown's book assesses Betjeman's contribution in the light of this, emphasising its ironic self-reflexivity, its rendering of Englishness and a 'soft' masculinity, and its ecumenical Christian tolerance. The popularity of Betjeman's lyrics, and his verse-autobiography Summoned by Bells, is considered as indicative of Britain's post-imperial self-revaluation. It is shown how the poet's technique offers an accessible alternative to more complex neo-modernist poetics. Overall, the book stresses Betjeman's contemporaneity, and his relevance to an era of 'contingency, irony, and solidarity'.
rather such terms. However, it is evident that most of his key themes - the spirit of place (or 'place-myth'), mundane lives ('petit récits') or historical continuity (the 'presence of the past') - have specific relevance to postmodern and, especially, environmental concerns. Dennis Brown's book assesses Betjeman's contribution in the light of this, emphasising its ironic self-reflexivity, its rendering of Englishness and a 'soft' masculinity, and its ecumenical Christian tolerance. The popularity of Betjeman's lyrics, and his verse-autobiography Summoned by Bells, is considered as indicative of Britain's post-imperial self-revaluation. It is shown how the poet's technique offers an accessible alternative to more complex neo-modernist poetics. Overall, the book stresses Betjeman's contemporaneity, and his relevance to an era of 'contingency, irony, and solidarity'.
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