Jochen Mühlenbrink - J'M donc je suis
- Indbinding:
- Hardback
- Sideantal:
- 172
- Udgivet:
- 14. juni 2023
- Størrelse:
- 247x23x301 mm.
- Vægt:
- 1334 g.
- Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025
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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
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Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Jochen Mühlenbrink - J'M donc je suis
With J'M donc je suis, Düsseldorf-based painter Jochen Mühlenbrink (b. 1980) takes stock of the productive years
2018 to 2023, during which he further developed and sublimated his theme, the ambiguity of the correspondence
between visual perception and depictive reality. With the Window Paintings, for example, he takes up a very own and
old motif of painting, the image detail as a view and window into the world: in Mühlenbrink's work, it is seemingly almost
rendered impossible from the outset. Streaks of condensation form the foreground of a hyper-realistic everyday scene
in a veiled background, visible only through tiny sections of "painted-out" fi ngerprints in the window. The process of
cognition triggered by this strategy of showing and concealing brings two factual realities before the viewer's eyes, that
of the picture and that in the picture, and puts them to a sophisticated test in this double respect: Je vois donc je suis?
With a knowledgeable and exciting essay by the art historian Anna Heinze, further text contributions by SaSa Bogojev and
Sebastian Schmitt. High-quality design, brilliant printing and climate-neutral production.
Jochen Mühlenbrink, *1980 in Freiburg (DE), lives and works in Düsseldorf (DE).
2018 to 2023, during which he further developed and sublimated his theme, the ambiguity of the correspondence
between visual perception and depictive reality. With the Window Paintings, for example, he takes up a very own and
old motif of painting, the image detail as a view and window into the world: in Mühlenbrink's work, it is seemingly almost
rendered impossible from the outset. Streaks of condensation form the foreground of a hyper-realistic everyday scene
in a veiled background, visible only through tiny sections of "painted-out" fi ngerprints in the window. The process of
cognition triggered by this strategy of showing and concealing brings two factual realities before the viewer's eyes, that
of the picture and that in the picture, and puts them to a sophisticated test in this double respect: Je vois donc je suis?
With a knowledgeable and exciting essay by the art historian Anna Heinze, further text contributions by SaSa Bogojev and
Sebastian Schmitt. High-quality design, brilliant printing and climate-neutral production.
Jochen Mühlenbrink, *1980 in Freiburg (DE), lives and works in Düsseldorf (DE).
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