JESPER JUST – THE GARDEN IN THE MACHINE
- Indbinding:
- Hardback
- Sideantal:
- 200
- Udgivet:
- 3. december 2024
- Udgave:
- 1
- Størrelse:
- 240x320x1 mm.
- Vægt:
- 1 g.
- Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025
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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
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Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af JESPER JUST – THE GARDEN IN THE MACHINE
The Garden in the Machine is a groundbreaking total installation by renowned artist Jesper Just that explores the intricate relationship between natural and digitally produced environments. Set against the striking façade of Filmby Aarhus, this immersive work transforms the building into a canvas, projecting an interactive image sequence of a slowly rotating forest from sunset until midnight.
At the heart of this installation is a solitary Scots Pine, equipped with sensors that continuously register its photosynthetic processes, dictating the film’s flow in real-time. Spanning an impressive 1,400 square meters and utilising 13.2 kilometres of LED strips, The Garden in the Machine stands as one of the largest video installations in the world.
This book offers an in-depth exploration of Just’s artistic vision, technical ingenuity, and the profound questions his work raises about reality, perception, and the intertwining of the organic and the artificial.
At the heart of this installation is a solitary Scots Pine, equipped with sensors that continuously register its photosynthetic processes, dictating the film’s flow in real-time. Spanning an impressive 1,400 square meters and utilising 13.2 kilometres of LED strips, The Garden in the Machine stands as one of the largest video installations in the world.
This book offers an in-depth exploration of Just’s artistic vision, technical ingenuity, and the profound questions his work raises about reality, perception, and the intertwining of the organic and the artificial.
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