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Japan 1970

Bag om Japan 1970

This book is an intricate facsimile of a diary/sketchbook June Leaf filled during travels throughout Japan in 1970. Through sprawling drawings in pencil and ink, paintings, collages, and handwritten and typed thoughts, Leaf spontaneously captured her impressions on a journey both joyous and difficult, of pleasure and what she calls "that torture that occurs sometimes during travel." From real scenes like the view through the plane window approaching Japan, streetscapes, landscapes and a portrait of a passenger and conductor in a Hiroshima streetcar, to imagined visions including what she calls "scenes of paradise or Garden of Eden," image and text mingle like the accumulation of experiences over time. Following the approach to the facsimile of Leaf's Record 1974/75. Mabou Coal Mines published by Steidl in 2010, the paper and binding cloth of Japan 1970 closely match the originals, to transport us as deeply as possible into Leaf's intensively creative and self-reflective mind.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783969993040
  • Indbinding:
  • Hardback
  • Sideantal:
  • 40
  • Udgivet:
  • 29. august 2024
  • Størrelse:
  • 197x0x250 mm.
  • Kan forudbestilles.
Forlænget returret til d. 31. januar 2025
  •  

    Kan formentlig ikke leveres inden jul

Normalpris

Abonnementspris

- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af Japan 1970

This book is an intricate facsimile of a diary/sketchbook June Leaf filled during travels throughout Japan in 1970. Through sprawling drawings in pencil and ink, paintings, collages, and handwritten and typed thoughts, Leaf spontaneously captured her impressions on a journey both joyous and difficult, of pleasure and what she calls "that torture that occurs sometimes during travel." From real scenes like the view through the plane window approaching Japan, streetscapes, landscapes and a portrait of a passenger and conductor in a Hiroshima streetcar, to imagined visions including what she calls "scenes of paradise or Garden of Eden," image and text mingle like the accumulation of experiences over time. Following the approach to the facsimile of Leaf's Record 1974/75. Mabou Coal Mines published by Steidl in 2010, the paper and binding cloth of Japan 1970 closely match the originals, to transport us as deeply as possible into Leaf's intensively creative and self-reflective mind.

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