Jack the Lad
- Indbinding:
- Paperback
- Sideantal:
- 62
- Udgivet:
- 23. maj 2022
- Størrelse:
- 127x4x203 mm.
- Vægt:
- 78 g.
- 2-4 uger.
- 17. december 2024
På lager
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Jack the Lad
Following the success of their collaboration on Robin Hood, David Wood and
Dave and Toni Arthur wrote Jack the Lad, a musical celebration of Jack, the
ubiquitous hero or everyman of English legend, myth and folklore - from
Little Jack Horner, through Jack and the Beanstalk to Spring Heeled Jack, the
Terror of London.
The setting is a gypsy encampment, where a series of Jack tales and songs
are performed by the gypsies to celebrate the 80th birthday of their senior
member - affectionately known as Jack the Lad. The play, therefore,
depicts contemporary gypsy life, as well as traditional gypsy customs and
superstitions, and is a delightful amalgam of the traditional arts of storytelling,
singing and dancing, with a mumming play, a shadow-mime and
puppetry also employed within the main framework.
Dave and Toni Arthur wrote Jack the Lad, a musical celebration of Jack, the
ubiquitous hero or everyman of English legend, myth and folklore - from
Little Jack Horner, through Jack and the Beanstalk to Spring Heeled Jack, the
Terror of London.
The setting is a gypsy encampment, where a series of Jack tales and songs
are performed by the gypsies to celebrate the 80th birthday of their senior
member - affectionately known as Jack the Lad. The play, therefore,
depicts contemporary gypsy life, as well as traditional gypsy customs and
superstitions, and is a delightful amalgam of the traditional arts of storytelling,
singing and dancing, with a mumming play, a shadow-mime and
puppetry also employed within the main framework.
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