It's Fiction
- Indbinding:
- Paperback
- Sideantal:
- 84
- Udgivet:
- 24. oktober 2014
- Størrelse:
- 178x254x6 mm.
- Vægt:
- 163 g.
- 2-3 uger.
- 22. januar 2025
Forlænget returret til d. 31. januar 2025
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af It's Fiction
Yanyun Chen draws, and is driven by the question,
"how far can I go with this?"
How far can one go with charcoal and papers, and where does this bring one, lead one, leave one? How far can one go with a line, a stroke, a shape, a light, a shadow, an area, a turn, a form, a subject, an object, a trace, a place, a space, an empty whiteness where the paper takes its stance and refuses to leave, refuses to stay. Refusal. Refusing - a story. A fiction.
In the space of bound papers, images have a dialogue with text. Both are birthed by the empty spaces that shape their form; a form that becomes readable only with the presence of darkness and light. In its shadow, four authors sit together to have a silent conversation. Perhaps that is what being intimate is all about; in there, fiction goes far beyond non-fiction.
After all, drawings are fictions. So are writings.
Perhaps, that is what makes them real.
"how far can I go with this?"
How far can one go with charcoal and papers, and where does this bring one, lead one, leave one? How far can one go with a line, a stroke, a shape, a light, a shadow, an area, a turn, a form, a subject, an object, a trace, a place, a space, an empty whiteness where the paper takes its stance and refuses to leave, refuses to stay. Refusal. Refusing - a story. A fiction.
In the space of bound papers, images have a dialogue with text. Both are birthed by the empty spaces that shape their form; a form that becomes readable only with the presence of darkness and light. In its shadow, four authors sit together to have a silent conversation. Perhaps that is what being intimate is all about; in there, fiction goes far beyond non-fiction.
After all, drawings are fictions. So are writings.
Perhaps, that is what makes them real.
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