Illiberal Arts
- Indbinding:
- Paperback
- Sideantal:
- 471
- Udgivet:
- 11. september 2021
- Størrelse:
- 207x37x280 mm.
- Vægt:
- 1664 g.
- Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025
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- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Illiberal Arts
The liberal capitalist world order that prevailed after 1989 is today in a stage of advanced disintegration. The collapse of this order exposes the illiberal core of its freedoms and forms of ownership shaped by the market: the violent unfreedoms of the dispossessed as well as the willingness of the propertied to use violence. Art, too, reveals itself as the venue of these forces and their exclusions: Through the downfall of liberality, the modern institution of "veranstaltlichte Kunst" ("institutionalized art", Arnold Hauser) and its social legitimacy are also increasingly called into question.
Illiberal Arts is a search for forms concerning an artistic "Lebensarbeit" ("life's work", Lu Märten, publicist and art critic, 1879-1970) initiated with international artists, poets and authors. In the cracks of the decaying forms of market accumulation, anti-identitarian, communal horizons burst open, as do collective forms of perception and political spontaneities. The project subjects these to a practical test. For Lu Märten, "a person's whole life's work" was considered artistic; what was artistic didn't always have to become art. Perhaps what became art doesn't necessarily have to remain art either.
With contributions by Juliana Spahr; Rosalind C. Morris; Aristilde Paz Justine Kirby;Övül Ö. Durmusoglu; Ana Teixeira Pinto; Simone White; Frank Engster, Lisa Jechske and MYSTI, Jenny Nachtigall, Fumi Okiji,Larne Abse Gogarty, arán Finlayson, Danny Hayward, Em Hedditch, Marina Vishmidt, Danny Hayward a.o.
Illiberal Arts is a search for forms concerning an artistic "Lebensarbeit" ("life's work", Lu Märten, publicist and art critic, 1879-1970) initiated with international artists, poets and authors. In the cracks of the decaying forms of market accumulation, anti-identitarian, communal horizons burst open, as do collective forms of perception and political spontaneities. The project subjects these to a practical test. For Lu Märten, "a person's whole life's work" was considered artistic; what was artistic didn't always have to become art. Perhaps what became art doesn't necessarily have to remain art either.
With contributions by Juliana Spahr; Rosalind C. Morris; Aristilde Paz Justine Kirby;Övül Ö. Durmusoglu; Ana Teixeira Pinto; Simone White; Frank Engster, Lisa Jechske and MYSTI, Jenny Nachtigall, Fumi Okiji,Larne Abse Gogarty, arán Finlayson, Danny Hayward, Em Hedditch, Marina Vishmidt, Danny Hayward a.o.
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