I

Bengt O Björklund left his native Sweden bound for India to seek his hippie dreams in 1968, but ended up in a Turkish prison for possession of a small amount of hashish. A portion of this story was creatively represented in the movie Midnight Express. During his imprisonment Bengt wrote his first poems and songs and also began painting. After his release he resettled in his homeland and began to paint and write, play music and perform his work. "Time is a lake fed by the moon." Well within the tradition literary scope of experimental language employed by beat poets, Bengt uses what might be described as an avant-garde non-fiction, stream of consciousness in this long poem series. "I see that you are another me I / that holy is such a very short time" Employing a combination of narrative, culturo-generational commentary, and shifts in source perspective, he has created a wide field in which to better paint the scope of impression, sentiment, lament, wisdom, woe and philosophy gleaned from the span of a lifetime. "Hear! War is not a language" Instead of the poems in I standing as solitary trees in a field, they more resemble a grove of aspen trees having a complex underground root source from which each individual poem sprouts and grows. What at first seems reminescent of Joyce's Ulysses becomes, through engaged reading, something more closely resembling Gilles Deleuze's concept of a Plane of Immanence. "There is a final blessing / it is so human."