Haupt's Theory Of Counterpoint, Fugue, And Double Counterpoint
- Prepared Expressly For The Royal Institute For Church Music, At Berlin, Prussia (1876)
- Indbinding:
- Paperback
- Sideantal:
- 86
- Udgivet:
- 10. september 2010
- Størrelse:
- 152x229x5 mm.
- Vægt:
- 127 g.
- 2-3 uger.
- 2. december 2024
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- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Haupt's Theory Of Counterpoint, Fugue, And Double Counterpoint
Haupt's Theory of Counterpoint, Fugue, and Double Counterpoint is a comprehensive guide to the principles and techniques of musical composition, specifically focused on the genres of counterpoint, fugue, and double counterpoint. The book was prepared by August Haupt expressly for the Royal Institute for Church Music in Berlin, Prussia, and was first published in 1876.The book begins with an introduction to the basics of music theory, including the principles of melody, harmony, and rhythm. From there, Haupt delves into the intricacies of counterpoint, providing detailed explanations of the various types of counterpoint and their applications in composition.The second section of the book is devoted to fugue, a complex form of composition that requires a thorough understanding of counterpoint. Haupt provides a step-by-step guide to composing a fugue, including discussions of subject, countersubject, exposition, development, and other important elements.The final section of the book is devoted to double counterpoint, a technique that involves writing two melodies that can be played either together or separately, depending on the desired effect. Haupt provides detailed explanations of the different types of double counterpoint, as well as examples of how they can be used in composition.Throughout the book, Haupt provides numerous musical examples and exercises to help readers develop their skills and understanding of the principles of musical composition. Written in a clear and concise style, Haupt's Theory of Counterpoint, Fugue, and Double Counterpoint remains a valuable resource for composers, music students, and anyone interested in the art of musical composition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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