Funeral of the Minstrel
- Indbinding:
- Paperback
- Sideantal:
- 62
- Udgivet:
- 1. oktober 2015
- Størrelse:
- 127x203x4 mm.
- Vægt:
- 77 g.
- 2-3 uger.
- 12. december 2024
På lager
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Funeral of the Minstrel
Born in the Republic of Biafra on October 1, 1960, poet, playwright and actor Dr Esiaba Irobi, the Minstrel, lived in exile in Nigeria, United Kingdom, United States and Germany where he is said to have died, in Berlin, on the 3rd of May, 2010. It is his funeral. The Minstrel, however, as the funeral guests discover, is not the kind of guy that sleeps silently in a box. Esiaba Irobi is Esiaba Irobi. "Nnorom Azuonye has written a remarkable play that allows Esiaba Irobi's charismatic electricity to crackle from beyond the veil...capturing his speech, his brawling irreverence, diamond sharp intelligence and ability to lob the most un-p.c. hand grenades filled with intellectual explosives from the most unexpected of angles... This is a play that must be seen." - ANDY WILLOUGHBY "...How do you mourn an avatar? Tears are never enough. After the songs and dirges, the ache remains... Esiaba Irobi was such an avatar. He came, shone, glittered for a brief incandescent moment, and then was gone...In this short play which Nnorom Azuonye has structured as a rite of mourning enacted by Esiaba's peers and former students, he invokes the late writer's anger and irreverence, his crusade against corruption and mediocre leadership, as well as his irrepressible love of grandiloquence. ...Nnorom shows that, always underlying Esiaba's creative passion was a profound humaneness, and a sublime vision of perfection and loveliness...every time the play is performed, Esiaba himself, the 'rambunctious songmaster' and 'intellectual terrorist'...will probably rise, as the play envisages, and join in the dance." - FEMI OSOFISAN
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