Bøger udgivet af SCRIBNER BOOKS CO

Shoe Dog: A Memoir by the Creator of Nike is a captivating memoir penned by Phil Knight, the visionary founder of Nike. Published in 2016 by SCRIBNER BOOKS CO, this book belongs to the genre of autobiographies, offering a deep dive into the life and mind of the man behind the iconic 'Swoosh'. Knight, with his candid and compelling narrative, takes the readers on a journey from the inception of his 'Crazy Idea' to the birth of the global brand Nike. He shares his trials, tribulations, and triumphs, providing an insider's view of the corporate world and the relentless spirit it takes to build a company from scratch. This book is not just for sports enthusiasts or aspiring entrepreneurs, but for anyone who appreciates a well-told story. Published by SCRIBNER BOOKS CO, Shoe Dog is a testament to hard work, resilience, and the power of belief.

Roland, the Last Gunslinger, and his companions--Eddie Dean and Susannah--cross the desert of damnation, drawing ever closer to the Dark Tower, a legion of fiendish foes, and revelations that could alter the world.

"Taking place mere hours following the dramatic events seen in The Gunslinger, The Drawing of the Three continues with Roland of Gilead on his solitary quest for the Dark Tower, leading him to a seemingly endless stretch of beach along the Western Sea--a terrain filled with unearthly monstrosities that mean certain death if he lets his guard down. But there are other mysteries along this desolate shoreline as well: three arcane doorways standing freely in the sand and cryptically designated as The Prisoner, The Lady of Shadows, and The Pusher. Each one is a portal to our world's New York City at different points in time, and each one is complete with its own set of dangers that could spell the end of Roland's journey. The world has moved on, and the Tower draws even closer"--Back cover.

In an exhilarating account of his 21-year study of a troop of rambunctious baboons in Kenya, Robert Sapolsky interweaves serious scientific observations with wry commentary about the challenges and pleasures of living in the wilds of the Serengeti--for man and beast alike.

"In the early 1800s the world was a safe and cozy place. But then a twelve-year-old farm boy in Massachusetts stumbled on a row of fossilized three-toed footprints the size of dinner plates-the first dinosaur tracks ever found. Soon, in England, Victorians unearthed enormous bones-bones that reached as high as a man's head. No one had ever seen such things. Outside of myths and fairy tales, no one had even imagined that creatures like three-toed giants had once lumbered across the land. And if anyone had somehow conjured up such a scene, they would never have imagined that all those animals could have vanished, hundreds of millions years ago. The thought of sudden, arbitrary disappearance from life was unnerving and forced the Victorians to rethink everything they knew about the world. Now, in Dinosaurs at the Dinner Party, celebrated storyteller and historian Edward Dolnick leads us through a compelling true adventure as the paleontologists of the first half of the 19th century puzzled their way through the fossil record to create the story of dinosaurs we know today. The tale begins with Mary Anning, a poor, uneducated woman who had a sixth sense for finding fossils buried deep inside cliffs; and moves to a brilliant, eccentric geologist named William Buckland, a kind of Doctor Doolittle on a mission to eat his way through the entire animal kingdom; and then on to Richard Owen, the most respected and the most despised scientist of his generation. Entertaining, erudite, and featuring an unconventional cast of characters, Dinosaurs at the Dinner Party tells the story of how the accidental discovery of prehistoric creatures upended humanity's understanding of the world and their place in it, and how a group of paleontologists worked to bring it back into focus again"--

"Le Guin's sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin's origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A wizard of Earthsea and The left hand of darkness, and her role as a public intellectual and educator. The book and each thematic section are brilliantly introduced and contextualized by Susan Wood, a professor at the University of British Columbia and a literary editor and feminist activist during the 1960s and '70s. A fascinating, intimate look into the exceptional mind of Le Guin, whose insights remain as relevant and resonant today as when they were first published."--

"Eilis Lacey is Irish, married to Tony Fiorello, one of four Italian American brothers, all of whom live in neighboring houses on a cul-de-sac in Lindenhurst, Long Island, with their wives and children and Tony's parents, a huge extended family that lives and works, eats and plays together. It is the spring of 1976 and Eilis, now in her forties with two teenage children, has no one to rely on in this still-new country. Though her ties to the town in Ireland where she grew up remain stronger than those that hold her to her new land and home, she has not returned in decades. One day, when Tony is at his job, an Irishman comes to the door asking for her by name. He tells her that his wife is pregnant with Tony's child, and that when the baby is born, he will not raise it but instead will deposit it on Eilis's doorstep. It is what Eilis does - and what she refuses to do - in response to this stunning news that makes Tâoibâin's novel so riveting. Long Island is about longings unfulfilled, even unrecognized. The silences in Eilis's life are thunderous and dangerous, and there's no one defter than Tâoibâin at giving them language. This is a gorgeous story of a woman alone in a marriage and the deepest of bonds she rekindles on her return to the place and people she left behind, to ways of living and loving she thought she'd lost. Eilis is perhaps Tâoibâin's most moving and unforgettable character, and this novel is a masterpiece"--

Lab Girl meets Why Fish Don’t Exist in this “compelling blend of memoir, environmental writing, and scientific exploration” (Kirkus Reviews) from a young scientist studying penguins in Antarctica—a firsthand account of the beauty and brutality of this remote climate, the direct effects of climate change on animals, and the challenges of fieldwork.Offering a dramatic, captivating window into a once-in-a-lifetime experience, The Last Cold Place details Naira de Gracia’s time living and working in a remote outpost in Antarctica alongside seals, penguins, and a small crew of fellow field workers. In one of the most inhospitable environments in the world (for humans, anyway), Naira follows a generation of chinstrap penguins from their parents’ return to shore to build nests from pebbles until the chicks themselves are old enough to head out to sea. Naira describes the life cycle of a funny, engaging colony of chinstrap penguins whose food source (krill, or small crustaceans) is powerfully affected by the changing ocean in lively and entertaining anecdotes. Weaving together the history of Antarctic exploration with climate science, field observations, and her own personal journey of growth and reflection, The Last Cold Place illuminates the complex place that Antarctica holds in our cultural imagination—and offers a rare glimpse into life on this uninhabited continent.

1843. On a remote Scottish island, Ivar, the sole occupant, leads a life of quiet isolation until the day he finds a man unconscious on the beach below the cliffs. The newcomer is John Ferguson, an impoverished church minister sent to evict Ivar and turn the island into grazing land for sheep. Unaware of the stranger's intentions, Ivar takes him into his home, and in spite of the two men having no common language, a fragile bond begins to form between them. Meanwhile on the mainland, John's wife Mary anxiously awaits news of his mission.

From one of the world’s most innovative designers comes a fiercely passionate manifesto on why so many places have become miserable and boring and how we can make them better for everyone—featuring hundreds of photographs and illustrations that will change how you see the world around you.We are living through a global catastrophe. Buildings affect how we feel, moment by moment, day by day. They have the power to lift us up and make us feel awestruck, playful, safe, and inspired, just as they can make us feel alienated and sad. But many of the places where we live, work, learn, and heal have become monotonous and disposable. We’re surrounded by cheap, boring buildings that make people stressed, sick, and unhappy. In short, much of our world has been crafted in a way that is hostile to human experience. Now, drawing on his experience of the last thirty years in making bold, beautiful objects and buildings, Thomas Heatherwick offers both an informed critique of the inhumanity in most of today’s contemporary building design, and a rousing call for action. Looking through Heatherwick’s eyes, we see familiar landmarks and cityscapes around the world, from London, Paris, Barcelona, Singapore, New York, Vancouver, and beyond, both old and new, famous and obscure, to learn how places can either sap the life out of us—or nourish our senses and our psyche. The time has come, he says, to put emotion back at the heart of the design process, and the reasons to do so could not be more urgent. Design is not superficial: it has an impact upon economics, climate change, our mental and physical wellbeing—even the peace and cohesion of our societies. As citizens and users, we need a world full of architectural diversity that delights and unites us. And as makers and designers, we can help create a world where cities reconnect with their essential mission: to provide human spaces where people mix, meet, inspire each other, and live out their full potential. Elegantly crafted by Heatherwick’s own studio, and fully illustrated with hundreds of black-and-white photos, Humanize is an urgent call-to-arms for making our world a better place for everyone to live, and provides the vision and tools for us to make it a reality.

1798, France. Nuns move along the dark corridors of a Versailles hospital where the young Sister Perpetué has been tasked with sitting with the patient who must always be watched. The man, gaunt, with his sallow skin and distended belly, is dying: they say he ate a golden fork, and that it s killing him from the inside. But that s not all he is rumored to have done monstrous things in his attempts to sate an insatiable appetite&an appetite they say tortures him still.

"An introspective young boy, Joseph Coppock is trying to make sense of the world. Living alone in an old house, he spends his time reading comic books, collecting birds' eggs, and playing with marbles. When one day a rag-and-bone man called Treacle Walker appears on a horse and cart, offering a cure-all medicine, a mysterious friendship develops and the young boy is introduced to a world beyond his wildest imagination. Luminous, evocative, and sparely told, Treacle Walker is a stunning fusion of myth, folklore, and the stories we tell ourselves."--

In 1983, The Homewood Trilogy signaled the arrival of a major voice in American literature. Forty years later, this edition of the Trilogy celebrates Wideman's ongoing contribution by offering these masterworks to a new generation of readers.

"This imaginative and singular poetry collection interrogates the broadest ideas surrounding the humble pig farm animal, men/masculinity, police and state violence, desire, queerness, global food systems, religion/Judaism and law to reimagine various chaotic histories of the body, faith, ecology, desire, hygiene, and power. Sam Sax draws on autobiography and history to create poems that explore topics ranging from drag queens and Miss Piggy to pig farming and hog lagoons. Collectively, these poems, borne of Sax's obsession, offer a varied picture of what it means to be a human being. Delivered in a variety of forms, infused with humor, grace, sadness, and anger, Pig is a wholly unique collection from a virtuosic and original poet"--