Bøger udgivet af Scarecrow Press

Handbook of Warning Intelligence: Assessing the Threat to National Security was written during the cold war and was classified for 40 years. The majority of this manual, however, is now finally available to the general public. An abridged version, Anticipating Surprise: Analysis for Strategic Warning, was published, but this original document goes into much greater detail about the fundamentals of intelligence analysis and forecasting. It discusses military analysis, as well as the difficulties in understanding political, civil, and economic analysis and assessing what it means for analysts to have warning judgment.Much of what Grabo writes in her book seems to appear in many of the numerous commission reports that emerged after the 9/11 attacks. However, this book was written in response to the surprise attack of the Soviet Unions invasion of Czechoslovakia in 1968. According to the author, that event was no surprise. And while analysts have to take some of the blame for their failure to strenuously present their case that the threat was real and imminent, what occurred was a failure by policymakers to listen to the warning intelligence reports that were written at the time.

This important volume in onomastics, the study of names, presents a listing of Yiddish first names in the modern period: 1750 to the present day. Yiddish Given Names: A Lexicon resumes, collects, documents, and corrects the available body of research on Yiddish given names. It aims to establish the modern corpus and give the origins of the names therein. Rella Israly Cohn has amassed and preserved a number of names that have become extremely rare, almost to the point of disappearing, and correctly identified their sources using a number of works both commonly available and difficult to find.The book begins with preliminary material that orients the reader, explains technical terms and classifications, and describes the evolution of Yiddish names throughout their history. Following is the lexicon itself, which is comprised of over 250 names with variant forms and alphabetized according to the English transliteration. Each entry relates the Yiddish name to its source language, shows a source form, and gives the attestations of the name in its various forms in the earliest written works. Concluding with several appendixes that offer additional information and assist in reference and accessibility, this significant work will serve scholars in onomastics, linguistics, and Yiddish and will be of interest to both scholars and laypersons researching their family history or the cultural legacy of the Jewish community worldwide.

In this book, Michael Cramer views the Society for Creative Anachronism (SCA), an organization that studies and recreates the middle ages, as a case study for a growing fascination with medieval fantasy in popular culture. He explores the act of medieval re-creation as performance by focusing on the SCA, describing the group's activities, investigating its place in popular culture, and looking at the SCA not so much as a historical society but as an on-going work of performance art; a postmodern counter-culture riff on what it means to be 'medieval.' Cramer examines the group's activities, from persona and character development to theatrical performance and personal interaction; from the complex official ceremonies to full contact armored combat with mock broadswords. He explores the SCA in detail to discover how its members adapt and employ ideas about the Middle Ages in performance, ritual reenactment, living history, and re-creation, analyzing the performance of identity through ritual, sport, drama, and personal interaction, and he focuses on the reconstruction of the medieval 'king game,' a game in which a mock king is chosen to reign over a mock court. The book also studies various ideas about medievalism, including the contrast between reenactment and re-creation, and places these activities in the context of contemporary American society. With three appendixes, a bibliography, and a selection of photos, Cramer demonstrates how and why medieval fantasy is increasingly used in popular culture and analyzes the dissatisfaction with contemporary culture that leads people into these realms of fantasy.

Celebrating 100 years of Peter Pan, this fourth volume in the Centennial Studies series explores the cultural contents of Barrie's creation and the continuing impact of Peter Pan on children's literature and popular culture today, especially focusing on the fluctuations of time and narrative strategies.

This collection of essays explores the social and cultural aspects of steampunk, examining the various manifestations of this multi-faceted genre, in order to better understand the steampunk sub-culture and its effect on-and interrelationship with-popular culture and the wider society.

The musical scores of Stanley Kubrick's films are often praised as being innovative and forward-looking. Despite playing such an important part in his productions, however, the ways in which Kubrick used music to great effect is still somewhat mysterious to many viewers. Although some viewers may know a little about the music in 2001 or A Clockwork Orange, few are aware of the particulars behind the music in Kubricks other films.In Listening to Stanley Kubrick: The Music in His Films, Christine Lee Gengaro provides an in-depth exploration of the music that was composed for Kubrick's films and places the pre-existent music he utilized into historical context. Gengaro discusses the music in every single work, from Kubrick's first films, including the documentary shorts The Flying Padre and Day of the Fight, through all of his feature films, from Fear and Desire to Eyes Wide Shut. No film is left out; no cue is ignored.Besides closely examining the scores composed by Gerald Fried for Kubrick's early works, Gengaro pays particular attention to five of the director's most provocative and acclaimed films2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, The Shining, and Eyes Wide Shut. For each film, she engages the reader by explaining how the music was excerpted (and changed, in some cases), and how the historical facts about a musical piece add layers of meaningsometimes unintendedto the films.Meant for film lovers, music lovers, and scholars, Listening to Stanley Kubrick is a thoroughly researched examination into the musical elements of one of cinema's most brilliant artists. Appropriate for a cinema studies or music classroom, this volume will also appeal to any fan of Kubrick's films.

Undead in the West is a collection of essays that explore the many tropes and themes through which undead Westerns make the genre's inner plagues and demons visible, and lay siege to a frontier tied to myths of strength, ingenuity, freedom, and independence. Featuring several illustrations and a filmography, the volume is divided into three sections: "Reanimating Classic Western Tropes" examines traditional Western characters, symbolism, and plot devices and how they are given new life in undead Westerns; "The Moral Order Under Siege" explores the ways in which the undead confront classic values and morality tales embodied in Western films; and "And Hell Followed with Him" looks at justice, retribution, and retaliation at the hands of undead angels and avengers.

Women of the Constitution follows in the footsteps of the 1912 work The Wives of the Signers, which was devoted to biographical sketches of the spouses of the signers of the Declaration of Independence. This new publication will be the first work devoted exclusively to brief biographies of the forty-three wives of the signers of the U.S. Constitution on September 17, 1787.Each entry includes vital information, where knownsuch as birth, parents, marriage, children, and deathas well as a footnoted biography with its own bibliography. Also provided are illustrations of many of the wives and their homes, as well as an appendix describing the now historic residences in which the signers and their spouses resided.

Incompatible with God's Design is the first comprehensive history of the Roman Catholic women's ordination movement in the United States. Mary Jeremy Daigler explores how the focus on ordination, and not merely ';increased participation' in the life and ministries of the church, has come to describe a broad movement. Moving well beyond the role of such organizations as the Women's Ordination Conference, this study also addresses the role of international and local groups.In an effort to debunk a number of misperceptions about the movement, from its date of origin to its demographic profile, Daigler explores a vast array of topics. Starting with the movement's historical background from the early American period through the early twentieth century to Vatican II and afterward, she considers the role of women (especially Catholicism's more religious adherents) in the movement's evolution, the organization of the ordination movement in the United States, the role and response of clergy and Vatican teachings, the reality of international influences on the U.S. movement, and the full range of challengespast and presentto the ordination movement.Incompatible with God's Design is compelling reading for any student of theology and women's studies, as well as those interested in staying abreast with the changing role of women within the U.S. Roman Catholic Church.

In this unique work of scholarship, Edd Applegate surveys the key figures and events that transformed the American business landscape from its colonial beginnings to that Mad Men moment when advertising ';went professional.' In The Rise of Advertising in the United States: A History of Innovation to 1960, Applegate traces how the explosion of newspapers in the American colonies laid the groundwork for the first advertising agents, leading to America's first class of professional marketers. This entrepreneurial class of new white-collar professionals thrived on innovation in the quest for more publicity, larger clients, and greater sales. Some of the thought-leaders in what remained a novel, ever-changing form of communication include:*; P. T. Barnum, master of the advertising ';gimmick'*; Lydia Pinkham, queen of the patent medicine cure*; John Wanamaker, progenitor of modern retail advertising*; Albert Lasker, the formulator of ';reason why' advertising*; Stanley Resor, the consummate market researcher*; Elliott White Springs, the groundbreaking purveyor of the sexual innuendoApplegate records the achievements of these individuals and others up until 1960, when advertising underwent a remarkable change, becoming a post-war subject of study and scholarship in America's colleges and universities. Written for those interested in learning about a select group of movers and shakers in this key area of American business, The Rise of Advertising in the United States should appeal to anyone interested in American business history.

Lesotho is rather different from most other African countries. For starters, it is a kingdom, which preserves a traditional hierarchy and customs, and its population consists of one fairly homogenous ethnic group, although admittedly there are differences and occasional rifts within it. Then, it is a landlocked country, completely surrounded by South Africa on which is depends heavily. Economically, it has not been doing particularly well, this partly because the country is so poorly endowed by nature, and its people often eke out a living abroad. Politically, there have been ups and downs, the downs fortunately lying in the past, with Lesotho doing somewhat better since the latest elections. Socially and culturally, as hinted, it is quite unique and this can be gathered from reading the book.This second edition of Historical Dictionary of Lesotho covers the full scope of Lesotho's ancient, colonial, and independence eras. It gives greater emphasis to the more recent period and brings the book fully up-to-date. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on civil society, key events, leaders, governmental, international, religious, and other private organizations, policies, political movements and parties, economic elements, and many other areas that have shaped the country's trajectory. This book is an excellent access point for students, researchers, and anyone wanting to know more about Lesotho.

Where the Dark and the Light Folks Meet tackles a controversial question: Is jazz the product of an insulated African-American environment, shut off from the rest of society by strictures of segregation and discrimination, or is it more properly understood as the juncture of a wide variety of influences under the broader umbrella of American culture? This book does not question that jazz was created and largely driven by African Americans, but rather posits that black culture has been more open to outside influences than most commentators are likely to admit. The majority of jazz writers, past and present, have embraced an exclusionary viewpoint. Where the Dark and the Light Folks Meet begins by looking at many of these writers, from the birth of jazz history up to the present day, to see how and why their views have strayed from the historical record. This book challenges many widely held beliefs regarding the history and nature of jazz in an attempt to free jazz of the socio-political baggage that has so encumbered it. The result is a truer appreciation of the music and a greater understanding of the positive influence racial interaction and jazz music have had on each other.

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing's reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 19101919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title AuthorTheatrePerformersPersonnelOpening and closing dates Number of performancesOther details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics.A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the materialin particular, information on adaptations and translations, plot sources, and commentsis new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 19101919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

Young adults often struggle with confusion or guilt because they perceive themselves as different from others, especially their peers. For some of these individuals, the arts can help them cope with adolescent turmoil, allowing them to express their emotions in poems, stories, painting, songs, and other creative outlets. Sensitive teachers and parents know how important it is for young people to realize that they are not alone in their quest for self-knowledge and finding their way in the world. It can make a difference when readers find something in a book that helps them understand more about who they are and helps them understand others. In Portrait of the Artist as a Young Adult: The Arts in Young Adult Literature, Lois Thomas Stover and Connie S. Zitlow examine books in which the coming-of-age for young adults is influenced by the arts. Stover and Zitlow consider the connection between the arts and a young person's developing sense of self, the use of art to cope with loss and grief, and how young adults can use art to foster catharsis and healing. The young people in these books either identify as artists or use the arts in intentional ways to explore their identities. They often have artistic gifts that make them stand outside the norms of teenage life, yet those gifts also help them find a sense of community. Artists considered in this book include painters, photographers, sculptors, actors, directors, choreographers, dancers, composers, musicians, graffiti artists, and others. The books discussed also explore the ways adults can nurture the artist's development and understand the way young people sometimes use the arts to form their unique identity. Included is an annotated bibliography organized by art discipline, as well as an appendix about using the arts pedagogically, making Portrait of the Artist as a Young Adult a valuable resource for educators, parents, librarians, and young adults.

Since the beginning of network television, many shows have been preceded by an announcement or theme song that served various purposes. In the 1950s and '60s, it was common for announcers to declare that a program had been ';brought to you by' a sponsor who paid for the privilege of introducing a show. Other programs, such as The Twilight Zone, Star Trek, and The Odd Couple, provided a brief encapsulation of the show's subject matter, a practice that has continued for recent shows like Alias, Battlestar Galactica, Person of Interest, and the various editions of Law & Order. In Television Introductions: Narrated TV Program Openings since 1949, Vincent Terrace has assembled openings for more than nine hundred television shows from the past seven decades. The only documented history of narrated television program introductions, this volume is arranged by type of programming, such as comedy, drama, Western, game show, soap opera, and children's show. In addition to quoting the opening material, entries provide information about each show's network history and years of broadcast. Many entries include descriptions of the show, the names of announcers, and a list of main cast members, as well as a sponsor pitch exactly as spoken. Openings for programs with multiple introductions like The Adventures of Ozzie and Harriet and Charlie's Angels are also included. For programs that featured new guest stars every episodesuch as game shows and variety programsTerrace has selected a representative introduction. In addition to the theme song credits found in the main text, there are also appendixes of theme songs and their composers and/or singers, as well as a listing of commercial releases (on DVD, VHS, CD, and LP) of shows and their soundtracks. A comprehensive resource for researchers and pop culture aficionados alike, Television Introductions provides a fascinating look at this neglected part of TV history.

In 2003, the Korean singing tradition of p'ansori joined the Representative List of the Intangible Cultural Heritage of Humanity, a distinctive honor bestowed by the United Nations Educational, Scientific, and Cultural Organization. P'ansori is a music genrean oral tradition comprisingi arias and narratives. Often the individual singer acts out the story of young and old, good and bad, and male and female. In Korean P'ansori Singing Tradition: Development, Authenticity, and Performance History, Yeonok Jang studies the periodical developments and changes in the performance context, vocal developments, singing style, audience involvement, contemporary performance, cinematic history, and private and government sponsorship of p'ansori. Covering the period from the early development of p'ansori, including the origins and early formation of the genre, to contemporary performance, Jang surveys this remarkable genre of storytelling, song, theater, and performance. Throughout, she considers not only issues of historical context but also questions of cultural identity, past and present. Researchers in the fields of Korean studies, folk music, oral history, ethnic music, narrative and theatrical music, and cultural studies will find this work of significant value.

When it was founded back in 1944 no one could possibly have foreseen how the World Bank known more formally as the International Bank for Reconstruction and Development (IBRD) would flourish. Today, with 188 members, it is by far the largest lender for projects in agriculture, health, infrastructure and many other fields in developing countries around the world, with a budget of billions of dollars and a staff of more than 9,000, and its advice is usually heeded by both the developing countries which borrow from it and the advanced ones which contribute. This second edition of the Historical Dictionary of the World Bank shows the substantial progress the Bank has made, this mainly through the dictionary section with concise entries on its component institutions, related organizations, its achievements in various fields, some of the major projects and member countries, and its various presidents. The introduction explains how the Bank works while the chronology traces the major events over nearly 70 years. Meanwhile, the list of acronyms reminds us just who the main players are. And the bibliography directs readers to useful internal documentation and outside studies.

All places undergo change, but in few has this change been quite as sweeping as Ireland both the independent Republic of Ireland and dependent Northern Ireland so it is good to see where it is heading at present. Obviously, that has to be judged on the background of where it is coming from, not only over the past decade or so but over centuries and, indeed, millennia. This new edition of Historical Dictionary of Ireland is an excellent resource for discovering the history of Ireland. This is done through a chronology, an introductory essay, and an extensive bibliography. The cross-referenced dictionary section has over 600 entries on significant persons, places and events, political parties and institutions (including the Catholic church) with period forays into literature, music and the arts. This book is an excellent resource for students, researchers, and anyone wanting to know more about Ireland.

A master of short story, novel, and nonfiction prose, Ernest Hemingway has been the subject of countless books, articles, and biographies. The Nobelprize winning author and his work continue to interest academics, whose studies of his personal life are frequently intertwined with examinations of his writing.In Fifty Years of Hemingway Criticism, noted scholar Peter L. Hays has assembled a career-spanning collection of essays that explore the many facets of Hemingwayhis life, his contemporaries, and his creative output. Although Hays has published on other writers, Hemingway has been his main research interest, and this selection constitutes five decades of criticism. Arranged by subject matter, these essays focus on the novels The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, and The Old Man and the Sea, as well as the short stories ';The Undefeated,' ';The Killers,' ';Soldier's Home,' and ';A Clean Well-Lighted Place.' Other chapters explore Hemingway's relationship with F. Scott Fitzgerald; teaching Hemingway in the classroom; and comparing Hemingway's work to writers such as Eugene O'Neill, Ford Madox Ford, and William Faulkner.When first published, some of these essays offered original views and insights that have since become standard interpretations, making them invaluable to readers. Easily accessible by both general readers and academic scholars, Fifty Years of Hemingway Criticism is an essential collection on one of America's greatest writers.

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing's reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 18901899: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1890, through the 31st of December, 1899. The volume chronicles more than 3,000 productions at 31 major central London theatres during this period. For each entry the following information is provided: Title AuthorTheatrePerformersPersonnelOpening and Closing Dates Number of PerformancesOther details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Alice in Wonderland, Arms and the Man, Cyrano de Bergerac, An Ideal Husband, The Prisoner of Zenda, and The Second Mrs. Tanqueray, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics.A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the materialin particular, information of adaptations and translations, plot sources, and comment informationis new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 18901899 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

Cloud computing can be confusing - the number and types of services that are available through ';the cloud' are growing by the day. Making the Most of the Cloud: How to Choose and Implement the Best Services for Your Library takes you through some of the more popular cloud services in libraries and breaks down what you need to know to pick the best one for your library. Some of the cloud services covered are:EmailIntegrated Library Systems (ILS)BackupsProject ManagementGraphics Softwareand much more...With chapters covering cloud topics from the definition of a ';cloud' to security in the cloud, this book will be beneficial for any library which is thinking of moving their services outside their organization.

In Living with Conflict: A Challenge to a Peace Church, Susan Robson explores the discomforts and denials that can arise when an organization committed to doing good suspects that it is not living up to its declared aims. This case study of Quakers in the United Kingdom closely examines the challenge of living constructively despite ever-present internal conflicts. Drawing on ideas from contemporary organizational theory, Robson's study points the way forward for Quakers and other value-based groups.Living with Conflict compares the evolution of the Quaker peace testimony to the experience of other peaceful churches, in both their relationships to the wider world and how they handle congregational conflict. It analyzes conflicts in small church congregations, looking at triggers and responses, past and present, describing the consequences of challenging community narratives and creating counter-narratives.Students of peace and conflict studies, organizational studies, and the sociology of religion will find this study thought-provoking. Living with Conflict is also for anyone who has ever joined an organization they thought was welcoming and safe, working together for the common good, only to see it unravel into a flurry of acrimonious e-mails, slammed doors, tears, legal proceedings, even tragedy.

The period from 1913 to 1933 is not often seen as a coherent entity in the history of the United States. It is more often viewed in terms of two distinct periods with the pre-war era of political engagement, idealism, and reform known as ';progressivism' separated by World War I from the materialism, conservatism and disengagement of the ';prosperous' 1920s. To many postwar observers and later historians, the entry of the United States into the European conflict in 1917 marked not just a dramatic departure in foreign relations, but also the end of an era of reform. This second edition of Historical Dictionary from the Great War to the Great Depression covers the history of this period through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about a vital period in U.S. history.

'There cannot be a God because if there were one, I could not believe that I was not He.' _Friedrich Nietzsche Few philosophers have been as popular, prolific, and controversial as Friedrich Nietzsche, who has left his imprint not only on philosophy but on all the arts. Whether it is his concept of the Ybermensch or his nihilistic view of the world, Nietzsche's writings have aroused enormous interest, as well as anathema, in scholars for centuries. The second edition of the Historical Dictionary of Nietzscheanism helps bring the many ideas and concepts developed by the 19th Century philosopher together in one single volume reference. This is accomplished through the use of a chronology, a glossary, a bibliography, and hundreds of cross-referenced dictionary entries on his major writings, his contemporaries, and his successors.

British Intelligence is the oldest, most experienced organization of its kind in the world, the unseen hand behind so many world events, and glamorized by James Bond. Despite the change in role, from a global power controlling an Empire that covered much of the world, to a mere partner in the North Atlantic Treaty Organization (NATO) and the European Union, the country's famed security and intelligence apparatus continues largely intact, and recognized as ';punching above its weight.' Feared by the Soviets, admired and trusted by the Central Intelligence Agency (CIA), British Intelligence has provided the hidden dimension to the conduct of domestic and foreign policy, with the added mystique of Whitehall secrecy, a shroud that for years protected the identities of the shadowy figures who recruited the sources, broke the codes, and caught the spies.This second edition of Historical Dictionary of the British Intelligence covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1,000 cross-referenced entries on specific operations, spies and their handlers, the moles and defectors, top leaders, and main organizations. This book is an excellent access point for students, researchers, and anyone wanting to know more about the British Intelligence.

This collection of original essays investigates film and television westerns of the last 25 years. It offers the first substantial account of the trends and transformations in this under-explored period, arguing for the continued relevance and vibrancy of the western as a narrative form.

With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malena; and Cinema Paradiso leave moviegoers with the conviction that something special was achieveda conviction shared by composers, scholars, and fans alike.In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone's expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffe, the Taviani Brothers, and others.Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone's passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.

Methodism is growing, both in numbers and influence, according to the World Methodist Council there are 78 Methodist, Wesleyan, and related Uniting and United churches representing over 80 million people in more than 130 nations. There are clear reasons for its success. Among them are commitment to evangelize and nurture people with the message of Gods presence, love, and direction. That includes an appreciation for, and practice of, the holistic nature of the Wesleyan tradition which involves faith nurtured in the biblical narrative, disciplined personal and communal spirituality and holy living, vibrant preaching, worship, and fellowship, and a faith which rejoices in personal and social reform. This third edition of Historical Dictionary of Methodism presents the history of Methodism through a detailed chronology, an introductory essay, an extensive bibliography, and over 500 cross-referenced dictionary entries on important institutions and events, doctrines and activities, and especially persons who have contributed to the church and also broader society in the three centuries since it was founded. This book is an ideal access point for students, researchers, or anyone interested in the history of the Methodist Church.

The Historical Dictionary of Japan to 1945 spans the entire period from the earliest evidence of human habitation in Japan through to the end of the Pacific War. It includes substantial topics such as cultural and literary history, with entries ranging from aesthetics to various genres of writing. Other branches of history also feature, such as economic history, industrial history, political history, and so forth. And of course there are the makers of Japanese history, ranging from emperors and shoguns to politicians and extremists as well as foreign arrivals. The early history of Japan is told through a detailed chronology, an introductory essay, appendixes, an extensive bibliography, and over 800 cross-referenced dictionary entries on important people, organizations, activities, and events. The Historical Dictionary of Japan to 1945 will appeal to both academics and the general public who have an interest in Japan, particularly those who want reliable information quickly and easily.

This is a collection of critical essays on Ramsey Campbell, author of several award-winning stories and novels in the fields of fantasy and horror, including To Wake the Dead, Incarnate, and Grin of the Dark.