Bøger udgivet af Auckland University Press

From the South Auckland Poets Collective to regional writers festivals, at poetry slams and open mic nights, in theatre works like Show Ponies and Wild Dogs Under My Skirt, performance poetry has taken off in Aotearoa. In this anthology, ninety performance poets, rappers, spoken-word artists, slam poets, theatre makers, genre blenders and storytellers come together to celebrate the diverse voices and communities within Aotearoa - including Ben Brown and Mohamed Hassan, Grace Iwashita-Taylor and Tusiata Avia, Nathan Joe and Dominic Hoey, Freya Daly Sadgrove, David Eggleton and Selina Tusitala Marsh. Rapture is a parallel narrative about contemporary poetry in Aotearoa - one that doesn't just sit on the page, but leaps from it.

The story of beer and brewing in Aotearoa from Speights to Parrotdog and beyond.

"Drawing extensively on Binney's letters, journals and other writings, award-winning author and curator Gregory O'Brien takes us into the world of this gifted but paradoxical artist. Richly illustrated with Binney's paintings, drawings and prints - alongside photographs and documentary materials - this is the first full-length monograph on one of New Zealand's most important twentieth-century artists"--Jacket.

In haka and waiata, sea shanties and ballads, in the words of Sam Hunt and Selina Tusitala Marsh, Hone Tuwhare and Hera Lindsay Bird, the rhythms of poetry have carried our sounds and stories, our loves and losses for generations. Now Anne Kennedy brings together for the first time a selection of over 200 poems from Aotearoa to learn by heart - whakatauki and odes, poems of love and of nature, of whanau, history and politics. For a wedding, a tangi, for a day at school or an evening at home, Remember Me will be a lively poetic companion for years to come.

Part philosophy thesis and part psychosexual Ancient Greek fever dream, Dani Yourukova's Transposium adapts Plato into poetry, featuring queer longing, a choose-your-own-adventure apocalypse, Les Misé rables slash fiction and love poems about dead philosophers. Shameless, witty and hot with curiosity, these poems are preoccupied with the refashioning of gender, logic, language and form. Through relentless cross-examination of Socrates and associates, Yourukova combines reckless affection for the past, and a shimmering spectrum of anxieties around an uncertain future. Alternately intellectual and irreverent, this collection is a playful take on the concept of the dialectic, weaving across text and time and the aching yawn of distance between us.

"Whakaorangia ana i te pukapuka nei e tona kaiwhakamaori e Te Haumihiata Mason te ao o Romeo raua ko Hurieta ki te reo whakaatu i te wairua Maori. Mauroa ana te kaingakautia o nga whakaari a Wiremu Hakipia i te ao Maori - mai i nga whakamaoritanga a Takuta Pei Te Hurinui o Te Tangata Whai Rawa o Weneti, o Othello me Julius Caesar ki nga whakamaoritanga a Takuta Merimeri Penfold i nga oriori aroha a Hakipia. Whaia ana e Te Haumihiata tenei tikanga i tana whakamaoritanga o Toroihi raua ko Kahira i whakaaritia ki te Whare Whakaari o te Globe i Ranana i te 2012, tahuri ana ki te whakaari a Hakipia mo te aroha whaiaipo hinapouri e tino kaingakautia ana. Te aroha, te tuku matatahi, te towhare, te pakuha - katoa atu kei a Romeo raua ko Hurieta. Ka kawea ake te whakaari nei e tona whakamaoritanga ki te manawa o Aotearoa"--Publisher information.

"In 1900, a handful of New Zealand police detectives watched out for spies, seditionists and others who might pose a threat to state and society. The Police Force remained the primary instrument of such human intelligence in New Zealand until 1956 when, a decade into the Cold War, a dedicated Security Service was created. Over the same period, New Zealand's role within signals intelligence networks evolved from the Imperial Wireless Chain to the UKUSA intelligence alliance (now known as Five Eyes)"--Publisher information.

In this poignant new poetry collection, one of this country's most significant voices reflects on home, on away, and on friends living and dead. 'I lead a life of quiet medication', the poet claims, 'longing for foreign shores, adventure and death.' But whether swimming to the yellow buoy or remembering an encounter in Belsize Park, in the thick of it or asking, 'what next?', Stead's voice is intimate, amusing and always compelling. Swimming in the dark I call on memory - Rangitoto ahead, and those lights of Kohi behind making a cosy half-circle. Overhead the moon's a waka sailing west to escape first light that will put it out. I'm reaching blind fingers for the yellow buoy and touch it only as the sun does dimly through a bank of cloud

The second volume of C. K. Stead's riveting memoir, taking us from graduate school to Smith's Dream and the Springbok Tour.

A remarkable anthology of queer New Zealand voices. We became teenagers in the nineties when New Zealand felt a lot less cool about queerness and gender felt much more rigid. We knew instinctively that hiding was the safest strategy. But how to find your community if you're hidden? Aotearoa is a land of extraordinary queer writers, many of whom have contributed to our rich literary history. But you wouldn't know it. Decades of erasure and homophobia have rendered some of our most powerful writing invisible. Out Here will change that. This landmark book brings together and celebrates queer New Zealand writers from across the gender and LGBTQIA+ spectrum with a generous selection of poetry, fiction, creative nonfiction, and much, much more. From established names to electrifying newcomers, the cacophony of voices brought together in Out Here sing out loud and proud, ensuring that future generations of queers are afforded the space to tell their stories and be themselves without fear of retribution or harm.

In this dazzling first collection, acclaimed Wellington poet and Canterbury farm-girl Rebecca Hawkes takes a generous bite from the excesses of earthly flesh – first ‘Meat', then ‘Lovers'. ‘Meat' is a coming of age in which pony clubs, orphaned lambs and dairy-shed delirium are infused with playful menace and queer longings. Between bottle-fed care and killing-shed floors, the farm is a heady setting for love and death.In ‘Lovers', the poet casts a wry eye over romance, from youthful sapphic infatuation to seething beastliness. Sentimental intensity is anchored by an introspective comic streak, in which ‘the stars are watching us / and boy howdy are they judgemental'.This collection of queasy hungers offers a feast of explosive mince & cheese pies, accusatory crackling, lab-grown meat and beetroot tempeh burger patties, all washed down with bloody milk or apple-mush moonshine. It teems with sensuous life, from domesticated beasts to the undulating mysteries of eels, as Hawkes explores uneasy relationships with our animals and with each other. Tender and brutal, seductive and repulsive, Meat Lovers introduces a compelling new mode of hardcore pastoral.

It's the end of the world and Chris Tse has lost his chill. In Super Model Minority he completes a loose trilogy of books – from the historical racism of How to be Dead in a Year of Snakes to a queer coming of age in HE'S SO MASC – by looking to a future where ‘it's enough to look up at a sky blushing red and see possibility'. From making boys cry with the power of poetry to hitting back against microaggressions and sucker punches, these irreverent and tender poems dive head first into race and sexuality with rage and wit, while embracing everyday moments of joy to fortify the soul.Super Model Minority is a riotous walk through the highs and lows of modern life with one of New Zealand's most audacious contemporary poets.

Having left the university to write full-time at the end of volume two, Stead throws himself into his work. In novels like Sister Hollywood and My Name Was Judas, criticism in the London Review of Books and the Financial Times, poetry and memoir, Stead establishes his international reputation as novelist, poet and critic. It is also a period when Stead's fearless lucidity on matters literary and political embroil him in argument – from The Bone People to the meaning of the Treaty to the controversy over a London writer's flat.What was it like to be Allen Curnow's designated ‘Critic across the Crescent'; or alternatively to be labelled ‘the Tonya Harding of NZ Lit'? How did poems emerge from time and place, sometimes as naturally as ‘leaves to a tree', sometimes effortfully? And how did novels about individual men and women retell stories of war (World War II, Yugoslavia, Iraq) and peace?Covering Stead's travels from Los Angeles to Liguria, Croatia and Crete to Caracas and Colombia, as New Zealand poet laureate and Kohi swimmer, What You Made of It takes us deep inside the mind and experience of one of our major writers – and all in Stead's famously lucid ‘story-telling' prose.

Ninety-one writers with connections to these islands grapple with the biggest issue facing people and the planet.

Katahi ano te pakanga nui whakaharahara a nga tuahangata nei ka whakamaoringia hei whakaputanga ki te ao marama. The ultimate superhero showdown now available for the first time in te reo Maori.

A remarkable collection of poetry and paintings by acclaimed Wellington poet Gregory O'Brien.

"Olaf Petersen is one of New Zealand's finest nature photographers, documenting our country's landscape and its people. Nature Boy features 60 extraordinary images; from the birds, sea, trees and wind-rippled sand on Auckland's west coast beaches, to the flora and fauna from the far north to Stewart Island"--Exhibition website.

A te reo Maori translation of Witi Ihimaera's award-winning novel about two rival Maori families on the East Coast, Bulibasha.

A biting new collection by award-winning poet Anne Kennedy.

In a New Zealand poetry scene overflowing with energy, the return of AUP New Poets introduces three extraordinary new voices.Launched in 1999, AUP New Poets first introduced readers to Anna Jackson, Sonja Yelich, Janis Freegard, Chris Tse and many more significant New Zealand voices. Relaunching this year under the editorship of Anna Jackson and with a bold new look, AUP New Poets 5 includes substantial selections from the poetry of Carolyn DeCarlo, Sophie van Waardenberg and Rebecca Hawkes.In poems about limpets and mangroves, beauty and hunger, 'love, actually' and earthquake preparedness, the poets' work stands out for its fierce intelligence, formal command and dazzling vivacity. AUP New Poets 5 is the perfect introduction to the lively diversity of New Zealand poetry today.

In the sequel to the bestselling Mophead, Selina is invited to read a poem for the Queen in Westminster Abbey. Someone at work calls her a 'sellout'. What will she do?

An exquisite piece of art publishing that showcases Bohemian artist Gottfried Lindauer's New Zealand in 75 plates and detailed contextual essays.

Among the biggest and oldest trees in the New Zealand forest, the heart of Maori carving and culture, trailing no. 8 wire as fence posts on settler farms, clambered up in the Pureora protests of the 1980s: the story of New Zealand can be told through totara. Simpson tells that story like nobody else could.

At school, Selina is teased for her big, frizzy hair. Kids call her 'mophead'. She ties her hair up this way and that way and tries to fit in. Until one day - Sam Hunt plays a role - Selina gives up the game. She decides to let her hair out, to embrace her difference, to be WILD!Selina takes us through special moments in her extraordinary life. She becomes one of the first Pasifika women to hold a PhD. She reads for the Queen of England and Samoan royalty. She meets Barack Obama. And then she is named the New Zealand Poet Laureate. She picks up her special tokotoko, and notices something. It has wild hair coming out the end. It looks like a mop. A kid on the Waiheke ferry teases her about it. So she tells him a story . . .This is an inspirational graphic memoir, full of wry humour, that will appeal to young readers and adults alike. Illustrated with wit and verve by the author - NZ's bestselling Poet Laureate - Mophead tells the true story of a New Zealand woman realising how her difference can make a difference.

The Plunket Society, founded in 1907, has been heralded as New Zealand's most successful and famous voluntary organisation. Run by women for women, it played a vital role in the care of mothers and babies for most of the twentieth century, becoming a national and international icon. A Voice for Mothers, this comprehensive history of Plunket, covers three broad themes: the relationship between the voluntary sector and the State in the provision of welfare, the development of paediatri, and the relationship between health providers and their clients, the mothers. Bryder stresses, in particular, infant health and welfare, the political pressures applied by the government and medical profession, the influence of the remarkable women who shaped the fortunes of the society, and its diminishing impact in recent years. She also compares New Zealand's experience with other countries like Australia and Britain, and outlines the philosophy behind the organisation.

No te huringa o te kopaki, i tana ringa e wiri ana, ka kite iho a Hare i tetahi hiri-wakihi waiporoporo e whakaatu ana i tetahi tohu kawai; he raiona, he ikara, he patiha me tetahi nakahi e karapoti ana i tetahi pu 'H' e rahi ana. Kaore ano a Hare Pota i paku rongo korero e pa ana ki Howata i te taenga haeretanga o nga reta ki a Mita H. Pota, i Te Kapata i raro i te Arapiki, i te 4 o te Ara o Piriweti. He mea tuhi ki te wai kanapanapa i runga i te kirihipi ahua kowhai nei, i tere ra te kohakina e nga matua keke wetiweti o Hare, e nga Tuhiri. Heoi, i te huringa tau tekau ma tahi o Hare, ka papa mai tetahi tangata hitawe ake nei, a Rupehu Hakiri, me etahi korero whakamiharo: he kirimatarau a Hare Pota, a, kua whai turanga ia ki Te Kura Matarau o Howata. I te pukapuka tuatahi o nga tino korero ma nga tamariki a mohoa nei, ka whakamohio a Rana ratou ko Heremaiani, ko Tamaratoa, ko Ahorangi Makonara i a Hare me te kaipanui ki te Kuitiki me Tera-e-Mohiotia-ra, ki te whainga o te matarau me te oha mai i mua. I te whakaawenga o te whakawhitia ki te reo Maori e Leon Heketu Blake, ka timata te korero i konei. Turning the envelope over, his hand trembling, Harry saw a purple wax seal bearing a coat of arms; a lion, an eagle, a badger, and a snake surrounding a large letter 'H.' Harry Potter has never even heard of Hogwarts when letters start arriving for Mr H. Potter, The Cupboard under the Stairs, 4 Privet Drive. In emerald-green ink on yellowish parchment, they are swiftly confiscated by Harry's grisly aunt and uncle, the Dursleys. Then, on Harry's eleventh birthday, a great giant of a man called Rubeus Hagrid bursts in with some astonishing news: Harry Potter is a wizard, and he has a place at Hogwarts School of Witchcraft and Wizardry. In the first volume of one of the greatest children's stories of all time, Ron, Hermione, Dumbledore, and Professor McGonagall introduce Harry and the reader to Quidditch and You-Know-Who, to the promise of magic and the inheritance of the past. Now inspirationally translated into te reo Maori by Leon Heketu Blake, the story starts here.

A moving account in poetry of one woman's pathway through violence and addiction.

Three dynamic new poets take us from Apia to Parnell, ancient Rome to Aro Park.