Bøger af William Makepeace Thackeray

Loose Sketches: An Eastern Adventure, Etc. is a book written by the renowned English author William Makepeace Thackeray and published in 1894. The book is a collection of Thackeray's travel writings and sketches based on his experiences during his travels to the East, including India, Egypt, and the Middle East. The book is divided into several sections, each containing a series of sketches and anecdotes that provide a glimpse into the culture, customs, and traditions of the people living in these regions. Thackeray's writing style is witty, humorous, and insightful, and he provides vivid descriptions of the landscapes, architecture, and people he encounters on his journeys.In addition to his travel writings, the book also includes some of Thackeray's other works, including a short story, a poem, and a play. The book is a fascinating read for anyone interested in travel writing, cultural studies, or the works of William Makepeace Thackeray. It is a testament to Thackeray's talent as a writer and his ability to capture the essence of the places he visited and the people he met.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Works Of William Makepeace Thackeray: The Adventures Of Philip; Volume 11 Of The Works Of William Makepeace Thackeray; William Makepeace Thackeray William Makepeace Thackeray, Sir Leslie Stephen Anne Thackeray Ritchie Smith, Elder, 1899

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Miscellanies: The Book Of Snobs. Sketches And Travels In London. Denis Duval; Volume 3 Of Miscellanies; William Makepeace Thackeray William Makepeace Thackeray Fields, Osgood & Co., 1869

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Ballads And Critical Reviews, Volume 1; Ballads And Critical Reviews; William Makepeace Thackeray William Makepeace Thackeray George Cruikshank Harper, 1899 English literature

Vanity Fair: A Novel without a Hero is a novel by English author William Makepeace Thackeray, first published in 1847-48, satirising society in early 19th-century Britain. Thackeray, an only child, was born in Calcutta, India, where his father, Richmond Thackeray (1 September 1781 - 13 September 1815), held the high rank of secretary to the board of revenue in the British East India Company. His mother, Anne Becher (1792-1864) was the second daughter of Harriet and John Harman Becher and was also a secretary (writer) for the East India Company. William had been sent to England earlier, at the age of five, with a short stopover at St. Helena where the imprisoned Napoleon was pointed out to him. He was educated at schools in Southampton and Chiswick and then at Charterhouse School. William Makepeace Thackeray ( 18 July 1811 - 24 December 1863) was an English novelist of the 19th century. He is famous for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. During the Victorian era Thackeray was ranked second only to Charles Dickens, but he is now much less widely read and is known almost exclusively for Vanity Fair, which has become a fixture in university courses, and has been repeatedly adapted for the cinema and television. In Thackeray's own day some commentators, such as Anthony Trollope, ranked his History of Henry Esmond as his greatest work, perhaps because it expressed Victorian values of duty and earnestness, as did some of his other later novels. It is perhaps for this reason that they have not survived as well as Vanity Fair, which satirises those values. Thackeray saw himself as writing in the realistic tradition, and distinguished his work from the exaggerations and sentimentality of Dickens. Some later commentators have accepted this self-evaluation and seen him as a realist, but others note his inclination to use eighteenth-century narrative techniques, such as digressions and direct addresses to the reader, and argue that through them he frequently disrupts the illusion of reality. The school of Henry James, with its emphasis on maintaining that illusion, marked a break with Thackeray's techniques. In 1887 the Royal Society of Arts unveiled a blue plaque to commemorate Thackeray at the house at 2 Palace Green, London, that had been built for him in the 1860s

Written immediately after Vanity Fair, Pendennis has a similar atmosphere of brooding disillusion, tempered by the most jovial of wits. But here Thackeray plunders his own past to create the character of Pendennis and the world in which he lives: from miserable schoolboy to striving journalist, from carefree Oxbridge to the high (and low) life of London. The result is a superbly panoramic blend of people, action and background. The true ebb and flow of life is caught and the credibility of Pen, his worldly uncle, the Major, and many of the other characters, extends far beyond the pages of the novel. Held together by Thackeray's flowing, confident prose, with its conversational ease of tone, Pendennis is as rich a portrait of England in the 1830s and 40s as it is a thorough and thoroughly entertaining self-portrait. ........ William Makepeace Thackeray ( 18 July 1811 - 24 December 1863) was an English novelist of the 19th century. He is famous for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. Thackeray, an only child, was born in Calcutta, British India, where his father, Richmond Thackeray (1 September 1781 - 13 September 1815), was secretary to the Board of Revenue in the British East India Company. His mother, Anne Becher (1792-1864), was the second daughter of Harriet Becher and John Harman Becher, who was also a secretary (writer) for the East India Company.Richmond died in 1815, which caused Anne to send her son to England in 1816, while she remained in British India. The ship on which he travelled made a short stopover at St. Helena, where the imprisoned Napoleon was pointed out to him. Once in England he was educated at schools in Southampton and Chiswick, and then at Charterhouse School, where he became a close friend of John Leech. Thackeray disliked Charterhouse, and parodied it in his fiction as "Slaughterhouse". Nevertheless, Thackeray was honoured in the Charterhouse Chapel with a monument after his death. Illness in his last year there, during which he reportedly grew to his full height of six foot three, postponed his matriculation at Trinity College, Cambridge, until February 1829.Never too keen on academic studies, Thackeray left Cambridge in 1830, but some of his earliest published writing appeared in two university periodicals, The Snob and The Gownsman. Thackeray then travelled for some time on the continent, visiting Paris and Weimar, where he met Goethe. He returned to England and began to study law at the Middle Temple, but soon gave that up. On reaching the age of 21 he came into his inheritance from his father, but he squandered much of it on gambling and on funding two unsuccessful newspapers, The National Standard and The Constitutional, for which he had hoped to write. He also lost a good part of his fortune in the collapse of two Indian banks. Forced to consider a profession to support himself, he turned first to art, which he studied in Paris, but did not pursue it, except in later years as the illustrator of some of his own novels and other writings.Thackeray's years of semi-idleness ended after he married, on 20 August 1836, Isabella Gethin Shawe (1816-1893), second daughter of Isabella Creagh Shawe and Matthew Shawe, a colonel who had died after distinguished service, primarily in India. The Thackerays had three children, all girls: Anne Isabella (1837-1919), Jane (who died at eight months old) and Harriet Marian (1840-1875), who married Sir Leslie Stephen, editor, biographer and philosopher..........

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1904 Edition.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Stray Papers is a collection of various writings by the renowned Victorian author, William Makepeace Thackeray. The book includes a variety of literary forms, including short stories, reviews, poems, and sketches, all of which were originally published between the years 1821 and 1847. The pieces in this collection offer readers a glimpse into the early years of Thackeray's career and showcase his versatility as a writer. Some of the stories are humorous and satirical, while others are more serious and contemplative. The reviews cover a range of topics, from literature to theater to politics. The poems are both lyrical and witty, and the sketches provide a visual representation of the time period in which they were created. Overall, Stray Papers is a fascinating look into the mind of one of the most important writers of the Victorian era.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Pendennis, Volumes 16-19; Pendennis; William Makepeace Thackeray; Belletristische Ausland William Makepeace Thackeray, Leonhard Tafel Franckh, 1851

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Lovel The Widower: The Wolves And The Lamb; Denis Duval William Makepeace Thackeray Smith, Elder, 1879

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Memoirs Of Barry Lyndon, Esq., And The Fatal Boots; Volume 19 Of Works; William Makepeace Thackeray William Makepeace Thackeray, Sir Leslie Stephen Smith, Elder;Philadelphia, Lippincott, 1901

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Qual è davvero il significato della parola snob, che viene introdotta e illustrata da Thackeray nel 1846? Lui stesso sostiene che il significato non è preciso, ma che di fatto gli snobs sono dappertutto, e sono il veleno della "terra della libertà", l'Inghilterra. Il "Punch", giornale satirico dell'epoca, pubblicò 17 articoli di Thackeray sul tema, e la loro raccolta formò poi questo libro divertente, acuto, e appassionato. E, nonostante la differenza geografica e temporale, possiamo ancora oggi ben riconoscere i soggetti descritti, e, perché no, anche individuare in noi stessi tracce di questo veleno insinuante: lo snobismo. Questo consiste nel guardare ad altri come se fossero socialmente inferiori, ma anche, sostiene l'autore, come fossero superiori: lo snobismo intorbida le relazioni umane in entrambe le direzioni...Traduzione di Silvio Spaventa Filippi, 1917.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The History Of The Next French Revolution is a book written by William Makepeace Thackeray. The book is a historical account of the events leading up to the French Revolution, as well as the revolution itself. Thackeray provides a detailed analysis of the social, political, and economic conditions of France during this period, and he examines the causes and consequences of the revolution. He also delves into the lives of the key figures involved in the revolution, such as Robespierre, Danton, and Marat. Thackeray's writing style is engaging and informative, and he provides a unique perspective on this significant period in French history. The book is recommended for anyone interested in French history, political science, or European history in general.""Grand Dieu! are we not happy under the tricolor? Do we not repose under the majestic shadow of the best of kings? Is there any name prouder than that of Frenchman; any subject more happy than that of our sovereign? Does not the whole French family adore their father? Yes. Our lives, our hearts, our blood, our fortune, are at his disposal: it was not in vain that we raised, it is not the first time we have rallied round, the august throne of July.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Contributions To "Punch" (not Previously Reprinted); Volume 26 Of Works Of William Makepeace Thackeray; William Makepeace Thackeray; Volume 26 Of The Works Of William Makepeace Thackeray, In Twenty-six Volumes William Makepeace Thackeray Smith, Elder, 1886 1886; Satire, English

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Catherine: A Story is a novel written by the renowned English author, William Makepeace Thackeray. The book follows the life of Catherine Hayes, a young girl who is orphaned at a young age and taken in by her uncle, who treats her poorly. Despite the challenges she faces, Catherine grows up to be a beautiful and kind-hearted woman.The plot of the novel revolves around Catherine's romantic relationships with two men: Captain Harry Smith and George Brandon. Captain Smith is a soldier who falls in love with Catherine, but their relationship is complicated by his duty to serve in the military. On the other hand, George Brandon is a wealthy man who also falls in love with Catherine, but their relationship is challenged by his family's disapproval of their union.As the story unfolds, Catherine must navigate the complexities of love and societal expectations as she tries to find happiness and fulfillment in her life. Thackeray's writing style is characterized by his use of satire and wit, which adds a layer of humor to the novel's serious themes.Overall, Catherine: A Story is a compelling tale of love, loss, and redemption that explores the challenges faced by women in Victorian society. Thackeray's vivid characters and engaging plot make this book a must-read for fans of classic literature.In this woeful plight, moneyless, wifeless, horseless, corporalless, with a gag in his mouth and a rope round his body, are we compelled to leave the gallant Galgenstein, until his friends and the progress of this history shall deliver him from his durance. Mr. Brock's adventures on the Captain's horse must likewise be pretermitted.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.