Bøger af Patrick Mcguinness

A clear-sighted, intimate new poetry collection from the prizewinning author of Other People's Countries and Throw me to the WolvesIn Blood Feather, a book of doubling and displacement, we see time in a new way: the past, personal and collective, lingering as an ever-present ghost - while lost beyond recall.The first section, 'Squeeze the Day' - a series of deeply moving poems about the author's mother, displaced between languages - investigates her illness and death; how being bilingual is like having a double, a second self; how each self haunts the other. 'The Noises Things Make When They Leave' elegises today's post-industrial landscapes, their people and professions: sidelined by literature, bypassed by globalisation. The final sequence, 'After the Flood', links the book's themes, seeking a way of seeing things for the first time and the last time simultaneously. Exploring the gaps between languages and between our selves in language, Patrick McGuinness dreams of a new tense in which the world's losses are redeemed:'It's the anniversary of my mother's death,and it's my mother's birthday -the day she short-circuited the tenses,made the current flow both ways.'In his intimate, confiding voice, McGuinness shows how identity is layered, permeable, always in motion - how we are always actor and audience to ourselves.

Real Oxford shows that there's more than dreaming spires and bicycles to the city. The grand buildings of the university are here, but Patrick McGuinness charts a personal history of the place which radiates into the suburbs and into the everyday of people's lives, past and present. Surprising, quirky, Real Oxford presents the city anew.

Ander is always watchful, but particularly now, because the man across the table is his former teacher - Michael Wolphram - whom he hasn't seen in nearly 30 years.As the novel proceeds, we watch Wolphram's media lynching as ex-pupils and colleagues line up to lie about him.

This is a comparative and interdisciplinary book exploring a variety of perspectives on the artistic culture of France, and its neighbours, in the period 1870-1914. Part One centres on France, and assembles essays on the prose, poetry and painting of Symbolism and Decadence, on avant-garde dance and performance, on women's writing and on early cinema.Part Two explores the relations between France and several cultures in which the debt to France was amply and originally repaid, ranging from the Anglo-Celtic "e;Rhymers' Club"e; to the Italian "e;Crepusculari"e;. The essays consistently point beyond the late nineteenth century and into the twentieth, as they explore the multiple beginnings-as well as the false starts-that characterize the period. All foreign language quotations are translated.

Winner of the 2014 Duff Cooper PrizeWinner of the 2015 Welsh Book of the Year AwardShortlisted for the 2015 James Tait Black Memorial PrizeShortlisted for the 2015 PEN Ackerley prize Longlisted for the 2014 Thwaites Wainwright Prize Let me take you down the thin cobblestoned streets of the Belgian border town of Bouillon.

Features poems that inhabit in-between-places, when a border is being crossed, a word is slipping into another language, when memory is translating loss. This collection finds unforeseen connections between place and displacement.