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Blood Feather

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A clear-sighted, intimate new poetry collection from the prizewinning author of Other People's Countries and Throw me to the WolvesIn Blood Feather, a book of doubling and displacement, we see time in a new way: the past, personal and collective, lingering as an ever-present ghost - while lost beyond recall.The first section, 'Squeeze the Day' - a series of deeply moving poems about the author's mother, displaced between languages - investigates her illness and death; how being bilingual is like having a double, a second self; how each self haunts the other. 'The Noises Things Make When They Leave' elegises today's post-industrial landscapes, their people and professions: sidelined by literature, bypassed by globalisation. The final sequence, 'After the Flood', links the book's themes, seeking a way of seeing things for the first time and the last time simultaneously. Exploring the gaps between languages and between our selves in language, Patrick McGuinness dreams of a new tense in which the world's losses are redeemed:'It's the anniversary of my mother's death,and it's my mother's birthday -the day she short-circuited the tenses,made the current flow both ways.'In his intimate, confiding voice, McGuinness shows how identity is layered, permeable, always in motion - how we are always actor and audience to ourselves.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780224098311
  • Indbinding:
  • Paperback
  • Sideantal:
  • 80
  • Udgivet:
  • 4. maj 2023
  • Størrelse:
  • 197x131x13 mm.
  • Vægt:
  • 100 g.
  • Ukendt - mangler pt..

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Abonnementspris

- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af Blood Feather

A clear-sighted, intimate new poetry collection from the prizewinning author of Other People's Countries and Throw me to the WolvesIn Blood Feather, a book of doubling and displacement, we see time in a new way: the past, personal and collective, lingering as an ever-present ghost - while lost beyond recall.The first section, 'Squeeze the Day' - a series of deeply moving poems about the author's mother, displaced between languages - investigates her illness and death; how being bilingual is like having a double, a second self; how each self haunts the other. 'The Noises Things Make When They Leave' elegises today's post-industrial landscapes, their people and professions: sidelined by literature, bypassed by globalisation. The final sequence, 'After the Flood', links the book's themes, seeking a way of seeing things for the first time and the last time simultaneously. Exploring the gaps between languages and between our selves in language, Patrick McGuinness dreams of a new tense in which the world's losses are redeemed:'It's the anniversary of my mother's death,and it's my mother's birthday -the day she short-circuited the tenses,made the current flow both ways.'In his intimate, confiding voice, McGuinness shows how identity is layered, permeable, always in motion - how we are always actor and audience to ourselves.

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