Bøger af Augustus Hoppin

Originally published in 1874, 'Carrot-Pomade' is a humorous illustrated tale of a young girl's misadventures in the beauty industry. Augustus Hoppin's witty text and charming illustrations capture the absurdity and vanity of fashionable society in late nineteenth-century America.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Charles Dudley Warner (September 12, 1829 - October 20, 1900) was an American essayist, novelist, and friend of Mark Twain, with whom he co-authored the novel The Gilded Age: A Tale of Today.Warner was born of Puritan descent in Plainfield, Massachusetts. From the ages of six to fourteen he lived in Charlemont, Massachusetts, the scene of the experiences pictured in his study of childhood, Being a Boy (1877). He then moved to Cazenovia, New York, and in 1851 graduated from Hamilton College, Clinton, NY. He worked with a surveying party in Missouri; studied law at the University of Pennsylvania; practiced in Chicago (1856-1860); was assistant editor (1860) and editor (1861-1867) of The Hartford Press, and after The Press was merged into The Hartford Courant, was co-editor with Joseph R Hawley; in 1884 he joined the editorial staff of Harper's Magazine, for which he conducted The Editor's Drawer until 1892, when he took charge of The Editor's Study. He died in Hartford on October 20, 1900, and was interred at Cedar Hill Cemetery, with Mark Twain as a pall bearer and Joseph Twichell officiating. Warner traveled widely, lectured frequently, and was actively interested in prison reform, city park supervision, and other movements for the public good. He was the first president of the National Institute of Arts and Letters, and, at the time of his death, was president of the American Social Science Association. He first attracted attention by the reflective sketches entitled My Summer in a Garden (1870; first published in The Hartford Courant), popular for their abounding and refined humour and mellow personal charm, their wholesome love of outdoor things, their suggestive comment on life and affairs, and their delicately finished style, qualities that suggest the work of Washington Irving. In 1873, Warner and Mark Twain published their co-authored book The Gilded Age: A Tale of Today, which gave that era of American history its name. Charles Dudley Warner is known for making the famous remark, Everybody complains about the weather, but nobody does anything about it. This was quoted by Mark Twain in a lecture, and is still commonly misattributed to Twain, The citizens of San Diego so appreciated his flattering description of their city in his book, Our Italy, that they named three consecutive streets in the Point Loma neighborhood after him: Charles Street, Dudley Street, and Warner Street..... Augustus Hoppin (1828-1896) was an American book illustrator, born in Providence, R. I.. He graduated at Brown University in 1848 and was admitted to the bar, but soon gave up the law and went abroad to study art. Upon his return he devoted himself to drawing on wood and to the illustration of books, in which he was successful. His pictures in Nothing to Wear (1857), Poliphar Papers (1853), and The Autocrat of the Breakfast Table (1858) are widely known. He published several volumes of sketches and novels, among the latter Recollections of Auton House (1881) and Married for Fun (1885).

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

A Fashionable Sufferer: Or Chapters From Life�������s Comedy is a novel written by Augustus Hoppin. The book is a collection of stories that revolve around the lives of fashionable people living in the mid-19th century. The main character is a young woman named Fanny, who is beautiful and wealthy, but also suffers from a chronic illness that makes her life miserable. Despite her condition, Fanny remains optimistic and tries to live life to the fullest. The novel explores the themes of love, friendship, and social status, and provides a glimpse into the lives of the upper class during this time period. The writing style is witty and humorous, and the characters are well-developed and relatable. Overall, A Fashionable Sufferer is a delightful read that will appeal to fans of historical fiction and comedy.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""Two Compton Boys"" is a memoir written by Augustus Hoppin, chronicling his experiences growing up in Compton, California during the 1950s and 1960s. The book provides a firsthand account of the challenges and struggles faced by Hoppin and his friend, Earl, as they navigated the complexities of life in a predominantly African American community. Hoppin explores themes of race, poverty, violence, and the impact of the civil rights movement on his life and the lives of those around him. Through his vivid storytelling and personal reflections, Hoppin offers readers a glimpse into a world that is often overlooked in mainstream narratives of American history. ""Two Compton Boys"" is a powerful and poignant memoir that sheds light on the resilience and strength of individuals and communities in the face of adversity.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

William Dean Howells ( March 1, 1837 - May 11, 1920) was an American realist novelist, literary critic, and playwright, nicknamed "The Dean of American Letters". He was particularly known for his tenure as editor of The Atlantic Monthly, as well as for his own prolific writings, including the Christmas story "Christmas Every Day" and the novels The Rise of Silas Lapham and A Traveler from Altruria. Early life and family: William Dean Howells was born on March 1, 1837 in Martinsville, Ohio (now known as Martins Ferry, Ohio) to William Cooper Howells and Mary Dean Howells, the second of eight children. His father was a newspaper editor and printer who moved frequently around Ohio. In 1840, the family settled in Hamilton, Ohio, where his father oversaw a Whig newspaper and followed Swedenborgianism.Their nine years there were the longest period that they stayed in one place. The family had to live frugally, although the young Howells was encouraged by his parents in his literary interests. He began at an early age to help his father with typesetting and printing work, a job known at the time as a printer's devil. In 1852, his father arranged to have one of his poems published in the Ohio State Journal without telling him. Early career: In 1856, Howells was elected as a clerk in the State House of Representatives. In 1858, he began to work at the Ohio State Journal where he wrote poetry and short stories, and also translated pieces from French, Spanish, and German. He avidly studied German and other languages and was greatly interested in Heinrich Heine. In 1860, he visited Boston and met with writers James Thomas Fields, James Russell Lowell, Oliver Wendell Holmes, Sr., Nathaniel Hawthorne, Henry David Thoreau, and Ralph Waldo Emerson. He became a personal friend to many of them, including Henry Adams, William James, Henry James, and Oliver Wendell Holmes, Jr. In 1860 Howells wrote Abraham Lincoln's campaign biography Life Of Abraham Lincoln and subsequently gained a consulship in Venice. He married Elinor Mead on Christmas Eve 1862 at the American embassy in Paris. She was a sister of sculptor Larkin Goldsmith Mead and architect William Rutherford Mead of the firm McKim, Mead, and White. Among their children was architect John Mead Howells.............. Augustus Hoppin (1828-1896) was an American book illustrator, born in Providence, R. I.. He graduated at Brown University in 1848 and was admitted to the bar, but soon gave up the law and went abroad to study art. Upon his return he devoted himself to drawing on wood and to the illustration of books, in which he was successful. His pictures in Nothing to Wear (1857), Poliphar Papers (1853), and The Autocrat of the Breakfast Table (1858) are widely known. He published several volumes of sketches and novels, among the latter Recollections of Auton House (1881) and Married for Fun (1885).

William Dean Howells (March 1, 1837 - May 11, 1920) was an American realist novelist, literary critic, and playwright. Nicknamed "The Dean of American Letters", he was particularly known for his tenure as editor of the Atlantic Monthly as well as his own prolific writings, including the Christmas story "Christmas Every Day", and the novels The Rise of Silas Lapham and A Traveler from Altruria. Augustus Hoppin (1828-1896) was an American book illustrator, born in Providence, R. I.. He graduated at Brown University in 1848 and was admitted to the bar, but soon gave up the law and went abroad to study art. Upon his return he devoted himself to drawing on wood and to the illustration of books, in which he was successful. His pictures in Nothing to Wear (1857), Poliphar Papers (1853), and The Autocrat of the Breakfast Table (1858) are widely known. He published several volumes of sketches and novels, among the latter Recollections of Auton House (1881) and Married for Fun (1885).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Country Love Vs. City Flirtation is an unchanged, high-quality reprint of the original edition of 1865.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.