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Everything Was Possible

- The Birth of the Musical Follies

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In 1971, college student Ted Chapin found himself front row center as a production assistant at the creation of one of the greatest Broadway musicals, Follies. Needing college credit to graduate on time, he kept a journal of everything he saw and heard and thus was able to document in unprecedented detail how a musical is actually created. Now, more than thirty years later, he has fashioned an extraordinary chronicle. Follies was created by Stephen Sondheim, Hal Prince, Michael Bennett, and James Goldman - giants in the evolution of the Broadway musical and geniuses at the top of their game. Everything Was Possible takes the reader on a roller-coaster ride, from the uncertainties of casting to drama-filled rehearsals, from the care and feeding of one-time movie and television stars to the pressures of a Boston tryout to the exhilaration of opening night on Broadway. Foreword by long-time NY critic Frank Rich.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781557836533
  • Indbinding:
  • Paperback
  • Sideantal:
  • 376
  • Udgivet:
  • 1. april 2005
  • Størrelse:
  • 233x162x24 mm.
  • Vægt:
  • 656 g.
  • 2-3 uger.
  • 9. december 2024
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Beskrivelse af Everything Was Possible

In 1971, college student Ted Chapin found himself front row center as a production assistant at the creation of one of the greatest Broadway musicals, Follies. Needing college credit to graduate on time, he kept a journal of everything he saw and heard and thus was able to document in unprecedented detail how a musical is actually created. Now, more than thirty years later, he has fashioned an extraordinary chronicle. Follies was created by Stephen Sondheim, Hal Prince, Michael Bennett, and James Goldman - giants in the evolution of the Broadway musical and geniuses at the top of their game. Everything Was Possible takes the reader on a roller-coaster ride, from the uncertainties of casting to drama-filled rehearsals, from the care and feeding of one-time movie and television stars to the pressures of a Boston tryout to the exhilaration of opening night on Broadway. Foreword by long-time NY critic Frank Rich.

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