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Eva Hesse: Transformations - The Sojourn in Germany 1964/65 & Datebooks 1964/65

Bag om Eva Hesse: Transformations - The Sojourn in Germany 1964/65 & Datebooks 1964/65

Eva Hesse is best known for the ethereal sculptures she created out of latex and fiberglass, a body of work that shows affinities with the concerns of Minimalism but cannot be easily characterized under any particular art movement. The majority of publications about her too-brief oeuvre have focused almost exclusively on the sculptures she produced after 1965. This slipcased, two-volume edition offers the first pronounced consideration of the transformative time prior to that year. Volume I documents Hesse's production from 1962 to 1966 through reproductions of drawings, collages, sculptures, and plastic reliefs. Volume II presents, for the first time ever, her notebooks from 1964 and 1965, a watershed year in her artistic practice. This primary material is reproduced in its original English (alongside German translations).

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783883758008
  • Indbinding:
  • Paperback
  • Sideantal:
  • 240
  • Udgivet:
  • 2. maj 2004
  • Størrelse:
  • 213x260x25 mm.
  • Vægt:
  • 1039 g.
  • Ukendt - mangler pt..

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Abonnementspris

- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af Eva Hesse: Transformations - The Sojourn in Germany 1964/65 & Datebooks 1964/65

Eva Hesse is best known for the ethereal sculptures she created out of latex and fiberglass, a body of work that shows affinities with the concerns of Minimalism but cannot be easily characterized under any particular art movement. The majority of publications about her too-brief oeuvre have focused almost exclusively on the sculptures she produced after 1965. This slipcased, two-volume edition offers the first pronounced consideration of the transformative time prior to that year. Volume I documents Hesse's production from 1962 to 1966 through reproductions of drawings, collages, sculptures, and plastic reliefs. Volume II presents, for the first time ever, her notebooks from 1964 and 1965, a watershed year in her artistic practice. This primary material is reproduced in its original English (alongside German translations).

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