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Ernst Haas: The American West

Bag om Ernst Haas: The American West

This collection of striking color images from the American West is both a moving national portrait as well as a celebration of analog color photography from an undisputed genius of the form. The photographer behind Life magazine's first ever all-color photographic essay, Ernst Haas made-and captured-history as an early adapter of Kodachrome film. The Austrian-born artist had already established himself as a black and white photographer when he moved to America in 1951. But as a member of the renowned Magnum agency, he transformed the genre with his color-saturated images, the perfect medium for capturing America's geographic and cultural landscapes. From desert storms, Route 66 gas stations, and Las Vegas neon to rolling prairie, dilapidated farms, small-town parades, and city sidewalks, Haas' perfectly composed images, contain a distinct pictorial language, suffused with poetry, pattern, and light. At the same time his pictures communicate a journalist's point of view, whether the subject is rural poverty, suburban comfort, or the myth of the American West. The remarkable book offers a vision of America that feels both poignantly distant and reassuringly familiar.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783791388250
  • Indbinding:
  • Hardback
  • Sideantal:
  • 208
  • Udgivet:
  • 5. oktober 2022
  • Størrelse:
  • 249x25x298 mm.
  • Vægt:
  • 1492 g.
  • Ukendt - mangler pt..

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Beskrivelse af Ernst Haas: The American West

This collection of striking color images from the American West is both a moving national portrait as well as a celebration of analog color photography from an undisputed genius of the form.

The photographer behind
Life
magazine's first ever all-color photographic essay, Ernst Haas made-and captured-history as an early adapter of Kodachrome film. The Austrian-born artist had already established himself as a black and white photographer when he moved to America in 1951. But as a member of the renowned Magnum agency, he transformed the genre with his color-saturated images, the perfect medium for capturing America's geographic and cultural landscapes. From desert storms, Route 66 gas stations, and Las Vegas neon to rolling prairie, dilapidated farms, small-town parades, and city sidewalks, Haas' perfectly composed images, contain a distinct pictorial language, suffused with poetry, pattern, and light. At the same time his pictures communicate a journalist's point of view, whether the subject is rural poverty, suburban comfort, or the myth of the American West. The remarkable book offers a vision of America that feels both poignantly distant and reassuringly familiar.

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