Emerson, R: Society and Solitude
- Indbinding:
- Paperback
- Sideantal:
- 134
- Udgivet:
- 9. juni 2023
- Størrelse:
- 152x8x229 mm.
- Vægt:
- 206 g.
- 2-3 uger.
- 30. november 2024
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- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
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Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Emerson, R: Society and Solitude
Society and Solitude is a classic essay collection by the great American philosopher and essayist, Ralph Waldo Emerson. This essay collection compiles twelve of Emerson's finest essays and includes the following works: Society and solitude -- Civilization -- Art -- Eloquence -- Domestic life -- Farming -- Works and days -- Books -- Clubs -- Courage -- Success -- Old age.
This great American essays collection contains the following excerpt:
I fell in with a humorist, on my travels, who had in his chamber a cast of the Rondanini Medusa, and who assured me that the name which that fine work of art bore in the catalogues was a misnomer, as he was convinced that the sculptor who carved it intended it for Memory, the mother of the Muses. In the conversation that followed, my new friend made some extraordinary confessions. 'Do you not see,' he said, 'the penalty of learning, and that each of these scholars whom you have met at S-----, though he were to be the last man, would, like the executioner in Hood's poem, guillotine the last but one?' He added many lively remarks, but his evident earnestness engaged my attention, and, in the weeks that followed, we became better acquainted
This great American essays collection contains the following excerpt:
I fell in with a humorist, on my travels, who had in his chamber a cast of the Rondanini Medusa, and who assured me that the name which that fine work of art bore in the catalogues was a misnomer, as he was convinced that the sculptor who carved it intended it for Memory, the mother of the Muses. In the conversation that followed, my new friend made some extraordinary confessions. 'Do you not see,' he said, 'the penalty of learning, and that each of these scholars whom you have met at S-----, though he were to be the last man, would, like the executioner in Hood's poem, guillotine the last but one?' He added many lively remarks, but his evident earnestness engaged my attention, and, in the weeks that followed, we became better acquainted
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