Elias Wessel
- Indbinding:
- Hardback
- Sideantal:
- 224
- Udgivet:
- 15. februar 2023
- Størrelse:
- 223x27x284 mm.
- Vægt:
- 1271 g.
- Ukendt - mangler pt..
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Elias Wessel
In an age of fast-changing technologies, offering numerous ways of generating images, Elias Wessel challenges the conventional definition of a painting: he creates his "paintings" without resorting to traditional painting techniques and eschews classical genres. The artist's abstract paintings - which in many ways show connections to painterly practices - are in fact made up of photographs and digital material.
Wessel, for example, takes photos of smartphone displays to produce monumental abstract compositions from the fingerprints left behind on them. He also documents his scrolling behavior on social media platforms by using long-time exposure to superimpose accessed profiles and their contents: the result are visual and decontextualized structures. His other works present painterly-looking details of damaged displays: where else in the digital world can we experience such a close relationship with the canvas?
Above all, the quality of Elias Wessel's working method lies in the way he links the fundamental discourses in the history of photography with the latest technology and current social debates. In so doing, he skillfully observes and questions the social consequences and instruments of digitalization.
Wessel, for example, takes photos of smartphone displays to produce monumental abstract compositions from the fingerprints left behind on them. He also documents his scrolling behavior on social media platforms by using long-time exposure to superimpose accessed profiles and their contents: the result are visual and decontextualized structures. His other works present painterly-looking details of damaged displays: where else in the digital world can we experience such a close relationship with the canvas?
Above all, the quality of Elias Wessel's working method lies in the way he links the fundamental discourses in the history of photography with the latest technology and current social debates. In so doing, he skillfully observes and questions the social consequences and instruments of digitalization.
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Bogen Elias Wessel findes i følgende kategorier:
- Business og læring > Videnskab
- Kunst og kultur > Arkitektur og design
- Kunst og kultur > Kunst og kultur: generelle emner
- Kunst og kultur > Kunstformer og kunsthåndværk > Malerkunst og malerier > Malerkunst og akvareller
- Kunst og kultur > Kunstformer og kunsthåndværk > Malerkunst og malerier > Malerkunst og oliemalerier
- Kunst og kultur > Kunstformer og kunsthåndværk > Tegnekunst og tegninger
- Kunst og kultur > Kunstformer og kunsthåndværk > Ikke-grafiske kunstformer > Installationskunst
- Kunst og kultur > Kunstformer og kunsthåndværk > Ikke-grafiske kunstformer > Elektronisk kunst, holografi og videokunst
- Kunst og kultur > Kunst: teknikker og motiver > Kunstnere, kunstmonografier
- Økonomi, finans, erhvervsliv og ledelse
- Lægevidenskab og sygepleje
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