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Early 5-String Banjo Solos in Historic 19th Century Stroke, Clawhammer and Guitar Styles

Early 5-String Banjo Solos in Historic 19th Century Stroke, Clawhammer and Guitar Stylesaf Tim Twiss
Bag om Early 5-String Banjo Solos in Historic 19th Century Stroke, Clawhammer and Guitar Styles

Five-string banjo enthusiasts who play in the stroke, clawhammer or guitar styles will enjoy these 50 melodic, tab-only arrangements. The collection is unique in that it includes reels, polkas, jigs, hornpipes, minstrel songs, ballads, light classics, and a Christmas tune--nearly all in C tuning with the fourth string a step lower than the typical 5-string G tuning. Well-known classical and popular composers: Beethoven, Foster, and Vivaldi, plus collector/historian-authors: Converse, Emmett, Howe, Kerr, O'Neill, and Ryan--are all represented in this book.With the exception of two Twiss originals, the music was chosen from sources available circa 1840 - 1890. Some of these settings can be used as accompaniment to unison singing; all are designed to lie well on the 5-string fretboard for optimal playability. Using a custom-built fretted, nylon-string banjo, the author has provided online recordings of every tune for ease of learning.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781513468662
  • Indbinding:
  • Paperback
  • Sideantal:
  • 56
  • Udgivet:
  • 11. april 2022
  • Ukendt - mangler pt..

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Beskrivelse af Early 5-String Banjo Solos in Historic 19th Century Stroke, Clawhammer and Guitar Styles

Five-string banjo enthusiasts who play in the stroke, clawhammer or guitar styles will enjoy these 50 melodic, tab-only arrangements. The collection is unique in that it includes reels, polkas, jigs, hornpipes, minstrel songs, ballads, light classics, and a Christmas tune--nearly all in C tuning with the fourth string a step lower than the typical 5-string G tuning. Well-known classical and popular composers: Beethoven, Foster, and Vivaldi, plus collector/historian-authors: Converse, Emmett, Howe, Kerr, O'Neill, and Ryan--are all represented in this book.With the exception of two Twiss originals, the music was chosen from sources available circa 1840 - 1890. Some of these settings can be used as accompaniment to unison singing; all are designed to lie well on the 5-string fretboard for optimal playability. Using a custom-built fretted, nylon-string banjo, the author has provided online recordings of every tune for ease of learning.

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