Dwellings of the Philosophers
- Indbinding:
- Hardback
- Sideantal:
- 286
- Udgivet:
- 7. november 2018
- Størrelse:
- 236x159x25 mm.
- Vægt:
- 564 g.
- 8-11 hverdage.
- 6. december 2024
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Dwellings of the Philosophers
2021 EDITION WITH IMPROVED IMAGES
This is the second and last book written by the mysterious Fulcanelli, published in 1929 in France, as two volumes in a short-run edition. This translation follows faithfully that edition.It is believed that Fulcanelli was able to discover the philosopher's stone shortly before 1930, and it is thought that this discovery had much to do with his disappearance.Although many speculate that Fulcanelli may have been the artist Julien Champagne, or Eugene Canseliet (who wrote several introductions to Dwellings of the Philosophers), no one knows for sure who Fulcanelli was.Dwellings of the Philosophers is a fundamental work for alchemy scholars. It is a general treatise on alchemy, enriched by many explanations and comments on the main traditional authors texts. Also, analyzing the hermetic symbolism applied to civil constructions, Fulcanelli sheds light on many alchemical riddles.This book analyses in depth the architectural elements and motifs of different buildings, from a modest house built in the 16th century in Lisieux (a small Norman town), the Dampierre Castle, the Holyrood Palace in Edinburgh, and several other chosen examples.Fulcanelli clearly explains, at the beginning of his work (in History and Monument), that carvings and statues offer a truer message than the always distorted written accounts. He said: "It will therefore be explained why we prefer to see the Middle Ages, as the Gothic buildings reveal to us, rather than believing the description of historians".Likewise, Fulcanelli offers much information about the operations and procedures of the alchemical work, analyzing and unveiling the allegories used by many writers of hermetic art to veil the knowledge from those who are not deserving of it.
This is the second and last book written by the mysterious Fulcanelli, published in 1929 in France, as two volumes in a short-run edition. This translation follows faithfully that edition.It is believed that Fulcanelli was able to discover the philosopher's stone shortly before 1930, and it is thought that this discovery had much to do with his disappearance.Although many speculate that Fulcanelli may have been the artist Julien Champagne, or Eugene Canseliet (who wrote several introductions to Dwellings of the Philosophers), no one knows for sure who Fulcanelli was.Dwellings of the Philosophers is a fundamental work for alchemy scholars. It is a general treatise on alchemy, enriched by many explanations and comments on the main traditional authors texts. Also, analyzing the hermetic symbolism applied to civil constructions, Fulcanelli sheds light on many alchemical riddles.This book analyses in depth the architectural elements and motifs of different buildings, from a modest house built in the 16th century in Lisieux (a small Norman town), the Dampierre Castle, the Holyrood Palace in Edinburgh, and several other chosen examples.Fulcanelli clearly explains, at the beginning of his work (in History and Monument), that carvings and statues offer a truer message than the always distorted written accounts. He said: "It will therefore be explained why we prefer to see the Middle Ages, as the Gothic buildings reveal to us, rather than believing the description of historians".Likewise, Fulcanelli offers much information about the operations and procedures of the alchemical work, analyzing and unveiling the allegories used by many writers of hermetic art to veil the knowledge from those who are not deserving of it.
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