Dramatic Disgust – Aesthetic Theory and Practice from Sophocles to Sarah Kane
indgår i Lettre (COL) serien
- Indbinding:
- Paperback
- Sideantal:
- 254
- Udgivet:
- 27. august 2020
- Størrelse:
- 147x226x15 mm.
- Vægt:
- 666 g.
- 8-11 hverdage.
- 21. november 2024
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- Ingen binding
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Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Dramatic Disgust – Aesthetic Theory and Practice from Sophocles to Sarah Kane
Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.
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