Daniel Richter: Limbo
- Indbinding:
- Hardback
- Sideantal:
- 97
- Udgivet:
- 16. maj 2023
- Størrelse:
- 244x284x13 mm.
- Vægt:
- 544 g.
- Ukendt - mangler pt..
Normalpris
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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Daniel Richter: Limbo
Richter's colorful, epic paintings in dialogue with 17th-century works at a Venetian palazzo
Published for a unique exhibition at the historic Venetian palazzo Scuola Grande di San Fantin, this clothbound catalog showcases large-scale oil paintings by German artist Daniel Richter (born 1962). Installation shots display the unique display of Richter's intensely colorful paintings, interwoven with the palazzo's 17th-century works. The combination highlights the punk ethos of the artist in full force.
Richter studied with German modernist painter Werner Büttner at the Hochschule für bildende Künste in Hamburg until 1994. Since then, his work has moved through several phases. His early paintings challenged the abstract canon of German postwar painting with an exuberant, psychedelic formal language. No less radical are Richter's monumental paintings begun after 2000, through which he used painterly allegories to subvert figurative history painting.
Published for a unique exhibition at the historic Venetian palazzo Scuola Grande di San Fantin, this clothbound catalog showcases large-scale oil paintings by German artist Daniel Richter (born 1962). Installation shots display the unique display of Richter's intensely colorful paintings, interwoven with the palazzo's 17th-century works. The combination highlights the punk ethos of the artist in full force.
Richter studied with German modernist painter Werner Büttner at the Hochschule für bildende Künste in Hamburg until 1994. Since then, his work has moved through several phases. His early paintings challenged the abstract canon of German postwar painting with an exuberant, psychedelic formal language. No less radical are Richter's monumental paintings begun after 2000, through which he used painterly allegories to subvert figurative history painting.
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