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Museum Boijmans Van Beuningen''s Surrealism collection is world famous, but this Boijmans Study is not devoted to the oeuvres of great names in the canon like Salvador Dalí and René Magritte. Instead, it tells the story of the idiosyncratic finds made by the Dutch collectors Laurens Vancrevel and his wife Frida de Jong. Long before museums started to take notice, the couple had collected art and poetry by then relatively unknown Surrealists. Over the years, they let themselves be guided by chance, friendships and random encounters, and this has resulted in a unique collection of Surrealist art from which the museum has been allowed to make a selection. The study examines the 50 artworks that have been gifted and reflects on two approaches to collecting: the creation of a private collection and the way Surrealism was acquired by Dutch museums like Museum Boijmans Van Beuningen.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9789069183190
  • Indbinding:
  • Paperback
  • Sideantal:
  • 184
  • Udgivet:
  • 13. september 2022
  • Størrelse:
  • 170x240x0 mm.
  • Vægt:
  • 536 g.
  • Ukendt - mangler pt..

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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af Creative Chance

Museum Boijmans Van Beuningen''s Surrealism collection is world famous, but this Boijmans Study is not devoted to the oeuvres of great names in the canon like Salvador Dalí and René Magritte. Instead, it tells the story of the idiosyncratic finds made by the Dutch collectors Laurens Vancrevel and his wife Frida de Jong. Long before museums started to take notice, the couple had collected art and poetry by then relatively unknown Surrealists. Over the years, they let themselves be guided by chance, friendships and random encounters, and this has resulted in a unique collection of Surrealist art from which the museum has been allowed to make a selection. The study examines the 50 artworks that have been gifted and reflects on two approaches to collecting: the creation of a private collection and the way Surrealism was acquired by Dutch museums like Museum Boijmans Van Beuningen.

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