Cinematic Emotion in Horror Films and Thrillers
- The Aesthetic Paradox of Pleasurable Fear
- Indbinding:
- Paperback
- Sideantal:
- 314
- Udgivet:
- 15. marts 2012
- Størrelse:
- 151x229x17 mm.
- Vægt:
- 466 g.
- 2-3 uger.
- 22. januar 2025
Forlænget returret til d. 31. januar 2025
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- Ingen binding
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Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Cinematic Emotion in Horror Films and Thrillers
Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanich¿s path-breaking book, in which he takes a detailed look at the various aesthetic strategies of fear as well as the viewer¿s frightened experience. By drawing on prototypical scenes from horror films and thrillers like Rosemary¿s Baby, The Silence of the Lambs, Seven and The Blair Witch Project, Hanich identifies five types of fear at the movies and thus provides a much more nuanced classification than previously at hand in film studies. His descriptions of how the five types of fear differ according to their bodily, temporal and social experience inside the auditorium entail a forceful plea for relying more strongly on phenomenology in the study of cinematic emotions.
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