Christopher Wool: Swamp
- Indbinding:
- Paperback
- Sideantal:
- 140
- Udgivet:
- 22. oktober 2019
- Størrelse:
- 254x376x18 mm.
- Vægt:
- 998 g.
- Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Christopher Wool: Swamp
The fourth in Christopher Wool's sumptuous slipcased series of limited-edition photobooks
Following his previous limited editions with Holzwarth Publications, Road, Yard and Westtexaspsychosculpture (all published in 2017), New York-based artist Christopher Wool (born 1955) presents Swamp, a beautiful, slipcased, large-format (10 x 15 inches) paperback volume that likewise features images that have been created through processing and reproduction, in which the original photographic material acts as only the basic layer. Here, what initially appears as an unruly surface gives way to Wool's black-and-brown photographic superimpositions, fragments of motifs: backyards, abandoned car tires, huge cable drums, dead tree stumps, rusty bed frames or the wall of a shack with strange objects leaning against it. Published in an edition of 1,200, each copy is signed by the artist and dated 2019.
Following his previous limited editions with Holzwarth Publications, Road, Yard and Westtexaspsychosculpture (all published in 2017), New York-based artist Christopher Wool (born 1955) presents Swamp, a beautiful, slipcased, large-format (10 x 15 inches) paperback volume that likewise features images that have been created through processing and reproduction, in which the original photographic material acts as only the basic layer. Here, what initially appears as an unruly surface gives way to Wool's black-and-brown photographic superimpositions, fragments of motifs: backyards, abandoned car tires, huge cable drums, dead tree stumps, rusty bed frames or the wall of a shack with strange objects leaning against it. Published in an edition of 1,200, each copy is signed by the artist and dated 2019.
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