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Offers essays that revolve around the notion of change in Ireland, whether by revolution or by evolution. This volume begins by examining two remarkable Irishmen on the make in Georgian London: the boxing historian Pierce Egan and the extraordinary Charles Macklin, eighteenth-century actor, playwright and manslaughterer.

Envisioning Ireland

In the 1990s, Irish society was changing and becoming increasingly international due to the rise of the 'Celtic Tiger'. At the same time, the ongoing peace process in Northern Ireland also fuelled debates on the definition of Irishness, which in turn seemed to call for a critical examination of the birth of the Irish State, as well as a rethinking and re-assessment of the nationalist past. Neil Jordan's Michael Collins (1996), the most commercially successful and talked-about Irish film of the 1990s, was a timely contributor to this process. In providing a large-scale representation of the 1916-1922 period, Michael Collins became the subject of critical and popular controversy, demonstrating that cinema could play a part in this cultural reimagining of Ireland. Locating the film in both its historical and its cinematic context, this book explores the depiction of events in Michael Collins and the film's participation in the process of reimagining Irishness through its public reception. The portrayal of the key figures of Michael Collins and Eamon de Valera comes under special scrutiny as the author assesses this pivotal piece of Irish history on screen.

Between Literature and History

Presents an examination of the emergence, reception and legacy of modernism in Ireland. Engaging with the ongoing re-evaluation of regional and national modernisms, this title includes essays that reveal both the importance of modernism to Ireland, and that of Ireland to modernism.

Contests and Contexts

Touching on a host of central themes in author's writing - emigration, race, performance, poverty, travel, nationality and globalization, this volume covers each of the author's publications and includes a substantial interview with the author. It is suitable for scholars of the Irish novel.

Focuses on the ideas of W.B. Yeats and explores his thinking on a wide range of fundamental subjects. In this book, the author considers Yeats' adherence to various anti-empirical belief systems and the transformation of his view of sex as largely a romantic concern to his later more 'earthy' perspective.

Describing Irish as 'female' and 'bestial' is a practice dating back to twelfth century, while for women, inside and outside of Ireland, their association with children and other 'savages' has had a long history, this study examines a tradition of Irish women writers deploying 'natural' as a gesture to paternalist regulation of female energies.

Bloody Living

Since its inception cinema has served as a powerful medium that both articulates and intervenes in visions of identity. This book offers a critical approach to study of Ireland's colonial and postcolonial heritage through a comparative exploration of such filmic visions, yielding insights into operations of colonial, and postcolonial discourse.

Advertisements are often viewed as indices of cultural change, just as advertising industry is often imagined as innovative and transformative. This book highlights routinisation of practices and representations in advertising.

Exploring the works and influence of a wide range of figures including James Joyce, Marcel Proust, Jacques Derrida, J.M. Synge, Helene Cixous, Eilean Ni Chuilleanain, Hector Berlioz, Maurice Ravel, Neil Jordan and John Field, the essays collected here uncover a wealth of artistic interconnections between France and Ireland.

Drawing on the cross-disciplinary nature of Irish studies, contributors provide multifaceted perspectives from which to examine the issue of victimhood in Ireland, this volume explores in detail how a traumatic past, whether repressed or proclaimed, can continue to impact on the present, both at a personal and societal level.

The Amharc Eireann film series was sponsored by Gael Linn, an organization dedicated to the revitalization of the Irish language through modern media and technology. This book, the first full-length investigation of Amharc Eireann, makes an important contribution to our understanding of the complexities of twentieth-century Irish history.

This book analyses poetry and prose written by combatant and non-combatant Irish writers during the First World War, focusing on key works influenced by Irish, English and European literary traditions. It highlights the complex positions adopted by writers in relation to the international conflict and to Irish debates about nationhood, which resist reduction to the simple binaries of Unionist/pro-war and Nationalist/anti-war. The book goes on to discuss the literature of the decades following the war, looking at how the conflict was remembered in the two parts of the now divided island, both by individuals and collectively, and investigating the dynamic interrelationship between personal recollection and public memory. In conclusion, the author discusses contemporary literature about the war, which often examines family memory as well as collective memory, and explores its role in the narrative of nationhood, both north and south of the border.

This collection of critical essays proposes new and original readings of the relationship between French and Irish literature and culture. It seeks to re-evaluate, deconstruct and question artistic productions and cultural phenomena while pointing to the potential for comparative analysis between the two countries.

The identity constructs shaped in the nineteenth-century Irish nation-building process were generated by and, in turn, became guarantors of structures of religious, political and cultural authority. This volume examines how these structures have been challenged within literary and cultural discourses in the twentieth and twenty-first centuries.

These essays reflect on the unfolding nature of Irish cultural identity at a time when Ireland is struggling to adjust to the shattering impacts of globalization and religious scandal. They consider a range of literary and filmic works that have sought to articulate this experience, especially the tension between migration and a sense of belonging.

The organization of several thousand Irish American men into a military outfit, which then attempted to invade Canada from within the United States, is a significant historical event that remains largely unexplored from an Irish and Irish American perspective. This study offers a fuller exploration of the details behind the Fenian invasion, asking why Irish immigrants were motivated to shape American international policy and examining the ways in which the Fenians defined identity as a transnational phenomenon. By taking a fresh look at the Irish foray, the author reveals new aspects to Irish immigrant negotiations of belonging - a prototypical transnationalism, accompanied by a broad-ranging anti-imperialism. This book places the Irish American Fenians in their proper context, demonstrating their central importance within American, Irish and Irish American history. Its publication coincides with the 150th anniversary of the Fenian invasion of Canada.

In recent years, the collapse of the Celtic Tiger has acted as a catalyst for change in Ireland, with various structures of political, religious and economic authority giving way under pressure. This volume sets out to investigate how various forms of authority in Irish culture and history have been challenged and transformed by a crisis situation.

This volume embraces the critical turn of new materialism in order to address how creative and social practices allow for the definition of alternative subject positions and to examine how power relations operate at an embodied, relatable level: it proposes to think global but act local.

This is the first critical assessment of the work of the Irish author Mary O'Donnell, whose principal themes include contemporary Irish society, the position of women in Ireland and the role of the artist. The essays collected here illuminate O'Donnell's role as a humanist writer searching for truth at all costs.

Within the growing field of TV series studies, little work has yet been done on Ireland. This volume fills the gap by offering new and compelling studies of contemporary Irish TV series. It argues that there is a distinctly Irish culture of TV fiction series and examines some of its finest examples, from Father Ted to Love/Hate and Sin Sceal Eile.

This volume examines the relationship between poetic language and place in the work of Paul Muldoon. Through a close reading of the formal aspects of his poems, it explores how poetry as an art form can be engaged to map the complex relationships between language and the material, phenomenal, personal and social aspects of our sense of place.

To mark the bicentenary of Sheridan Le Fanu's birth, this collection brings together established scholars and emerging researchers to shed new light on some of his less famous fiction and celebrate his contribution to the Gothic genre. It also considers his relationship to Victorian Dublin and explores his status as an important 'Irish' writer.

In the twenty-first century, the rich traditions of Irish folklore are engaged in a constant process of regeneration, where the old and the new, the oral, the textual and the visual intermingle. This volume examines the variety of ways in which folklore traditions are re-purposed and reinvented in contemporary Ireland.

Dublin¿s slums were once considered the worst in Europe. The city¿s tenements were omnipresent and their inhabitants were plagued by poverty. Illuminating the intricate relationship between the «dirty» cityscape and Dublin literature from 1880 to 1920, this seminal book offers new socio-historical, cultural and political insights into one of the most interesting periods of Irish literature and history. As well as delineating the characteristics of Dublin slum literature as a genre, the book challenges general assumptions about the Literary Revival as a mainly rural movement and discusses representations of slums in a variety of texts by «Alpha and Omega», James Connolly, Fannie Gallaher, May Laffan, Seumas O¿Sullivan, Frederick Ryan, James Stephens, Katharine Tynan and many others. In addition, it reassesses W. B. Yeats¿s and James Joyce¿s literary genealogy in the context of the urban literary-historical discourse and analyses the impact of slums on their writing strategies. This work will be essential reading for scholars and students of Irish literature and cultural history.

This book examines German media representations of Ireland from 1946 to 2010, from the post-war period to the years of the so-called Celtic Tiger and Ireland's subsequent economic downturn. It charts both the patterns and the inconsistencies in depictions of Ireland in the weekly publications Der Spiegel and Die Zeit, as well as in German cinema.Cultural stereotypes may be employed in the furthering of a problematic cultural essentialism; however, they may also be used to play with readers' or viewers' expectations. They may be juxtaposed with newer cultural generalizations, or re-moulded to fit a transformed cultural reality. The representations of Ireland examined in this book are revealed as inherently ideological, consistently locating Ireland outside of an evolving European societal normalcy. While this is often presented as something highly positive, the book argues that it implicitly places Germany at the centre of Europe and may be viewed as a type of excluding Europeanism.