Annotations And Discourses On Alchemical Works
- Indbinding:
- Hardback
- Sideantal:
- 56
- Udgivet:
- 23. maj 2010
- Størrelse:
- 178x254x6 mm.
- Vægt:
- 322 g.
- 2-3 uger.
- 2. december 2024
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- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Annotations And Discourses On Alchemical Works
""Annotations and Discourses on Alchemical Works"" is a book written by Elias Ashmole, a prominent English antiquary and alchemist, in the 17th century. The book is a collection of Ashmole's notes and commentaries on various alchemical texts, including works by famous alchemists such as Paracelsus and Geber. The book provides a detailed analysis of the symbolism and allegories used in alchemy, as well as the practical techniques and experiments involved in the pursuit of transmutation. Ashmole also includes his own personal experiences and observations as an alchemist, giving readers a unique insight into the practice of alchemy during this time period. Overall, ""Annotations and Discourses on Alchemical Works"" is a valuable resource for anyone interested in the history and philosophy of alchemy, as well as those seeking to understand the practical aspects of this fascinating and mysterious art.THIS 56 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Theatrum Chemicum Brittannicum, by Elias Ashmole. To purchase the entire book, please order ISBN 0922802890.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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