Angelica Mesiti
- Indbinding:
- Hardback
- Sideantal:
- 132
- Udgivet:
- 7. november 2024
- Størrelse:
- 235x320x0 mm.
- Vægt:
- 1160 g.
- Kan forudbestilles.
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Angelica Mesiti
From one of Australia's leading contemporary artists, The Rites of When pays tribute to ritual practices of seasonal renewal, both ancient and contemporary. It documents the artist's monumental, sevenchannel video installation created for the Tank at the Art Gallery of New South Wales. Angelica Mesiti is one of Australia's leading contemporary artists. Celebrated for her distinctive moving-image and sound-based works, the Sydney-born, Paris-based artist explores individual and communal forms of expression, ranging from sign language, choreographic gesture, Morse code and whistling to ancestral musical traditions, body percussion and communication between nonhuman species. The Rites of When, Mesiti's first solo exhibition at the Art Gallery of New South Wales, pays tribute to ritual practices of seasonal renewal, both ancient and contemporary. The monumental, seven-channel video installation - comprising two sweeping movements that conjure hibernal (winter) and aestival (summer) solstice celebrations - is an immersive reflection upon the age-old and continuing relationship between humankind, the natural world and the cosmos. With choreographed performance, new music compositions and soaring aerial views, The Rites of When offers a vision of an enmeshed world and the renewal of hope. Published in association with the eponymous exhibition, Angelica Mesiti: The Rites of When documents the second major commission for the postindustrial Tank space at the Art Gallery of New South Wales. Richly illustrated with video stills from Mesiti's cinematic video installation, it features a new essay by Isobel Parker Philip and interview by Beatrice Gralton, cocurators of the exhibition. An additional visual section illuminates the influences that shaped the work.
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