Anecdotes of Painting in England, With Some Account of the Principal Artists, and Notes On Other Arts
- Collected by G. Vertue, Digested From His Mss.; With Additions by J. Dallaway. [With] a Catalogue of Engravers Who Have Been Born, Or Resided, in Englan
- Indbinding:
- Hardback
- Udgivet:
- 18. juli 2023
- Størrelse:
- 156x234x25 mm.
- Vægt:
- 807 g.
- 2-3 uger.
- 13. december 2024
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- Ingen binding
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Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Anecdotes of Painting in England, With Some Account of the Principal Artists, and Notes On Other Arts
This book covers the history of painting in England, with a focus on the 17th and 18th centuries. It includes accounts of famous artists such as Holbein, Van Dyck, and Reynolds, as well as their contemporaries. The book also includes a catalog of English engravers. An essential resource for anyone interested in British art history.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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