32 White Horses on a Vermillion Hill: Volume Two

Planet X Publications is proud to present this charity anthology, benefitting our friend, horror writer Christopher Ropes. It features stories & poems generously donated from members of the weird fiction & horror communities. Christopher has a condition called dentinogenesis imperfecta, which causes discolored, brittle teeth, and has been a lifelong source of pain & distress for him. All the profits from this book will go directly to Christopher to help cover the costs of some long-needed dental work so that he can smile easy for the first time.Our Table of Contents: Introduction to Volume Two by Michael Wehunt / 1) "Alouette A La Blanc" by Bob Freville / 2) A Plague Of The Most Beautiful Finery by Kurt Fawver / 3) Believe Me by Ashley Dioses / 4) New Moon in November by K.A. Opperman / 5) That What Was Under The Surface by Norbert Góra / 6) My Valentine's Day Ball by Donna Marie West / 7) The Last to Die by Jayaprakash Satyamurthy / 8) Hammer Dulcimer by T.M. Morgan / 9) The Ballad Stone by Adam Bolivar / 10) Lost on the Road to Nowhere by Pete Rawlik / 11) The City of Xees by Scott J. Couturier / 12) The View by Philip Fracassi / 13) The Figurehead by A.P Sessler / 14) The Triumph of the Skies by Eric Ruppert / 15) Growth; or, The Transubstantiation of Apartment 3C by Ross T. Byers / 16) Fertility by Brooke Warra / 17) Zugzwang by K. H. Vaughan / 18) On a Bed of Bone by Can Wiggins / 19) Yellow Voices by Luis G. Abbadie / 20) The Outsider by John Paul Fitch / 21) Mutinous Facial Abstractions by John Claude Smith / 22) Of Blood, Oil & Tin by Michael Brueggeman / 23) Cold by Sean M. Thompson / 24) Umbriel is The Darkest Moon by Marguerite Reed / 25) Humlin by Farah Rose Smith / 26) 32 White Horses by Justin Burnett / 27) Convince Me Not to Put a Bell on You by Andrew M. Reichart / 28) A Little Delta of Filth by Jon Padgett / 29) 2.0 by Aaron Besson / 30) We All Make Sacrifices by Jonathan Maberry / 31) Insect Queen by Roy K. Phelps / 32) Last Wraps by Duane Pesice / Afterword by Christopher Ropes