Bøger udgivet af Weaver Press

In this accessible and authoritative book, Godfrey Kanyenze provides a comprehensive and far-reaching analysis of the socio-economic development in Zimbabwe in light of the expanding authoritarianism and the ongoing destruction of democratic institutions during the four decades after independence. Kanyenze describes the various phases of the socio-economic development starting with 1980 when the people of Zimbabwe saw their hard-won independence and new democracy as a promise for a "e;better life for all"e;. Kanyenze highlights how by dismantling all barriers of economic and legal restraint, and that despite being necessary, The land reform programme put the political and financial interests of the elite before those of the people which continues to this day. Kanyenze reveals the governmental attacks on civil society, and notes how economic policy was not even part of an "e;authoritarian bargain"e;, an implicit arrangement between ruling elites and citizens whereby citizens relinquish political freedom in exchange for public goods. And he concludes this analysis with a current update of Zimbabwe today, where citizens have nothing -neither political freedom nor public goods. This impressive and gripping account of an authoritarian capitalist system and a country in decline is a must-read for students, researchers, policymakers and those who want to better understand how politics and the economy, interests, conflicts, and power work together.

Zimbabwe celebrated its independence just over 40 years ago. While the nation is no longer young, its population certainly is: over 60% are under the age of 35. Understanding youth perspectives and experiences is therefore vitally important. Fending for Ourselves reviews the recent histories and realities of youths in Zimbabwe, offering a distinguished range of authors exploring issues of education, employment and work, the urban experience, involvement in the informal economy, mental health, and political activity. Importantly, the collection examines successive generations of youth in Zimbabwe to show how ideas, experiences and reactions to the social, political, and economic context have shifted over time. Many of the issues affecting youth over the past 40 years have been traumatic and distressing - physical and mental abuse, declining employment and educational opportunities, poverty, ill-health and loss of hope - but this collection underlines the agency and resilience of Zimbabwe's young people, and how they have found ways to navigate the political, social, and economic terrains they occupy.

Without adequate protection and consideration from the state, women were left out of Zimbabwe's Fast Land Reform Programme at the turn of the century. Leaving them to fight for land in a murky, convoluted system will not address women's rights to it. Giving specific ethical and legal attention to women's rights and needs is the only way to guard against land and other resources begin co-opted by the privileged and those with the requisite social, financial and political capital. Some commentators have argued that Zimbabwean women were better off identifying with Zimbabwean men as as blacks in taking land from the former white farmers than to concentrate on their needs as women during the FTLRP. The primary battle was to take the land from the white farmer, after which a secondary battle by women to take land from men would ensue. Twenty years after the commencement of the FTLRP, the question remains whether the secondary battle by black women to take over land from black men has started and whether there are any chances that such a battle will ever be fought and won.

Zimbabwe @ 40 is a celebration of the country's four decades of independence and statehood. Forty years is a relatively short period in a nation's life, but it is a formative period: what lessons can be learnt from the successes and failures, challenges and opportunities of the last 40 years? What should be avoided in the next 40? Lloyd Sachikonye and David Kaulemu have assembled a distinguished team of scholars to address these questions, and the book focuses on issues that characterise the country's development trajectory: the linkage between values and institutions; defects in its democracy; the 'curse' of mineral and agricultural endowment; the impact of migration; and the social exclusion of women and young people. The book is written from a depth of commitment to a just, peaceful and prosperous Zimbabwe, and represents a 'work in progress', reflecting the continuing research, evaluation and dialogue that each of the authors is engaged in, and signalling the nature and direction of future such work. As the editors conclude: 'None of the chapters are pessimistic, nor are they negative about the country. They are realistic about the gravity of the historical moment the nation faces and the high moral, political and economic mountains we must climb before we can see the Promised Land. Yet they are full of hope - they are convinced that we have not come to the end of history.'

Then a Wind Blew is set in the final months of the war in Rhodesia, before it became Zimbabwe, and the story unfolds through the voices of three women. Susan Haig, a white settler, has lost one son in the war and seen her other son declared 'unfit for duty'. Nyanye Maseka has fled with her sister to a guerrilla camp in Mozambique, her home village destroyed, her mother missing. Beth Lytton is a nun in a church mission in an African Reserve, watching her adopted country tear itself apart. The three women have nothing in common. Yet the events of war conspire to draw them into each other's lives in a way that none of them could have imagined. This absorbing and sensitive novel develops and intertwines their stories, showing us the ugliness of war for women caught up in it and reminding us that, in the end, we all depend on each other.

Dew in the Morning was written when the author, Shimmer Chinodya, was eighteen. The intensity of childhood memory is sharp and immediate. Godi, the young boy whose life we experience as he grows up, perceives more than he understands. The ambivalence or instability of the text lies at the juncture between the felt experience of the child, and the rational, interpretative, analysis of the adult. A Bildungsroman, Chinodya captures the centrality of land in the national consciousness: its beauty, its rhythms, its seasons and its fertility. But he does not romanticise the hardships: the droughts, poor harvests, over-crowding - particularly as a result of the inflow of resettled people - and the tensions over land and between peoples as they struggle to survive. Good humour, strict morality, hard work, and mutual support can be undermined by corrupt practice, or tainted by traditional ceremonies that are as frightening as they are powerful, and raise essential questions of belief and validity. Dew in the Morning, is a tender, evocative novel of growing up, but in it we see the seeds of many issues which Chinodya will dwell on in his later novels: familial tensions, the taut interplay of tradition and modernity, ancestral beliefs and Christianity.

This eighth anthology of twelve short stories from Weaver Press reveals again the range and variety, compassion and humour, irony and tragedy with which Zimbabwean writers observe the world around them. Several writers adopt a tongue-in-cheek approach to the subject: Naishe Nyamubaya takes us behind graphic newspaper headlines with a story of goblins, Jonathan Brakarsh turns the world inside out by constantly reversing our expectations, and Lawrence Hoba draws a situation both ,collateral and incompatible,. It is a characteristic of crime fiction to defy expectation, as Farai Mudzingwa, Bongani Sibanda and Valerie Tagwira do in exploring the ramifications of sudden death. But if we are surprised by some stories, we can only be moved those which draw on the pain and vulnerablity of both the victims and those left behind. Godess Bvukutwa, Isabella Matambanadzo and Donna Kirstein help us to reflect on injustice and loss. Reading this collection of stories, with subjects ranging from tokolosh to tsunami, and from ghosts to goldfish, reminds us that the world is crazier than we think.

Writing Lives, a collection of short stories, featuring Lawrence Hoba, Tendai Huchu, Tendai Machingaidze, Nevanji Madanhire, Daniel Mandishona, Christopher Mlalazi, Blessing Musariri, Chiedza Musengezi, Sekai Nzenza, Fungisayi Sasa and Emmanuel Sigauke. Writing Lives is the seventh of Weaver's anthologies of short stories following Writing Still, Writing Now, Laughing Now, Women Writing Zimbabwe, Mazambuko and Writing Free. As with the other anthologies, this vibrant collection reflects the lives and experiences of Zimbabweans as filtered through the lens of each author's perceptions. Writing Lives gives us stories that will make us laugh and bring tears to our eyes as it provides a focus on the past, the present and even the future.

Julius Chingono?s short stories and poems illuminate the everyday world of his native Zimbabwe: the buzzing townships, and the rural homestead. Depicting characters who face poverty, tragedy and violence with strength and courage, the author brings a ready humour to otherwise bleak situations, and a sharp eye to events and encounters in the country. Chingono?s acute awareness of the many absurdities of the society in which he lives ensure his place as a life-affirming chronicler of its development.

In this fifth anthology of Zimbabwean short stories from Weaver Press fifteen writers respond to the topic of writing free, and offer their thoughts about how and why they wrote as they did. The stories reflect a wide variety of freedoms: from tyranny, from hunger, from abuse, from the shackles of tradition, and even from the traditional constraints of narrative convention. But there are cautionary tales, too. Political change may be liberating for the adults who suffered for it, but will their children share in the euphoria of new-found freedom? Will a departure from domestic poverty to the calm waters of the diaspora deliver all that was hoped for it? Is the grass always greener beyond the fence of a stifling marriage? Zimbabwe has had more than its share of social and material deprivation in recent years, and people's responses have taken many forms. Writing Free offers an engaging and kaleidoscopic sample of these, and in doing so gives an intimate portrait of a country in transition.

Sr Janice McLaughlin (1942-2021) was a remarkable woman, an American Maryknoll nun who dedicated her life to the twin causes of education and justice. This memoir, completed just before her death, tells her story with refreshing candor.

At a turbulent historical moment, Versions of Zimbabwe: New Approaches to Literature and Culture considers the relationships between Zimbabwe's creative literature, history and politics. It presumes that literature and culture cannot be understood separately from larger social trends; and that besides being legitimate subjects of study in themselves, through foregrounding literary and cultural issues, insights into the present crisis inflicting the country can be achieved.The book is the result of a collaboration of scholars from southern Africa and overseas, whose work emphasises hitherto overshadowed subjects of literature, exposing new and untried approaches to Zimbabwean writing. The contributors focus on pluralities, inclusiveness and the breaking of boundaries, and elucidate how literary texts are betraying multiple versions and opinions of Zimbabwe, arguing that only a multiplicity of opinions on Zimbabwe can do the complexity of the society and history justice.Individual chapters consider the works of celebrated Zimbabwean authors such as Dambudzo Marechera, Alexandra Fuller and the late Yvonne Vera, alongside several Zimbabwean writers less well- known outside the country. Works of literature in the three major literary languages of Zimbabwe - Shona, Ndebele and English - are examined, alongside autobiography, history and memoir, questions of race in literature and racial identities of Zimbabwean writers, and the oft-neglected, arguably underrated Zimbabwean poetry. The contributors include Annie Gagiano, Caroline Rooney, Tommy Matshakayile-Ndlovu and Terence Ranger.

Mothers of the Revolution is one of the most remarkable chronicles to emerge from the Zimbabwean liberation war (1967-1980). Here are first-hand accounts from rural women living in all parts of the country who stayed behind during the war; the women whose sons and daughters secretly left home to join the liberation armies and sometimes never returned; the women who single-handedly, not only had to keep their homes, but who fed the freedom fighters; women, who as the war intensified, were often caught in the crossfire.

Morgan Tsvangiraiis appointment as Zimbabweis Prime Minister in 2009 followed many yearsi leadership of the Zimbabwe Congress of Trades Unions and the Movement for Democratic Change. How has that experience equipped him for high national office? Does he have the personal, intellectual and political qualities required to be President? In July 2004, as he was awaiting the verdict in his treason trial, Tsvangirai spent several days in conversation with Stephen Chan. Chan was concerned to find out if Tsvangirai was more than emerely a charismatic leader of the oppositioni; if he had ehis own intellectual agenda [and] political philosophyi. His questions were even-handed and astute. eDiscussion by discussion, Morgan Tsvangirai had become more open, more human n less cautious and, paradoxically, more obviously and naturally presidential.i Five years later, having reviewed the events since their discussions took place, Chan writes: eI have not made a saint of him, not even an Atlas. I hope I have not criticized him too much or too unfairly. Probably no one could have done for Zimbabwe what he has.i Citizen of Zimbabwe is a rare and intimate portrait of political leadership in Africa.

Drawing on communications 'rescued' from the shredders in the last days of Rhodesia, enlivened by photographs and memories - both her own and those of her colleagues - Maia Chenaux-Repond tells the story of her work as the Provincial Community Development Officer (Women) for Mashonaland and South in the Ministry of Internal Affairs in the 1970s. There are no records whatsoever in the National Archives of Zimbabwe about the Community Development Section (Women), even though it was active in all the provinces. In the absence of other documentary sources, and all other provincial officers long having emigrated or died, this account of her work fills a significant gap in the pre-independence history of Zimbabwe. The crucial focus of the Women's Section on improving the lives and skills of women in the rural areas became progressively more difficult when the civil war intensified from the early 1970 as rural people - and the development workers themselves - were moved into 'Protected Villages', and as the Ministry became increasingly militarized.