Bøger udgivet af Wayne State University Press

Anyone interested in musical history, Detroit rock 'n' roll, or American popular culture of the 1960s and beyond will appreciate this candid and fascinating look at the MC5, which was originally published in the UK and is available for the first time in the US in this updated version.

How It Happens follows the story of author Jean Alicia Elster's maternal grandmother, Dorothy May Jackson. Born in Tennessee in 1890, Dorothy May was the middle daughter of Addie Jackson, a married African-American housekeeper at one of the white boardinghouses in town, and Tom Mitchell, a commanding white attorney from a prominent family. Through three successive generations of African-American women, Elster intertwines the fictionalized adaptations of the defining periods and challenges-race relations, miscegenation, sexual assault, and class divisions-in her family's history. A continuation of the plots begun in Elster's two novels Who's Jim Hines? and The Colored Car, How It Happens continues the story for an older audience and begins with Addie's life before the turn of the century in the South as a married Black woman with three biracial daughters navigating the relationship between her husband and Tom Mitchell. Later the story shifts to Addie's daughter Dorothy May's experiences both as a child and later, as a teacher who, choosing between her career and marriage to a man she barely knows, moves to Detroit. The story moves along with Dorothy May's daughter Jean, who, with the support of her mother and the memory of her grandmother, confronts and comes to terms with her role in society and the options available to her as a college-educated Black woman in the post-World War II industrial North. While there is struggle and hardship for each of these women, they each build off one other and continue to demand space in the world in which they live. Written for young adult readers, How It Happens carries the heart through the obstacles that still face women of color today and persists in holding open the door of communication between generations.

Mortality, With Friends is a collection of lyrical essays from Fleda Brown, a writer and caretaker, of her father and sometimes her husband, who lives with the nagging uneasiness that her cancer could return. Memoir in feel, the book muses on the nature of art, of sculpture, of the loss of bees and trees, the end of marriages, and among other things, the loss of hearing and of life itself. Containing twenty-two essays, Mortality, With Friends follows the cascade of loss with the author's imminent joy in opening a path to track her own growing awareness and wisdom. In "e;Donna,"e; Brown examines a childhood friendship and questions the roles we need to play in each other's lives to shape who we might become. In "e;Native Bees,"e; Brown expertly weaves together the threads of a difficult family tradition intended to incite happiness with the harsh reality of current events. In "e;Fingernails, Toenails,"e; she marvels at the attention and suffering that accompanies caring for our aging bodies. In "e;Mortality, with Friends,"e; Brown dives into the practical and stupefying response to her own cancer and survival. In "e;2019: Becoming Mrs. Ramsay,"e; she remembers the ghosts of her family and the strident image of herself, positioned in front of her Northern Michigan cottage. Comparable to Lia Purpura's essays in their density and poetics, Brown's intent is to look closely, to stay with the moment and the image. Readers with a fondness for memoir and appreciation for art will be dazzled by the beauty of this collection.

Breaking Bad (2008-2013), a remarkable synthesis of the crime film, the sitcom, the western, and the family melodrama, is a foundational example of new television in the early twenty-first century. Receiving multiple Emmy Awards, it launched the careers of its creators and stars, most notably Bryan Cranston as high school teacher turned drug manufacturer Walter White, whose attempt to grab the American dream results in the destruction of family, home, community, and himself. In this book, Christopher Sharrett examines the innovations of Breaking Bad through a study of its main character, using psychoanalysis, genre study, gender studies, American studies, and the graphic arts to assist an exploration of the supreme danger of modern, postindustrial toxic masculinity embodied in Walter White. Serving as a fresh start for the American Movie Classics (AMC) cable outlet, Breaking Bad is probably the most uncompromised rendering of the white American male's rage in early twenty-first-century fiction. Set against a deindustrialized American landscape, its conflicted morality can seem less ambiguous than repugnant when we note the use of humor throughout, particularly as characters are introduced and killed off. Walter's relationships with his son, who has cerebral palsy, his former student turned business partner, his long-suffering wife, and his DEA brother-in-law are layered on top of the show's reflection of the very real challenges facing America today, which are not limited to the opioid epidemic, lax gun laws, and racial violence. Some critics have accused Breaking Bad of inciting a disturbance rather than criticizing, as it relies heavily on the audience's humor. Sharrett's argument for why the show is the canniest dramatic insight of our times is worth the price of admission for scholars and students of media studies and superfans alike.

The poems in Gun/Shy deal with the emotional weight of making do. Tinged with both the regrets and wisdom of aging, Jim Daniels's poems measure the wages of love in a changing world with its vanishing currency. He explores the effects of family work-putting children to bed, leading parents to their final resting places-and what is lost and gained in those exertions. Childhood and adolescence are examined, through both looking back on his own childhood and on that of his children. While his personal death count rises, Daniels reflects on his own mortality. He finds solace in small miracles-his mother stretching the budget to feed five children with "e;hamburger surprise"e; and potato skins, his children collecting stones and crabapples as if they were gold coins. Daniels, as he always has, carries the anchor of Detroit with him, the weight both a comfort and a burden. He explores race, white privilege, and factory work. Eight Mile Road, a fraught border, pulses with division, and the echoes of music, singing through Detroit's soiled but solid heart, resonate in these poems. His first long poem in many years, "e;Gun/Shy,"e; centers the book. Through the personas of several characters, Daniels dives into America's gun culture and the violent gulf between the fearful and the feared. Throughout, he seeks connection in likely and unlikely places: a river rising after spring rain and searchlights crossing the night sky. Comets and cloudy skies. Cement ponds and the Garden of Eden. Adolescence and death. Wounds physical and psychic. Disguises and more disguises. These are the myths we memorize to help us sleep at night, those that keep us awake and trembling. Daniels's accessible language, subtlety, and deftness make this collection one that belongs on every poetry reader's shelf.

Translated into English for the first time from Hebrew, this bok analyses how food and foodways are the major agents generating the plots of several significant folktales. The tales were chosen from the Israel Folktales Archives' (IFA) extensive collection of twenty-five thousand tales.

Explores the career of experimental filmmaker and visual artist Barbara Hammer. Hammer first garnered attention in the early 1970s for a series of films representing lesbian subjects and subjectivity. Keller's survey of her work is a vital text for students and scholars of film, queer studies, and art history.

Over the course of two decades and six books, Peter Markus has been making fiction out of a lexicon shaped by the words brother and fish and mud. In an essay on Markus's work, Brian Evenson writes, "e;If it's not clear by now, Markus's use of English is quite unique. It is instead a sort of ritual speech, an almost religious invocation in which words themselves, through repetition, acquire a magic or power that revives the simpler, blunter world of childhood."e; Now, in his debut book of poems, When Our Fathers Return to Us as Birds, Markus tunes his eye and ear toward a new world, a world where father is the new brother, a world where the father's slow dying and eventual death leads Markus, the son, to take a walk outside to "e;meet my shadow in the deepening shade."e; In this collection, a son is simultaneously caring for his father, losing his father, and finding his dead father in the trees and the water and the sky. He finds solace in the birds and in the river that runs between his house and his parents' house, with its view of the shut-down steel mill on the river's other side, now in the process of being torn down. The book is steadily punctuated by this recurring sentence that the son wakes up to each day: My father is dying in a house across the river. The rhythmic and recursive nature to these poems places the reader right alongside the son as he navigates his journey of mourning. These are poems written in conversation with the poems of Jack Gilbert, Linda Gregg, Jim Harrison, Jane Kenyon, Raymond Carver, Theodore Roethke too-poets whose poems at times taught Markus how to speak. "e;In a dark time . . .,"e; we often hear it said, "e;there are no words."e; But the truth is, there are always words. Sometimes our words are all we have to hold onto, to help us see through the darkened woods and muddy waters, times when the ear begins to listen, the eye begins to see, and the mouth, the body, and the heart, in chorus, begin to speak. Fans of Markus's work and all of those who are caring for dying parents or grieving their loss will find comfort, kinship, and appreciation in this honest and beautiful collection.

More than a century after its emergence, classical Hollywood cinema remains popular today with cinephiles and scholars alike. Resetting the Scene showcases cutting-edge work by renowned researchers of Hollywood filmmaking of the studio era and proposes new directions for classical Hollywood studies in the twenty-first century.

Representing Michigan for thirty-six years in the U.S. Senate, Carl Levin, the longest-serving senator in Michigan history, was known for his dogged pursuit of the truth, his commitment to holding government accountable, and his basic decency. Getting to the Heart of the Matter: My 36 Years in the Senate is his story - from his early days in Detroit as the son of a respected lawyer to the capstone of his career as chair of both the Senate Armed Services Committee and the Senate Permanent Subcommittee on Investigations. Levin's career placed him at the center of some of our nation's most critical points in modern times: from the aftermath of the 1967 Detroit riots, to the Clinton impeachment, through 9/11 and the wars in Iraq and Afghanistan, and the 2008 financial crisis. He met with numerous world leaders, including Egypt's Anwar Sadat and China's Jiang Zemin. Getting to the Heart of the Matter recounts Levin's experiences, thoughts, and actions during these historic moments. Consisting of seventeen chapters, the book takes the reader through Levin's early life in Detroit of the 1940s, 50s, and 60s where he met his wife, started a family, practiced law and served as the first General Counsel for the newly created Michigan Civil Rights Commission and the chief appellate defender for Detroit's Legal Aid Office. Elected to the Detroit City Council in 1969, where Levin served for eight years including four as Council president, the book describes how his fight against the Department of Housing and Urban Development's devastating housing practices in the neighborhoods of Detroit led him to run for the U.S. Senate with a pledge to make government work more effectively. Winning election six times, Levin had an illustrious career in the Senate where he challenged leaders in government and the private sector for the greater good of the nation. Levin describes how, as a Democrat, throughout his time in the Senate, he worked with Republican senators who often held different policy positions in order to find common ground to achieve national goals, and how he and his Senate staff searched for creative solutions to trade issues, support for the auto industry and manufacturing sector, U.S. military action in Iraq and Afghanistan, and efforts to protect the Great Lakes and the environment, among many other issues. Levin's hope in writing this memoir is that by sharing his deeply held beliefs about the responsibility of elected officials, the book will serve as a resource for people beginning a career in, or contemplating running for, public office. Readers with an interest in politics, history, facts, and perseverance will find kinship in this book.

In February 2017, Rochelle Riley was reading Twitter posts and came across a series of black-and-white photos of four-year-old Lola dressed up as different African American women who had made history. Rochelle was immediately smitten. She was so proud to see this little girl so powerfully honor the struggle and achievement of women several decades her senior. Rochelle reached out to Lola's mom, Cristi Smith-Jones, and asked to pair her writing with Smith-Jones's incredible photographs for a book. The goal? To teach children on the cusp of puberty that they could be anything they aspired to be, that every famous person was once a child who, in some cases, overcame great obstacles to achieve. That They Lived: African Americans Who Changed the World features Riley's grandson, Caleb, and Lola photographed in timeless black and white, dressed as important individuals such as business owners, educators, civil rights leaders, and artists, alongside detailed biographies that begin with the figures as young children who had the same ambitions, fears, strengths, and obstacles facing them that readers today may still experience. Muhammad Ali's bike was stolen when he was twelve years old and the police officer he reported the crime to suggested he learn how to fight before he caught up with the thief. Bessie Coleman, the first African American female aviator, collected and washed her neighbors' dirty laundry so she could raise enough money for college. When Duke Ellington was seven years old, he preferred playing baseball to attending the piano lessons his mom had arranged. That They Lived fills in gaps in the history that American children have been taught for generations. For African American children, it will prove that they are more than descendants of the enslaved. For all children, it will show that every child can achieve great things and work together to make the world a better place for all. That They Lived was made possible through a grant provided by the Community Foundation for Southeast Michigan.

More than a century after its emergence, classical Hollywood cinema remains popular today with cinephiles and scholars alike. Resetting the Scene showcases cutting-edge work by renowned researchers of Hollywood filmmaking of the studio era and proposes new directions for classical Hollywood studies in the twenty-first century.

Provides the first full-length exploration of Carrie Fisher's career as actress, writer, and advocate. Fisher's entangled relationship with the iconic Princess Leia is a focal point of this volume. The collection engages with the multiple interfaces between Fisher's most famous character and her other life-giving work.

Provides the first full-length exploration of Carrie Fisher's career as actress, writer, and advocate. Fisher's entangled relationship with the iconic Princess Leia is a focal point of this volume. The collection engages with the multiple interfaces between Fisher's most famous character and her other life-giving work.

Explores Jewish women's lives in what is now Eastern and Western Europe, Britain, Israel, Turkey, North Africa, and North America. The volume focuses on reconstructing the experiences of ordinary women and situating those of the extraordinary and famous within the gender systems of their times and places.

Explores Jewish women's lives in what is now Eastern and Western Europe, Britain, Israel, Turkey, North Africa, and North America. The volume focuses on reconstructing the experiences of ordinary women and situating those of the extraordinary and famous within the gender systems of their times and places.

The first book-length study of comic film director and media celebrity Taika Waititi. Author Matthew Bannister analyses Waititi's feature films and places his other works and performances-short films, TV series, advertisements, music videos, and media appearances-in the fabric of popular culture.

A translation and critical edition that fills a current gap in fairy-tale scholarship by making accessible texts written by nineteenth-century British, French, and German women authors who used the genre of the fairy tale to address issues such as class, race, and female agency.

A translation and critical edition that fills a current gap in fairy-tale scholarship by making accessible texts written by nineteenth-century British, French, and German women authors who used the genre of the fairy tale to address issues such as class, race, and female agency.

The first comprehensive study that situates Jewish messianism in its broader cultural, social, and religious contexts within the surrounding Christian society. By doing so, Rebekka Vo? shows how the expressions of Jewish and Christian end-time expectation informed one another.

Traces Scarborough's path out of slavery in Macon, Georgia, to a prolific scholarly career that culminated with his presidency of Wilberforce University. Despite the racism he met as he struggled to establish a place in higher education for African Americans, Scarborough was an exemplary scholar, particularly in the field of classical studies.

Presents a selection of previously un-translated short stories and sketches by Katie Brown, A.M. Kaizer, and I.A. Lisky, for the general reader and academic alike. These intriguing and entertaining tales build a picture of a lively East-End community of the '30s and '40s struggling with political, religious, and community concerns.

An exploration of the temporal function that "the Jew" plays in literature. No Place in Time: The Hebraic Myth in Late Nineteenth-Century American Literature examines how the Hebraic myth, in which Jewishness became a metaphor for an ancient, pre-Christian past, was reimagined in nineteenth-century American realism.

Renowned for its unique visual style, Homicide fundamentally changed the police procedural genre. The show was an anomaly in the '90s for its honest portrayals and discussions of race. Lisa Doris Alexander uses Critical Race Theory as a lens to highlight how the show illustrated the impacts that racial politics can have on policing.

In How Other People Make Love, Thisbe Nissen chronicles the lives and choices of people questioning the heteronormative institution of marriage. Not best-served by established conventions and conventional mores, these people-young, old, gay, straight, Midwestern, coastal-are finding their own paths in learning who they are and how they want to love and be loved, even when those paths must be blazed through the unknown. Concerning husbands and wives, lovers and leavers, Nissen's stories explore our search for connection and all the ways we undercut it, unwittingly and intentionally, when we do find it. How do we hold ourselves together-to function, work, and survive-while endlessly yearning to be undone, unraveled, and laid bare, however untenable and excruciating? How Other People Make Love contains nine stories. "e;Win's Girl"e; features a single woman who works at an Iowa slaughterhouse and uses the insurance money from a car accident to update the electric system in her dead parents' old house, only to be unwittingly embroiled with a shady electrician who ultimately forces her to stand up for herself. In "e;Home Is Where the Heart Gives Out and We Arouse the Grass,"e; a young woman flees after cheating on her husband and winds up at a Nebraska roadside motel populated by participants in a regional dog show who help her decide what to do next. In "e;Unity Brought Them Together,"e; a young man heads to his favorite New York coffee shop intending to finish the Christmas cards his vacationing fiance insists on sending, but winds up meeting another displaced young Midwestern man there and going home with him instead. All these stories explore the question, "e;how do we love?"e; as well as the answers we find, discard, follow, banish, and cling to in all our humanness and desperation. How Other People Make Love asserts that there aren't right and wrong ways to love; there are only our very complicated and contradictory human hearts, minds, bodies, and desires-all searching for something, whether we know what that is or not. These are stories for anyone who has ever loved or been loved.

Offers a personal memoir told through the lens of Harvey Ovshinsky's lifetime of adventures as an urban enthusiast. But this memoir is more than a trip down memory lane. It also doubles as a survival guide and an instruction manual that speaks not only to the nature of and need for storytelling but also the twin powers of endurance and resilience.

In defiance of the alleged 'death of romantic comedy', After ""Happily Ever After"": Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com's continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistically, and commercially innovative ways.

In defiance of the alleged 'death of romantic comedy', After ""Happily Ever After"": Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com's continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistically, and commercially innovative ways.