Bøger udgivet af W W NORTON

In a future in which the world is run by the Board of Corporations, King's daughter, Athena, reckons with his legacy-literally, for he has given her access to his memories, among other questionable gifts.With climate change raging, Athena has come to believe that saving the planet and its Shareholders will require a radical act of communion-and so she sets out to tell the truth to the world's Shareholders, in entrancing sensory detail, about King's childhood on a South Indian coconut plantation; his migration to the U.S. to study engineering in a world transformed by globalization; his marriage to the ambitious artist with whom he changed the world; and, ultimately, his invention, under self-exile, of the most ambitious creation of his life-Athena herself.The Immortal King Rao, written by a former Wall Street Journal technology reporter, is a resonant debut novel obliterating the boundaries between literary and speculative fiction, the historic and the dystopian, confronting how we arrived at the age of technological capitalism and where our actions might take us next.

Momo has been one of the ever-changing ragbag of whores' children at Madame Rosa's boarding house in Paris ever since he can remember. But when the check that pays for his keep no longer arrives and as Madame Rosa becomes too ill to climb the stairs to their apartment, he determines to support her any way he can. This sensitive, slightly macabre love story between Momo and Madame Rosa has a supporting cast of transvestites, pimps, and witch doctors from Paris's immigrant slum, Belleville. Profoundly moving, The Life Before Us won France's premier literary prize, the Prix Goncourt.

By profession I am a soldier, a general in the glorious Roman army. As a playwright, I think of myself as a sublime amateur.In Cesar Aira's new novel, Fulgentius, a sixty-seven-year-old imperial Roman general-"Rome's most illustrious and experienced"-is sent to pacify the remote province of Pannonia.He is a thoughtful, introspective person, a saturnine intellectual who greatly enjoys being on the march away from his loving family, and the sometimes deadly intrigues of Rome. Fulgentius is also a playwright (though of exactly one play) and in every city he pacifies, he stages a grand production of his farcical tragedy (written at the tender age of twelve) about a man who becomes a famous general only to be murdered "at the hands of shadowy foreigners." Curiously, what he had imagined as a child turns out to be the story of his life, almost. As the playwright-turned-general broods obsessively about his only work, the magnificent Lupine Legion-"a city in movement" of 6,000 men, an invincible corps of seasoned fighters wearing their signature wolfskin caps-kills, burns, pillages, and loots their way to victory. But what does victory mean?

By 2016, it was impossible to ignore an international resurgence of xenophobia. What had happened? Looking for clues, psychiatrist and historian George Makari started out in search of the idea's origins. To his astonishment, he discovered an unfolding series of never-told stories. While a fear and hatred of strangers may be ancient, he found that the notion of a dangerous bias called "xenophobia" arose not so long ago.Coined by late-nineteenth-century doctors and political commentators and popularized by an eccentric stenographer, xenophobia emerged alongside Western nationalism, colonialism, mass migration, and genocide. Makari chronicles the concept's rise, from its popularization and perverse misuse to its spread as an ethical principle in the wake of a series of calamites that culminated in the Holocaust, and its sudden reappearance in the twenty-first century. He investigates xenophobia's evolution through the writings of figures such as Joseph Conrad, Albert Camus, and Richard Wright, and innovators like Walter Lippmann, Sigmund Freud, Jean-Paul Sartre, Simone de Beauvoir, and Frantz Fanon. Weaving together history, philosophy, and psychology, Makari offers insights into varied, related ideas such as the conditioned response, the stereotype, projection, the Authoritarian Personality, the Other, and institutional bias.Masterful, original, and elegantly written, Of Fear and Strangers offers us a unifying paradigm by which we might more clearly comprehend how irrational anxiety and contests over identity sweep up groups and lead to the dark headlines of division so prevalent today.

The Congo-Océan railroad stretches across the Republic of Congo from Brazzaville to the Atlantic port of Pointe-Noir. It was completed in 1934, when Equatorial Africa was a French colony, and it stands as one of the deadliest construction projects in history. Colonial workers were subjects of an ostensibly democratic nation whose motto read "Liberty, Equality, Fraternity," but liberal ideals were savaged by a cruelly indifferent administrative state.African workers were forcibly conscripted and separated from their families, and subjected to hellish conditions as they hacked their way through dense tropical foliage-a "forest of no joy"; excavated by hand thousands of tons of earth in order to lay down track; blasted their way through rock to construct tunnels; or risked their lives building bridges over otherwise impassable rivers. In the process, they suffered disease, malnutrition, and rampant physical abuse, likely resulting in at least 20,000 deaths.In the Forest of No Joy captures in vivid detail the experiences of the men, women, and children who toiled on the railroad, and forces a reassessment of the moral relationship between modern industrialized empires and what could be called global humanitarian impulses-the desire to improve the lives of people outside of Europe. Drawing on exhaustive research in French and Congolese archives, a chilling documentary record, and heartbreaking photographic evidence, J.P. Daughton tells the epic story of the Congo-Océan railroad, and in doing so reveals the human costs and contradictions of modern empire.

Moving from Paris to Beirut and back, Calligraphies is a tribute to exiles and refugees, the known and unknown, dead and living, from the American poet Marie Ponsot to the Syrian pasionaria Fadwa Suleiman. Award-winning poet Marilyn Hacker finds resistance, wit, potential, and gleaming connection in everyday moments-a lunch of "standing near the fridge with / labneh, two verbs, and a spoon"-as a counterweight to the precarity of existence.With signature passion and agility, Hacker draws from French, Arabic, and English to probe the role of language in identity and revolution. Amid conversations in smoky cafes, personal mourning, and political turmoil, she traces the lines between exiles and expats, immigrants and refugees. A series of "Montpeyroux Sonnets" bookends the volume, cataloguing months in 2021 and 2022 in which the poet observes a village "in pandemic mode" and reflects on her own aging.In a variety of tones and formal registers, from vivid crowns of sonnets to insistent ghazals to elegiac pantoums and riffs on the renga, Calligraphies explores a world opened up by language.

Cândido Rondon is by any measure the greatest tropical explorer in history. Between 1890 and 1930, he navigated scores of previously unmapped rivers, traversed untrodden mountain ranges, and hacked his way through jungles so inhospitable that even native peoples had avoided them-and led Theodore Roosevelt and his son, Kermit, on their celebrated "River of Doubt" journey in 1913-14. Upon leaving the Brazilian Army in 1930 with the rank of a two-star general, Rondon, himself of indigenous descent, devoted the remainder of his life to not only writing about the region's flora and fauna, but also advocating for the peoples who inhabited the rainforest and lobbying for the creation of a system of national parks. Despite his many achievements-which include laying down a 1,200-mile telegraph line through the heart of the Amazon and three nominations for the Nobel Peace Prize-Rondon has never received his due. Originally published in Brazil, Into the Amazon is the first comprehensive biography of his life and remarkable career.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway?Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened to many artforms often ignored or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it's never been told before.

When the New York Public Library announced in October 1968 that its Berg Collection had acquired the original manuscript of The Waste Land, one of the most puzzling mysteries of twentieth-century literature was solved. The manuscript was not lost, as had been believed, but had remained among the papers of John Quinn, Eliot's friend and adviser, to whom the poet had sent it in 1922.If the discovery of the manuscript was startling, its content was even more so: the published version of The Waste Land was considerably shorter than the original. The manuscript pages illuminate how the famously elliptical poem was reduced and edited through the handwritten notes of Ezra Pound; of Eliot's first wife, Vivien; and of Eliot himself. So that this material could be made widely available, the poet's widow, Valerie Eliot, prepared the facsimile edition for publication in 1971, reproducing each page of the original manuscript with a clear transcript, an enlightening introduction, and explanatory notes.In celebration of the centenary of the poem, published in the United States by Boni & Liveright in 1922, Eliot's manuscript pages are presented in vivid color for the first time. The updated facsimile edition also offers a new appendix-including a sheet of Valerie Eliot's corrections discovered in the Faber archive in 2021-and an insightful afterword from Faber poetry editor Matthew Hollis. Complete with the text of the first published version of The Waste Land, this definitive volume reveals the evolution of a landmark work of the twentieth century and its enduring legacy.

Why do the only men I know carry wet umbrellas and say "Umm?" I'm being starved alive. Quick: the first bookshop for a copy of the Kama-Sutra.Min works at the BBC as a sound engineer, and in theory she's married, but her husband George is so invisible that she accidentally turns the lights off even when he's still in the room. Luckily, she has her friends and lovers to distract her: in Min's self-lacerating, bracingly opinionated voice, life boils down to sex appeal-and of late she's being courted by an internationally renowned opera singer whom she refers to as The Bloater (a swelled, salted herring). Disgusted by and attracted to him in equal measure, her dilemma-which reaches a hysterical, hilarious pitch-is whether to sleep with him or not.Rosemary Tonks-the salt and pepper of the earth-is a writer who gets her claws into the reader with all the joy of a cat and a mouse. Vain and materialistic, tender and savage, narrated in brilliant, sparkling prose, The Bloater is the perfect snapshot of London in the 1960s.

In this brilliant two-part memoir, the Pulitzer Prize-winning writer Hilton Als distills into one cocktail the deep and potent complexities of love and of loss, of Prince and of power, of desire and of race. It's delicious and it's got the kick of a mule, especially as Als swirls into his mix the downtown queer nightclub scene, the AIDS crisis, Prince's ass in his tight little pants, an ill-fated peach pie, Dorothy Parker, and his desire for true love. Always surprising and stealthily-even painfully-moving, Als plumbs longing: "I inched closer to him as he danced to you, Prince. But already he was you, Prince, in my mind. He had the same coloring, and the same loneliness I wanted to fill with my admiration. I couldn't love him enough. We were colored boys together. There is not enough of that in the world, Prince-but you know that. Still, when other people see that kind of fraternity they want to kill it. But we were so committed to each other, we never could work out what that violence meant. There was so much love between us. Why didn't anyone want us to share it?"

The grandson of Prince Genji lives outside of space and time and wanders the grounds of an old monastery in Kyoto. The monastery, too, is timeless: a place of prayer and deliverance, with barely a trace of any human presence. The wanderer is searching for a garden that has long captivated him: "he continually saw the garden in his mind's eye without being able to touch its existence."This exquisitely beautiful novel by National Book Award-winner László Krasznahorkai-perhaps his most serene and poetic work-describes a search for the unobtainable and the riches to be discovered along the way. Despite the difficulties in finding the garden, the reader is closely introduced to the construction processes of the monastery (described in poetic detail) as well as the geological and biological processes of the surrounding area (the underground layers revealed beneath a bed of moss, the travels of cypress-tree seeds on the wind, feral foxes and stray dogs meandering outside the monastery's walls), making this an unforgettable meditation on nature, life, history, and being.

A novel of love and valor, war and stupidity, life and death (as well as what may lay beyond our mortal coils), Baron Bagge concerns a young Austrian cavalry lieutenant in the Carpathian mountains at the beginning of WWI. The baron leads a desperate charge across a bridge to meet the Russian forces, following the orders of his mentally unstable commander:"We were soon to have proof of his unreliability... But perhaps it is not right to place the blame on him. Perhaps his foolishness was merely the instrument of fate, and the disaster into which he led his squadron, the slaughter of so many men and horses, took place in order that something which could no longer happen within the realm of the living-because it was too late-could happen after life." And, swaying in a kind of fugue, the baron wanders off the bridge into unknown realms, where-mesmerized by Lernet-Holenia's phosphorescent style-the reader joins his waking dream.

In three interconnected scenes, Hiroko Oyamada revisits the same set of characters at different junctures in their lives. In the back room of a pet store full of rare and exotic fish, old friends discuss dried shrimp and a strange new relationship. A couple who recently moved into a rustic home in the mountains discovers an unsettling solution to their weasel infestation. And a dinner party during a blizzard leads to a night in a room filled with aquariums and unpleasant dreams. Like Oyamada's previous novels, Weasels in the Attic sets its sights on the overlooked aspects of contemporary Japanese society, and does so with a surreal sensibility that is entirely her own.

Kathryn Scanlan's Kick the Latch vividly captures the arc of one woman's life at the racetrack-the flat land and ramshackle backstretch; the bad feelings and friction; the winner's circle and the racetrack bar; the fancy suits and fancy boots; and the "particular language" of "grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody"-with economy and integrity.Based on transcribed interviews with Sonia, a horse trainer, the novel investigates form and authenticity in a feat of synthesis reminiscent of Charles Reznikoff's Testimony. As Scanlan puts it, "I wanted to preserve-amplify, exaggerate-Sonia's idiosyncratic speech, her bluntness, her flair as a storyteller. I arrived at what you could call a composite portrait of a self." Whittled down with a fiercely singular artistry, Kick the Latch bangs out of the starting gate and carries the reader on a careening joyride around the inside track.

The things I've learned from taxi drivers would be enough to fill a book. They know a lot: they really do get around. I may know a lot about Antonioni that they don't know. Or maybe they do even when they don't. There are various ways of knowing by not-knowing. I know: it happens to me too.The crônica, a literary genre peculiar to Brazilian newspapers, allows writers (or even soccer stars) to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector's pieces for the Saturday edition of Rio's leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love. This new, large, and beautifully translated volume, Too Much of Life: The Complete Crônicas presents a new aspect of the great writer-at once off the cuff and spot on.

I was alone when someone pounded on my door. Who could it be?So begins Tono the Infallible, Evelio Rosero's gripping novel about an intense relationship between a writer and a sociopath. Visited by his friend (a kind of Colombian Rasputin) seemingly at the verge of death, the writer, Eri, looks back on the arc of both of their lives. Unique in both its tone and its structure, the novel takes us from their student days (school fights, playground revelations, and an unforgettable trip to the seaside) into their adult years, involving rumors of a hippie cult and a bizarre raucous theater exhibit of history's most violent crimes. Tono uses his charm and wealth-as well as reputed magical powers-to manipulate others, but it isn't until the end of the book that the devastating truth is revealed-and how true is it? Reminiscent of the fiction of Roberto Bolano and the films of Alfonso Cuarón, this brilliant novel takes us into the heart of his country's darkness, creating an unforgettable portrait of a society where humanity still endures, despite its brutality.

This autobiographical novel by the Imagist poet H. D. (1886-1961) is a rare and hallucinatory treasure. In writing HERmione, H. D. returned to a year in her life that was "peculiarly blighted." She was in her early twenties-"a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place." She had failed at Bryn Mawr, she felt hemmed in by her family, and she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new friendship with Fayne Rabb (Frances Josepha Gregg), an odd girl, brought an atmosphere that made our heroine's hold on everyday reality more tenuous. As Francesca Wade writes in her new introduction, "HERmione is H. D.'s rejoinder to mythic authority: her portrait of an artist groping her way slowly towards self-expression ends with her sexuality and artistic powers awoken, ready to name herself so all the world might know who she is."

Five mysterious billionaires summoned Douglas Rushkoff to a desert resort for a private talk. The topic? How to survive The Event: the societal catastrophe they know is coming. Rushkoff came to understand that these men were under the influence of The Mindset, a Silicon Valley-style certainty that they can break the laws of physics, economics and morality to escape a disaster of their own making-as long as they have enough money and the right technology. In Survival of the Richest, Rushkoff traces the origins of The Mindset in science and technology through its current expression in missions to Mars, island bunkers and the Metaverse. This mind-blowing work of social analysis shows us how to transcend the landscape The Mindset created-a world alive with algorithms and intelligences actively rewarding our most selfish tendencies-and rediscover community, mutual aid and human interdependency. Instead of changing the people, he argues, we can change the programme.

Greg Wade is an expert in the out-of-this-world tastes and textures of long-fermented, hand-shaped breads. The recipient of the James Beard Award for Outstanding Baker (2019) is committed to spreading the love for local, organic flours and long-fermented sourdough loaves far and wide as he kneads, stretches, and proofs his signature loaves each day at Publican Quality Bread in Chicago. Bread Head is his guide to making all your favorite professional-level breads, cakes, and pastries at home.Bread Head takes home cooks through foundational recipes like Farmhouse Sourdough and Marbled Rye down a winding road to unexpected and delicious bakes. Sorghum and Rosemary Ciabatta, Wheat Neapolitan Pizza Dough, Ethiopian Injera, Indian Parathas, and Georgian Khachapuri will become welcome new staples in your culinary repertoire. For those with a sweeter tooth, try Greg's Buckwheat Brownies, Wheat Brioche, and Cornmeal Whoopie Pies. Through accessible, teachable recipes that include baker's percentages and capture the importance of hydration and hand-shaping, Greg will improve your baking know-how, confidence, and zeal in the kitchen.The science and technique are all here: Go forth and explore the infinite universes of delights in each of Greg Wade's inventive recipes.

"America's funniest science writer" (Washington Post) takes us down the hatch on an unforgettable tour. The alimentary canal is classic Mary Roach terrain: the questions explored in Gulp are as taboo, in their way, as the cadavers in Stiff and every bit as surreal as the universe of zero gravity explored in Packing for Mars. Why is crunchy food so appealing? Why is it so hard to find words for flavors and smells? Why doesn't the stomach digest itself? How much can you eat before your stomach bursts? Can constipation kill you? Did it kill Elvis? In Gulp we meet scientists who tackle the questions no one else thinks of-or has the courage to ask. We go on location to a pet-food taste-test lab, a fecal transplant, and into a live stomach to observe the fate of a meal. With Roach at our side, we travel the world, meeting murderers and mad scientists, Eskimos and exorcists (who have occasionally administered holy water rectally), rabbis and terrorists-who, it turns out, for practical reasons do not conceal bombs in their digestive tracts.Like all of Roach's books, Gulp is as much about human beings as it is about human bodies.

"What happens when we die? Does the light just go out and that's that-the million-year nap? Or will some part of my personality, my me-ness persist? What will that feel like? What will I do all day? Is there a place to plug in my lap-top?" In an attempt to find out, Mary Roach brings her tireless curiosity to bear on an array of contemporary and historical soul-searchers: scientists, schemers, engineers, mediums, all trying to prove (or disprove) that life goes on after we die.

One New Haven summer evening in 2006, a retired grandfather was shot point-blank by a young stranger. A hasty police investigation culminated in innocent sixteen-year-old Bobby being sentenced to prison for thirty-eight years. New Haven native and acclaimed author Nicholas Dawidoff returned home and spent eight years reporting the deeper story of this injustice, and what it reveals about the enduring legacies of social and economic disparity.In The Other Side of Prospect, he has produced an immersive portrait of a seminal community in an old American city now beset by division and gun violence. Tracing the histories of three people whose lives meet in tragedy-victim Pete Fields, likely murderer Major, and Bobby-Dawidoff indelibly describes optimistic families coming north from South Carolina as part of the Great Migration, for the promise of opportunity and upward mobility, and the harrowing costs of deindustrialization and neglect. Foremost are the unique challenges confronted by children like Major and Bobby coming of age in their "forgotten" neighborhood, steps from Yale University. After years in prison, with the help of a true-believing lawyer, Bobby is finally set free. His subsequent struggles with the memories of prison, and his heartbreaking efforts to reconnect with family and community, exemplify the challenges the formerly incarcerated face upon reentry into society and, writes Reginald Dwayne Betts, make this "the best book about the crisis of incarceration in America."The Other Side of Prospect is a reportorial tour de force, at once a sweeping account of how the injustices of racism and inequality reverberate through the generations, and a beautifully written portrait of American city life, told through a group of unforgettable people and their intertwined experiences.