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Murujuga: Dynamics of the Dreaming was an Australian ResearchCouncil Linkage Project (LP140100393) administered by the Centrefor Rock Art Research and Management (CRAR+M) at the Universityof Western Australia (UWA). This project involved Murujuga AboriginalCorporation (MAC) as collaborating organisation and Rio Tinto as thepartner organisation. Field-based research ran from 2014 to 2018. Thisaimed to provide scientific evidence to protect and understand theNational Heritage-listed rock art and stone structures of Murujuga(Burrup Peninsula) and Dampier Archipelago and provide newevidence in support of the World Heritage nomination of this property.Rio Tinto's involvement is founded on its conservationagreement with the Commonwealth, which funds research intothe values of the National Heritage Listed Place. This support hasincluded the initial endowment of the Rio Tinto Chair of Rock ArtStudies at UWA as well as ongoing funding support through theRio Tinto UWA Memorandum of Understanding, which employs theCRAR+M Database Manager, and funds the annual Murujuga rockart field schools and capacity for research projects in the Pilbarawith other Pilbara communities.In keeping with the goals of the CRAR+M monograph series, thisvolume is data rich, with detailed information about the rock art,stone structures and excavated sites researched by this project.Throughout the project's fieldwork, the researchers met regularlywith the Murujuga Circle of Elders to update them on results andto seek permissions for the next phase of fieldwork. All imageryincluded in this monograph has been cleared for publication byMAC. Additional imagery and educational content can be foundon the CRAR+M website (www.crarm.uwa.edu.au/m2), wheredigital versions of individual chapters from this monograph canalso be accessed.About the editors: Jo McDonald and Ken Mulvaney havebrought their considerable national experience and locally honedexpertise to combine their roles in the academy and industry,to undertake the fieldwork and oversee the completion of thedocumentation for this monograph.

Coniston, Central Australia, 1928: the murder of an itinerant prospector at this isolated station by local Warlpiri triggered a series of police-led expeditions that ranged over vast areas for two months, with the 'hunting parties' shooting down victims by the dozen.The official death toll, declared by the whitewash federal inquiry as being all in self-defence, was thirty-one. The real number was certainly many times that.As the last mass killing in our country's genocidal past but an event largely unremembered, Coniston has never before been fully researched and recorded. This book fills that absence in Australia's history and reminds us that without truth, there can be no reconciliation.

In What Lies Beneath Matters registered psychologist Grace da Camara and her GP-daughter Dr Madalena Bennett share their personal experiences and first-hand knowledge of managing the day-to-day challenges of raising a child with ADHD. Fuelled by their own struggles, the two have developed a hands-on, practical tool for parents and children to help manage the impact of ADHD on the family. This self-help workbook and guide is part of the OnTrac ADHD program, designed for parents and their children aged between 7 and 10 years old. The program's proven methods and techniques are based on Grace's work with children with ADHD in both individual and group settings. Through the OnTrac program, Grace found that a collaborative approach involving the child, parents, and services could achieve meaningful and significant reductions in ADHD symptoms. What Lies Beneath Matters is specifically designed to help improve the quality of parent-child interaction and foster a more informed understanding of the child's thinking ability, motivation, and values. By sharing their own experiences and the successes of the OnTrac program, Grace and Madalena provide realistic, practical, and useful information to young children with ADHD and their parents. With a focus on improving the relationship between parent and child, this book offers hope to families struggling with ADHD.

Ours As We Play It takes a close look at several contemporary Australian productions of three Shakespeare plays; exploring masculinity and madness in Hamlet, the role of landscape and the multiple roles of Rosalind in As You Like It, and hierarchies of gender and social order re-imagined in relation to Australian understandings of power in A Midsummer Night's Dream.

Spanning four generations, with a focus on the 1960s and 70s, an era of rapid social change and burgeoning Aboriginal rights, Where the Fruit Falls is a re-imagining of the epic Australian novel.Brigid Devlin, a young Aboriginal woman, and her twin daughters navigate a troubled nation of First Peoples, settlers and refugees - all determined to shape a future on stolen land. Leaving the sanctuary of her family's apple orchard, Brigid sets off with no destination and a willy wagtail for company. As she moves through an everchanging landscape, Brigid unravels family secrets to recover what she'd lost - by facing the past, she finally accepts herself. Her twin daughters continue her journey with their own search for self-acceptance, truth and justice.

Funny, clever and keenly observed, Decadence is a profound musing on literature and language, that deftly skewers the would-be gatekeepers of verse. With this second collection, Thuy On has cemented herself as a vibrant, unique and captivating new voice in Australian poetry. - MAXINE BENEBA CLARKE In Decadence, Thuy On indulges in her love of language, assembling a unique erotics of word and punctuation, showcasing a poetry that is pure-in being about itself-but also powerfully seductive. As the poet herself puts it, this is 'art laid bare', performing how language works as language but also as a window onto those dark, human mysteries of being and feeling. Indeed, if On builds such a brilliantly decadent mansion out of poetry, exploiting striking imagery and playful wit, it is ultimately to provide a kind of refuge, 'lest the cave of night swallows you.' - MARIA TAKOLANDER Thuy On's poems are always wry, epicurean and defiant, and this book underlines her unique place in Australian poetry. Literate yet disarmingly unpretentious, wildly playful yet leavened with complex feeling, Decadence is a surreptitious delight. - ANDY JACKSON

In June 1867, Bessy Flowers was sent away from Minang Country, never to return. She was a young woman, educated, musical, confident andhopeful. Bessy was educated at Annesfield in Albany, showing strong aptitude in writing, reading and the piano. She became a teacher herself.But like generations of Aboriginal children to follow, Bessy was separated from those she cared for and often longed for home. Often and often my thoughts fly to Albany she wrote from a Mission in Victoria on August 16 1867.More than ten years in the making No Longer a Wandering Spirit is a remarkable story that offers a unique insight into Aboriginalconnections between family and country and the harm when this contact is lost.Readers are invited to follow Bessy's family from both sides of the country as they unite and fulfil on their own terms Bessy's spiritualreturn home.Bessy Flowers is a hero of mine, and I'm very glad she's at the centre of a book that features her images and writing, along with the remarkable journey to situate her in family and Country - Kim ScottThis is a story told through the experience and emotions of my family.It's our journey of reconnecting and of discovering a stronger sense of who we are - Ezzard Flowers

The French botanist Théodore Leschenault (1773-1826) travelled with Nicolas Baudin's voyage of discovery to Australia in the years 1800 to 1803: his journal and letters vividly record his impressions of the plant life and animals he encountered, along with dramatic and unsettling meetings with Indigenous peoples.Shaped as much by Enlightenment ideas as by his painful experience of the French Revolution, Leschenault weaves through his travelogue reflections on topics ranging from slavery and colonialism to plant classification and environmental damage.Long thought lost, Leschenault's original manuscript journal was rediscovered only in 2016. The French Collector offers the first complete English translation of this journal, including two previously unknown chapters on his experiences in Le Havre, Tenerife and Mauritius. This edition also provides extensive explanatory notes and an introduction which details Leschenault's early life in Burgundy and imprisonment during the Revolution and sets his activities against the backdrop of French science and exploration in the period.

In 1826 the British set up a garrison on the edges of an Aboriginal world at King George’s Sound – the site of present day Albany, Western Australia – with the aim of deterring the French from occupying the area. The British newcomers and the area’s Indigenous inhabitants, the King Ya-nup, came to share a small space, forcing both cultures to improvise in order to communicate and interact with one another. Within this sphere associations and friendships were formed that were as surprising as they were unique. This ethnographic history narrates episodes of the developing relationships between British and Aboriginal individuals at King George’s Sound. These stories transcend the common ‘friendly’ or ‘violent’ encounters, unearthing instead how and why particular King Ya-nup engaged with the British world, utilising the new presence to seeming advantage.

Dr Raymond Filigree, running away from a disastrous medical career, mistakes an unknown name on a map for the perfect refuge. He travels to the isolated town of Wittenoom and takes charge of its small hospital, a place where no previous doctor has managed to stay longer than an eye blink. Instead of settling into a quiet, solitary life, he discovers an asbestos mining corporation with no regard for the safety of its workers and no care for the truth.Thirty years later, Dr Lou Fitzgerald stumbles across the abandoned Wittenoom Hospital. She, too, is a fugitive from a medical career toppled by a single error. Here she discovers faded letters and barely used medical equipment, and, slowly the story of the hospital’s tragic past comes to her.Dustfall is the tale of the crashing consequences of medical error, the suffering caused by asbestos mining and the power of storytelling.

 Winner of the 2021 Victorian Premier''s Literary Award for Poetry  Your name is not yours / once it''s in their mouth        The highly anticipated follow up to the award-winning collection The Special, this electric new body of work by David Stavanger is a mix tape of free verse, lyric poetry, found text, spoken word and flash fiction documenting the lived/living mental health experience and the well beyond.Praise for Case Notes''Case Notes is a visceral and profound meditation on masculinity, mental illness, fatherhood, family and suburban life. This deeply vulnerable collection expertly balances humour and wit alongside moments of grief, loneliness, anxiety and sadness. Stavanger''s knowingly-disordered list poems, associative lyrics, inter-species dialogues, and prose poems slowly accumulate to weave a meticulously compiled poet-as-protagonist narrative that speaks to the personal, social and structural intimacies and embodiments of mental health experience.'' The judges of the 2021 Victorian Premier''s Literary Awards ''If you haven''t laughed or cried or seen rain in a while, Stavanger''s collection is the breaking of the dry spell - the sore, urgent state of bursting forth, face lifted to the beauty and the horror of the world. The human and other animal bodies on these pages are expressed as grimly humorous, heartbreaking, stunningly experiential narratives. This is poetry at its very best.'' Laura Jean McKay''The poems in Case Notes are intimate and playful, elegiac and bursting with love. They walk us home with our dogs in every kind of weather, name all our missing things and claim them back. The world felt familiar and unknown to me after reading these poems.'' Tishani Doshi''This book is beautiful and sardonic and tender. Stavanger''s poetry traces the fractures of sanity and feeling, and makes meaning and hope in the hollows left by lost memories and lost people.'' Jonathan Dunk  

The Weave is the second book collaboration between Thurston Moore and John Kinsella - dubbed a ''work in progress'' by the two poets, the book guides readers through a world in decay, crafting an invigorating language of spontaneity and survival out of the destruction. Moore and Kinsella aren''t just observing - they implicate us all in the harms of global capitalism and environmental disaster, charting a back and forth between the individual and the crowd. ROSIE LONG DECTER These poems start in Dolphy''s key + end with a quarryman''s dream. In between secrets are stored. See how many you can find. CLARK COOLIDGE

There has been a dearth of longitudinal attention to the prosecution of ''road traffic deaths'' in Australia and worldwide, surprising given more than 50 million people have died or been killed to date. Globally, the ''road toll'' is estimated at 1.35 million per year. Almost all of those deaths are attributable to some form of human error. A Lesser Species of Homicide examines the shifting nexus where human error, fault, act or omission meet the question of criminal liability.In the first study of its kind in the world, Kerry King examines how parliaments, prosecutors, police and the courts have responded to deaths occasioned by the use of motor vehicles from the mid-twentieth century to the present, including the extent to which the community and judiciary have been prepared to label driving conduct culpable. She explores how wedded we are to the residual notion of ''accident'', to speed, drink-driving, risk, masculinity and the broader driving culture, and how these have intersected with the tenets of intention, negligence, dangerousness and carelessness to affect judgments about drivers'' conduct. Drawing on hundreds of cases, King carefully traces the construction of offences and case law while observing key emerging themes, including approaches to multiple fatalities, outcomes in cases involving vulnerable road users, the difficulties with prosecuting intoxicated drivers and, most importantly, trends in charging standards and sentencing.For rigour, one Australian jurisdiction, Western Australia, has been chosen as the site of inquiry, yet there is little evidence to suggest that the trends explored herein are peculiar or exceptional. The status quo elsewhere in Australia and overseas appears remarkably similar.A Lesser Species of Homicide seeks to explore how and why deaths on the road have been treated as a species apart.

In the summer of 2016 musician Joanna Wallfisch released her third album and decided to do something radically different to promote it: a solo tour down the West Coast of America - by bicycle. Across six weeks and 1,850 kilometres, she would pedal from Portland to Los Angeles, performing concerts in every town along the way.

In her characteristically direct approach, political analyst Loretta Napoleoni takes on the vexed story-and threat-of North Korea for those of us in the West who remain blinded by its myths and bigotry. Like China's Mao Zedong, Kim Il-Sung - North Korea's leader from its founding in 1948 until his death in 1994 - washed away the humiliation caused by Japanese colonisation and re-created an ancient nation. He consolidated and protected the country with strict principles of unity and isolation. His grandson Kim Jong-un is following in the footsteps of Chinese revolutionary politics by modernising the country using the economy as the main tool of transformation. This short, informative book is an account of a country central to world politics and yet little understood. Further, it presents insider narratives of its people, whose self-image is radically different to the image we have of them.

'Munden's vivid, well realised poems range across hemispheres and centuries, embracing music, art, film, historical events, and the potent catalysts of love, illness and death. In these pages our human frailties are apprehended with both a clear eye and a tender attentiveness.' Judy Johnson 'In Chromatic, Munden's superb use of contrapuntal texture and accumulating melodies announce a fractured and injured reality, set against the visceral burn of passion. The rich musicality of these poems speaks eloquently of beauty and love, both physical and divine. The darker harmonies are often brilliantly jittery in their interwoven and compulsive juxtapositions, accentuating the poems' silences and apertures. In Chromatic, Munden unlocks the musical performance inside his poems, and the result is transportive and rapturous.' Cassandra Atherton 'In this complex and intricately constructed volume, lyric poems address sometimes difficult, sometimes bewildering aspects of human existence head on, and in surprising and scintillating ways. Paul Munden tantalises and beguiles us with rich evocations of the mysterious and the opaque, reminding us of the strangeness of life and the mystery at the core of what we know.' Paul Hetherington

No longer knowing which is sweeter the cherry or the feel of the word in my mouth Fingertip of the Tongue explores the texture, tone, taste, and touch of language. These are poems that feel their way through word and world with tongue and ear and fingertip. 'In Fingertip of the Tongue we find a poetry of close observation of people and everyday objects, finding in them new and deeper implications. These poems are sometimes whimsical, sometimes deeply personal, always satisfying. Sarah Rice displays a fascination with form and a great skill in finding the startlingly apt word, the evocative insight. Hers is a poetry of mind and heart.' Ron Pretty 'Sarah Rice writes poems of astonishing grace. To read her is to walk a hill and lose your limp and breathe your grief out among eucalypt leaves and return to your life smarter than you left it. Light and grave at once, bright with intelligence, masterfully made, and written with a musical ear, they dance ordinary days into epiphanies, suffering into wisdom, and they put a reader back inside the natural world, as if they'd never left it.' Mark Tredinnick 'This poetry collection explores how the self, the body and poetry are intimately connected in their various expressions, while obliquely mapping a personal history of loss, change and rejuvenation. Sarah Rice is fascinated by the flux, flow and harmonic resources of language, and entranced with the transformations words work on the world. These poems ruminate on connections between the imagination, the extraordinary and what is close at hand.' Paul Hetherington

"Winner of the 2016 Dorothy Hewett Award for an unpublished manuscript"--Front cover.

'Ross Gibson's poetry is marked by the numinous, then undercut by the quotidian, the earthy, a different way of seeing.' Jen Webb, Australian Book Review Here are scrummed gangs of criminals and police, with all their lurks, quirks and argots. The underworld and its overlords: how ingenious and energetic, how ardent both sides can be. What brutes they can be too, day after day, as they track and trick each other, as they make and need each other. Ross Gibson's poignant rewriting of a found dossier of police records has some Dickens, some Dostoevsky, and some DeLillo threaded through it. The sharp local language of Christina Stead, Kenneth Slessor, Arthur Stace and Ruth Park resounds in here too.

Highly Commended in the 2016 Dorothy Hewett Award for an Unpublished Manuscript. "Carolyn Abbs's poems in her poised collection The Tiny Museums live in the gap between deep time and now. They are insistently alive to the rich tensions between those two registers. This pairing of past/present plays out in other unifying doublings and mirrorings, particularly those between the UK and Western Australia, between photography and poetry, and a fertile creative relationship shared by sisters. Abbs deftly creates the world of her book through a phenomenological approach. Elegant layers of textures, colours, sounds and movement invite the reader into an experiential sense of this trench between the past and the present. In this way, her sensibility is painterly but its a Northern light in her poems reminiscent of the crisp mysteries of Vermeer. Abbs's poems dealing with family grief are the centrepieces of the book and are admirable in their ability to move the reader without any cloying sentimentality. Along with a skilled attentiveness to the ways in which sound moves through a line, this beautifully modulated emotional intelligence is a very great strength of her poetry."--The 2016 Dorothy Hewett Award judges' report. (Series: UWAP Poetry) [Subject: Poetry]

"From the winner of the 2014 Windham Campbell Prize"--Cover.

The room rustled as the children looked around. They knew no one had been to the coast but they checked in case for liars, for the too-dumb to know the difference between the real world and the television, for the dreamers. A young boy yearns for a rabbit; a man battles for his father's love; a group of middle-class Australians find themselves in a newly renovated house; and an elderly refugee worries about his daughter's sea voyage. Seabirds Crying in the Harbour Dark is about seeking refuge, about how we define home and what makes us feel safe.