Bøger udgivet af University of Wales Press

This collection examines Gothic fiction written by female authors in the late eighteenth and early nineteenth centuries. Analysing works by lesser known authors within a historical context, the collection offers a fresh perspective on women writers and their contributions to Gothic literature.

This book examines the work of the sixteenth-century Spanish religious painter, Luis de Morales.

Barry Island was one of the most cherished leisure spaces in twentieth-century south Wales, the playground of generations of working-class day-trippers. This book considers its rise as a seaside resort and reveals a history that is much more complex, lengthy and important than has previously been recognized. As conventionally told, the story of the Island as tourist resort begins in the 1890s, when the railway arrived in Barry. In fact, it was functioning as a watering place by the 1790s. Yet decades of tourism produced no sweeping changes. Barry remained a district of 'bathing villages' and hamlets, not a developed urban resort. As such, its history challenges us to rethink the category of 'seaside resort' and forces us to re-evaluate Wales's contribution to British coastal tourism in the 'long nineteenth century'. It also underlines the importance of visitor agency; powerful landowners shaped much of the Island's development but, ultimately, it was the working-class visitors who turned it into south Wales's most beloved tripper resort.

Methodism has been highly influential in Wales and in the wider world. This volume helps explain its appeal and influence by exploring the background and experiences of early members in south-west Wales, and what drew them to the movement.

While many facets of human life, such as the exploration of space, have caught the imagination, human madness exerts the most enduring appeal. This book takes a fresh look at a variety of literary representations of the irrational, and explores its timeless fascination.

Plants in Science Fiction, the first-ever volume on plants (and fungi) in science fiction, allows us to speculate further on what - or who - plant life may be while exploring how we understand ourselves in relation to the complex world of flora

The first full account of the life and work of a nineteenth-century woman who carved out a unique career as an important writer in English on Welsh subjects.

This book contains an edition of the medieval Welsh medical recipes from four fourteenth-century manuscripts, along with an English translation of the recipes that provide practical advice to treat common medical problems, such as toothache, constipation and gout.

Cyfrol sy'n cyflwyno ac yn egluro dysgeidiaeth yr Apostol Paul yng ngoleuni'r astudiaethau diweddaraf ohoni. Amlygir cyfraniad dau Gymro, C. H. Dodd a W. D. Davies, at yr astudiaethau hyn.

Dafydd ap Gwilym yw bardd enwocaf y Gymraeg, ac roedd ganddo eirfa hynod o gyfoethog. Mae'r llyfr hwn yn dangos sut y gellir gwerthfawrogi ei farddoniaeth yn well trwy ganolbwyntio ar ei ddefnydd o eiriau.

Kant is not the philosopher who has his head in the clouds, but the philosopher seeking to bridge the gulf between the ideal and the real in international relations.

A Century of Weird Fiction, 1832-1937 explores the intersections between weird fiction, aesthetics and philosophy, arguing that the feelings of horror that weird fiction provokes can suggest surprising insights about the nature of reality.

This is the first biography to foreground the importance of Hester Lynch Piozzi's Welsh heritage throughout her long life. As one anonymous reader put it, 'Few eighteenth-century Welsh writers long resident in England continued to identify as strongly with their homeland.' Born in an obscure plwyf in Caernarvonshire the salonniere of Streatham was finally laid to rest in the vault of Tremeirchion church in the Vale of Clwyd. Hester had been mortified at the failure of her brewer husband Henry Thrale, and her mentor Dr Samuel Johnson, to appreciate the beauties of Wales. But her second husband, musician Gabriel Piozzi, was so enamoured that he proposed residing there.a Newly-found confidence inspired Piozzi to write in her middle age, and her daringly personal biography (1786) and edition of Johnson's letters (1788) were runaway bestsellers. Hera travel book (1789) treated the reader for the first time as an intimate friend, recounting her love affair with her husband's homeland in Italy, whose landscape reminded her so much of Wales.

This book is a collection of essays examining the vast and varied output of Dylan Thomas. It is the first book to offer critical insights to the whole range of his output in verse, prose, drama and for screen.

Scholarship on utopias in film has so far focused exclusively on dystopias - but utopias are about criticizing the present rather than telling a gripping story, and Utopia and Reality looks into propaganda and documentary films for depictions of better worlds.

Ron Berry is one of the most brilliant and cantankerous of Welsh writers. Radical and earthy, he was a collier, carpenter, navvy, footballer, and unorthodox environmentalist. This volume, the first collection of essays on Berry, is a timely response to his forthcoming centenary.

How should we act? How should the world be organised? This book offers answers to these questions by analysing Kant's conception of normativity. It presents different applications of Kant's theory of normativity to meta-ethical, moral, juridical and political issues of contemporary relevance.

This book explores the influence of the biblical Apocalypse on two influential medieval writers who draw upon its rich descriptions and message, relating them to the turbulence of their shared milieu in both similar and strikingly different ways.

New Perspectives on Welsh Industrial History is a collection of eight essays examining different aspects of industrial development in Wales. It includes essays on the Welsh copper, coal and steel industries, and on the growth of the manufacturing sector after the Second World War.

Paul Murphy draws upon the experience of more than 55 years in politics to provide an insider's story of life in parliament - first, in opposition during the Thatcher and Major premierships, and then as an increasingly senior figure in the Labour administrations of Tony Blair and Gordon Brown.

As the first critical book on the subject of masks in horror, this book explores the often-overlooked question of why have masks been such an enduring and popular aspect of the genre's history? Masks in Horror Cinema considers how masks, ritual and transformation intersect in horror movies.

An authoritative collection of studies of Irish charms, and the first to cover both the medieval and the modern evidence.

This book argues how human dignity flows from an individual's capacity for self-authorship as defined by the set of expressive capabilities s/he possesses, demonstrating how such a conception of dignity can enrich international human rights law by making the amplification of human dignity its fundamental orientation.

The werewolf in popular fiction has begun to change rapidly. Literary critics have observed this development and its impact on the werewolf in fiction, with theorists arguing that the modern werewolf offers new possibilities about how we view identity and the self. Although this monograph is preoccupied with the same concerns, it represents a departure from other critical works by analysing the werewolf's subjectivity/identity as a work-in-progress, where the fixed and final form is yet to be arrived at - and may never be fully accomplished. Using the critical theories of Deleuze and Guattari and their concepts of 'multiplicities' and 'becoming', this work argues that the werewolf is in a state of constant evolution as it develops new modes of being in popular fiction. Following on from this examination of lycanthropic subjectivity, the book goes on to examine the significant developments that have resulted from the advent of the werewolf as subject, few of which have received any sustained critical attention to date.

This book describes the long-term four billion-year context of anthropogenic climate change, and seeks to explain our inability to respond positively to its challenges. It argues that the availability of energy and the consequential capacity to do work and exert power has, over this time, defined the trajectory of life on planet Earth as well as many of its physiochemical characteristics. Six major historic energy revolutions are recognised - energising of the first living cell; harvesting the Sun's energy; emergence of complex eukaryotic cells; hominid use of fire/cooking for brains not brawn; agriculture, more food and urban life; fossil fuel bonanza and the industrial revolution - and we are now in the midst of the seventh revolution, responding albeit reluctantly to anthropogenic global climate change.

This book contributes to new directions in crusade studies by offering a more nuanced understanding of the diverse ways in which medieval authors and performers presented events, people, and places central to the crusading movement.

This book is an examination of the work of John Ormond, a Welsh poet and pioneering BBC documentary filmmaker.

This book traces the developing economy of medieval Wales across roughly two hundred years of English conquest and colonization, and more than two centuries of post-conquest occupation, ending with the 1536 union of England and Wales. It details the growth of the market economy and the creation of towns.

In late medieval England, many religious texts were based on older source texts that were collected together and adapted to fit the needs of new, late medieval audiences. This book argues that devotional compilations written in Middle English are unique additions to late medieval textual and religious culture.

A Little Gay History of Wales examines the lives, cultures and politics of ordinary LGBT men and women from the medieval period to the present day. The book employs pioneering archival research to identify the people, the places and the languages used to describe an experience so often hidden from view.