Bøger udgivet af University of Wales Press

Based on official data and in-depth interviews, this urgent and challenging book provides the first academic account of the operation of the Welsh criminal justice system - a system that presides over some of the worst criminal justice outcomes in western Europe.

This book compares how two underdog peoples shaped their modern national identities. Welsh Nonconformists, fighting for religious equality and social justice, established the Welsh radical tradition. Slovenes modernised their language and challenged the dominance of German in Slovene-speaking areas of the Habsburg Empire, which collapsed in 1918.

This book assimilates new scholarship and deploys a wealth of original archival research to present a fresh picture of Wales under the Tudor and Stuart monarchs. It adopts novel perspectives on Welsh identity and allegiance to examine epochal events, such as the union of England and Wales under Henry VIII; the Reformation and the break with Rome; and the British Civil Wars and Glorious Revolution. It argues that Welsh experiences during this period can best be captured through widespread attachments to a shared history and language and to ideas of Britishness and monarchy. The volume looks beyond high politics to examine the rich tapestry of early modern Welsh life, considering concepts of gender and women's experiences; the role of language and cultural change; and expressions of Welsh identity beyond the principality's borders. --

This is the first study of the early formative years of one of Wales's most important cultural organisations - Sianel Pedwar Cymru (S4C). The volume chronicles the decisions and activities of the channel during its trial period between 1981-5. Through a detailed study of minutes, correspondence and interviews with individuals who were key to the channel's development during its early years, it chronicles the many challenges, successes and failures which faced the S4C Authority and its staff as they aimed to create a Welsh-language television service that would meet the desires and needs of the audience in Wales. S4C is no ordinary channel, and no other period in its history portrays this more effectively than the trial period given to it at the beginning of the 1980s.

"One summer, Ellie Evelyn Orrell reunited with her mother following the death of their respective grandfather and father. They returned to the small village of Betws Gwerful Goch in North Wales. Ellie returned from studying at university, while Jeanette had been studying the art of indigo dyeing in Japan. An Indigo Summer invites readers into their hillside garden as these two women grieve through art. Orrell draws on the history of indigo dyeing as she reflects on art, the Welsh landscape, and the strangeness of once-familiar places. Lyrical and moving, these stories include some of the illustrations created that summer, inspired by Welsh natural beauty." --

Discover 366 fun and surprising stories about Wales each linked to a specific day of the year. Did you know that the recipe of Tennessees famous Jack Daniels whiskey is rumoured to have originated in Llanelli, or that the worlds first radio play was set in a Welsh coal mine? Why was a showing of the Jurassic Park film in Carmarthen so special, and how is Rupert Bear connected to Snowdonia? Delve in to discover the stories that most history books leave out.

Drawing on key concepts and ideas from animal studies, this is the first study of how Welsh literature explores relationships among animals and between humans and animals. Approaching Welsh writing from the perspective of a universe in which all living things are connected, it examines how Welsh authors depict subjects such as intelligence, sensibility and knowledge from an animal perspective.

The contributors to Taking Up Space focus on representations of women's labour in cultural production (literature, cinema and television, journalism, bande dessinee). The chapters draw on a wide range of work experiences, from salaried work in academic, artistic, corporate and working-class worlds to unpaid (reproductive, domestic) labour, illegal activities and activism.

When and how did we humans lose our connection with nature and how do we find it again? Matthew Yeomans seeks to answer these questions as he walks more than 300 miles through the ancient and modern forests of Wales, losing himself in their stories (and on the odd unexpected diversion, too). Return to My Trees weaves together history and folklore with tales of industrial progress and decay. On his journey, he visits landmarks that once were home to ancient Druids, early Celtic saints, Norman Lords and the great mining communities that reshaped Wales. He becomes immersed in the woodlands that inspired the countrys great legends. At one point he even stumbles upon a herd of television-watching cows. As Yeomans walks, he reflects on these woods uncertain future, his own relationship with nature and the global problems we need to solve if humans are to truly make peace with the natural world. from tree-planting in ways that are actually beneficial to the environment and local communities to embedding the value of nature into our financial and economic systems. The result is a fascinating and funny adventure that offers insight into the past, present and future of Waless woodlands and shows what the rest of the world can learn from them.

A popular and readable book about the history of mathematicians in Wales, appealing to a wide audience ‿ including those who may think of maths as something alien that doesn‿t really belong to them.

The story of Frank Lloyd Wrights life is no less astounding than his greatest architectural works. He enmeshed himself eagerly in myth and hearsay, and revelled in the extravagance of his creative persona. Throughout his long career, Wright strongly resisted the suggestion that his accomplishments owed anything to earthly influences. As much as he wanted his achievements to be recognised, he wanted them to be unaccountable but they are not. This book reveals for the first time how his unbreakable self-belief and startling creative defiance both originated in the liberal religious and philosophical attitudes woven into his personality during his childhood deliberately so by his mother and by his many aunts and uncles, to honour the fierce Welsh radicalism of their ancestors.

In 2007 a collection of short essays was published as A Bold Imagining to mark the 175th anniversary of the opening of St David's College, Lampeter to students in 1827. Now the Lampeter campus of University of Wales Trinity St David, to commemorate the 200th anniversary of its foundation, An Unfolding Vision is a substantially updated and enlarged edition of that book, containing many of the original essays but also several new contributions, all lavishly illustrated. Each one of the contributors was and is in one way or another closely associated with this historic institution, and an expert in their respective fields. The volume is not intended to be a narrative history, but rather fascinating glimpses into 200 years of collegiate life, and those who formed and shaped it.

This book is about the impact of Welsh devolution on public policy. It examines how, from a fragile beginning, distinct political institutions and ideological position have made their mark not only in Wales but also in the UK and wider world.

This book discusses the significance of Lhwyd's discoveries in the fields of botany, palaeontology, epigraphy, antiquarian studies and linguistics.The book places Lhwyd's contribution in the context of recent work in these fields.This book provides links to websites for readers to follow up for further study.

By 1300, a Marcher region had been created between England and Wales, consisting of about forty castle-centered lordships extending along the Anglo-Welsh border and also across southern Wales. The March of Wales thus formed a highly distinctive part of the political geography of Britain for much of the Middle Ages.

- This is the first book to be published on this subject since 2006. The Welsh food scene has developed significantly in this time due to both internal and external factors, making this an important and unique exploration of the subject. - Features an exclusively illustrated cover and 10 x b&w internal line illustrations by Elise Tel and a 16-page, four-colour plates section- Carwyn Graves deftly combines history and travel/interviews with current producers, and writes with an accessible and engaging writing style that means readers with all levels of understanding about Welsh food will find something interesting in this book- This book will appeal to readers of titles such as GRAPE, OLIVE, PIG by Matt Goulding (HarperCollins, 2016), IRELAND'S GREEN LARDER by Margaret Hickey (Unbound, 2018) and A TASTE OF SCOTLAND by Sue Lawrence (Birlinn, 2019) and EATING TO EXTINCTION by Dan Saladino (2021). - Some well-known brands feature, such as Halen Mn salt and Gower Salt Marsh Lamb, the first new food to be awarded a UK Geographical Indication Status after the end of the transition period with the EU.a - Caerphilly cheese (featured in the book) recently had a viral social media moment, when a video of First Minister Mark Drakeford professing his love for it went viral in July 2020 - https://www.facebook.com/BBCPolitics/videos/330724394759728/.

Dynamics of display in gendered contexts put toward purposes of resistance are explored across six modern canonical and popular novels in French - including an African Francophone fiction and a murder mystery - as well as their selected film adaptations.

The term 'Gothic' has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. Concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. Considering a plethora of Gothic representatives in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), this study investigates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions.

In the decades since the Second World War, the teenage witch has emerged as a major American cultural trope. Appearing in films, novels, comics and on television, adolescent witches have long reflected shifting societal attitudes towards the teenage demographic. At the same time, teen witches have also served as a means through which adolescent femininity can be conceptualised, interrogated and reimagined. Drawing on a wide theoretical framework - including the works of Deleuze and Foucault as well as recent new materialist philosophies - this book explores how the adolescent witch has evolved over the course of more than seventy years. Moving from the birth of the bobby soxer in the 1940s through to twenty-first-century teenage engagements with fourth-wave feminism, the author discusses a range of themes including embodiment, agency, identity, violence and sexuality.

This volume consists of five papers selected from a corpus of material researched over the past quarter of a century. None has previously been published, and they represent the author's interest in church history, medical history and the visual arts. Three of the five papers are based on lectures given at conferences or public occasions; the other two derive from research conducted at the Oxford Centre for Methodism and Church History in 2010 and 2020.

Precarious Sociality, Ethics and Politics: French Documentary Cinema in the Early Twenty-First Century brings an original perspective on French cinema's 'return to work' in the early twenty-first century, focusing on the transformation of cinematic activism in view of the rapid dissolution of class narratives and solidarities. It is argued that, reckoning with widespread anxieties about job precarity, social uncertainty, loss and invisibility in French society, filmmakers catalysed new modes of intervention, best described as embodied praxes of sociality. Combining rigorous film analyses with concepts borrowed from philosophy, sociology, geography and political theory, this study positions documentary as a privileged point of articulation between aesthetics, politics and ethics. The wide-ranging film corpus features well-established auteurs (Agnes Varda, Raymond Depardon, Denis Gheerbrant) and less canonical filmmakers to celebrate the vitality of contemporary French documentary cinema and its creative contributions to international discussions about work, precarity and social resilience.

South Asian Gothic consists of chapters representing the diversity of the region, and a number of ways in which Gothic manifests in contemporary South Asian cultures.

Within the Euro-American literary tradition, Gothic stories of childhood and adolescence have often served as a tool for cultural propaganda, advancing colonialist, white supremacist and patriarchal ideologies. This book turns our attention to modern and contemporary Gothic texts by hemispheric American writers who have refigured uncanny youth in ways that invert these cultural scripts. In the hands of authors ranging from Octavio Paz and Maryse Conde to N. Scott Momaday and Carmen Maria Machado, Gothic conventions become a means of critiquing pathological structures of power in the space of the Americas. As fictional children and adolescents defy persisting colonial and neo-imperialist architectures, navigate rigged systems of socioeconomic power, and attempt to frustrate patterns of gendered, anti-queer violence, the uncanny and the nightmarish in their lives call on readers to reckon with and resist these intersecting forms of injustice.

In what ways do the politics of memory perpetuate gendered images of those directly affected by political violence in Chile? Can the literary rewriting of painful experiences contest existing interpretations of national trauma and the portrayal of women in such discourses? How do women participate in the production of collective narratives of the past in the aftermath of violence? This book discusses the literary representation of women and their memory practices in the recent work of seven contemporary Chilean authors: Diamela Eltit, Carlos Franz, Pia Gonzalez, Fatima Sime, Arturo Fontaine, Pia Barros and Nona Fernandez. It locates their works in the context of a patriarchal politics of memory and commemorative culture in Chile and as part of a wider body of contested interpretations of General Augusto Pinochet's military dictatorship (1973-90). Through the analysis of novels that depict the dictatorial past through the memories of women, it is argued that these texts understand and explore remembrance as a process by which the patriarchal co-option of women's memories can be exposed and even contested in the aftermath of violence.