Bøger udgivet af University of Wales Press

In a world increasingly dominated by visual sensation, our understanding of the role and influence of comics and cartoon humour in popular culture has become essential. This book offers a critical and cognitive focus that captures the changing fortunes of Catalan humour production against the shifting political landscape in the period 1898-1982. It considers how Catalan satire has been influenced by periods of relative calm as well as censorship, violence, war and dictatorship, and among its key features is its presentation of a continued cartooning tradition that was not ended by the installation of the Franco dictatorship, but which rather continued in a number of adapted forms, playing its own role in the evolution of the period. Thus, as well as introducing the most representative cartoonists and publications, the Catalan example is used to explore broader aspects of this complex communication form, opening new avenues for cultural, historical and socio-political research.

Mathematics, like language, is a universal experience. Every society counts and is empowered by its ability to count and to measure. The mathematical processes developed within various cultures differ widely, and Count Us In explores these cultural links, drawing examples from the author's personal experiences. The process of counting, like the process of communicating with words, is common to all societies worldwide but, just as there is a rich variety of languages, so too is there a rich variety in methods of counting and of recording numbers - methods that have developed over centuries to meet the needs of various groups of people. The narrative of this book takes the form of a collection of short stories based on the author's personal experience, linked together by a number of sub-themes. As a popular book on mathematics and on the personalities who created that mathematics, there are no prerequisites beyond the reader's rudimentary and possibly hazy recollection of primary-school mathematics and a curiosity to know more.

Welsh traditional music has, until now, been the 'Cinderella' of world music studies. Over the years, few English-language writers have paid it any attention, largely because the majority of the songs of Wales are in the Welsh language. Now, at last, that gap has been filled by an American. Phyllis Kinney's book, Welsh Traditional Music, will both delight and inform anyone with an interest in the subject, be they a general reader, an academic, or a performer. It covers the traditional music of Wales from its beginnings through to the present day and contains an extensive selection of more than 200 musical examples. The book not only includes musical analysis of many of the examples, but also places the songs firmly in their social and historical context. Among the many different forms of Welsh traditional music discussed are seasonal music (including wassail songs, Christmas and May carols and Plygain carols), folk drama, ballad-singing, the relevance of the eisteddfod and the musical journals of the nineteenth century,. In addition, it includes a history of collecting from the eighteenth century to the establishment and on-going activities of the Welsh Folk-Song Society in the twentieth. Both the the instrumental and the vocal traditions are examined and there is a section dealing with the uniquely Welsh tradition of 'cerdd dant'. Overall, the value of the book lies not only in its ground-breaking nature and the quality of its scholarship, but in its discussion of Welsh traditional music in the context of the Welsh musical tradition generally. Phyllis Kinney is an American who has steeped herself in the culture, and become fluent in the language, of her adopted country. She is an acknowledged authority on the traditional music of Wales and has produced a book which will become a classic.

King Arthur's stories survive in many genres, but while scholars and enthusiasts alike know something of his roots in Geoffrey of Monmouth's Latin History of the Kings of Britain, most are unaware that there was a Latin Arthurian tradition which extended beyond Geoffrey. This collection of essays highlights different aspects of that tradition.

Cardiff's civic centre in Cathays Park, described as the finest civic centre in the British Isles, is an impressive planned group of public buildings, begun largely with wealth created by the coal industry in the south Wales coalfield. This book covers the Cardiff site's earlier evolution as a private park in the nineteenth century by the fabulously rich Bute family, and the borough's battles to obtain land for public buildings and the park's development in the twentieth century, to become Britain's finest civic centre. All the buildings, memorials and statues in the park are fully described and illustrated in this book which includes maps, plans and photographs. The History and Architecture of Cardiff Civic Centre is the first in the series Architecture of Wales, published in partnership with the Royal Society of Architects in Wales.

Certain simple and stereotypical images of Wales strike an immediate chord with the public, both in Wales itself and beyond its borders. For much of the twentieth century, the country was thought of as 'The Valleys', a land of miners and choirs and rugby clubs. This image of a 'Proletarian Wales' (with its attendant Socialist politics) dominated popular imagination, just as the image of 'Nonconformist Wales' - a Wales of chapels and of a grimly puritan society - had gripped the imagination of the High Victorian era. But what of the Wales of the late Victorian and Edwardian decades? What image of Wales prevailed at that time of revolutionary social, economic, cultural, religious and political change? This book argues that several competing images of Welshness were put in circulation during that time, and proceeds to examine several of the most influential of these as they took the form of literary texts.

Trefor M. Owen's seminal work educates, enlightens and entertains with a far-reaching yet accessible text, which paints a colourful and comprehensive portrait of a nation's rich folk culture. The Customs and Traditions of Wales is an illuminating and engrossing insight into a subject that continues to unfold and develop in contemporary life. Despite an increasingly globalised society that has transformed local communities, folk customs are still practised and enjoyed the world over as people combine modern-day and historical rituals and embrace opportunities to learn about their past, and Owen's influential study has maintained its relevance as customs change and evolve.

Where oceans, land and atmosphere meet, three dynamic forces contribute to the physical and ecological evolution of coastlines. Coasts are responsive systems, dynamic with identifiable inputs and outputs of energy and material. In chapters illustrated and furnished with topical case studies from around the world, this book establishes the importance of coasts within a systems framework - waves, tides, rivers and sea-level change all play critical roles in the evolution of our coasts.

This book is an anthology of over a hundred of the finest sonnets of the Spanish Golden Age, each accompanied by an accurate and lively translation into an English sonnet and by a detailed critical commentary.

Dyma'r astudiaeth gyntaf ar hanes blynyddoedd cynnar un o sefydliadau diwylliannol pwysicaf Cymru - Sianel Pedwar Cymru - sy'n cloriannu penderfyniadau a gweithgareddau'r sianel yn ystod blynyddoedd ei chyfnod prawf rhwng 1981 a 1985. Trwy gyfrwng astudiaeth o gofnodion, gohebiaeth a chyfweliadau gydag unigolion fu'n allweddol i fenter gyffrous S4C, eir ati i ddarlunio'r sialensiau, y llwyddiannau a'r methiannau fu'n wynebu Awdurdod a swyddogion S4C wrth iddynt fynd ati i lunio gwasanaeth teledu Cymraeg fyddai'n ateb gofynion ac anghenion y gynulleidfa yng Nghymru. Ceir yn y gyfrol hefyd ddadansoddiad o'r gwersi y gall hanes y sianel ei gynnig i'w swyddogion cyfredol wrth iddynt fynd ati i'w gosod ar seiliau cadarn ar gyfer dyfodol sy'n ymddangos yn gynyddol ansicr.

This interdisciplinary collection offers a critical reevaluation of the nature of 'Celtic religion'. Its case studies serve to bring to the fore particular problems related to individual genres.

Shortlisted for the Bread and Roses Award for Radical Publishing 2016The wave of unrest which took place in 1840s Wales, known as 'Rebeccaism' or 'the Rebecca riots', stands out as a success story within the generally gloomy annals of popular struggle and defeat. The story is remembered in vivid and compelling images: attacks on tollgates and other symbols of perceived injustice by farmers and workers, outlandishly dressed in bonnets and petticoats and led by the iconic anonymous figure of Rebecca herself. The events form a core part of historical study and remembrance in Wales, and frequently appear in broader work on British radicalism and Victorian protest movements. This book draws on cultural history, gender studies and symbolic anthropology to present fresh and alternative arguments on the meaning of Rebeccaite costume and ritual; the significance of the feminine in protest; the links between protest and popular culture; the use of Rebecca's image in Victorian press and political discourse; and the ways in which the events and the image of Rebecca herself were integrated into politics, culture and popular memory in Wales and beyond. All these aspects repay greater consideration than they have yet been accorded, and highlight the relevance of Rebeccaism to British and European popular protest - up to and including the present day.

By examining the pictorial episodes in the Spanish baroque novella, this book elucidates how writers create pictorial texts, how audiences visualise their words, what consequences they exert on cognition and what actions this process inspires. To interrogate characters' mental activity, internalisation of text and the effects on memory, this book applies methodologies from cognitive cultural studies, Classical memory treatises and techniques of spiritual visualisation. It breaks new ground by investigating how artistic genres and material culture help us grasp the audience's aural, material, visual and textual literacies, which equipped the public with cognitive mechanisms to face restrictions in post-Counter-Reformation Spain. The writers examined include prominent representatives of Spanish prose -Cervantes, Lope de Vega, Maria de Zayas and Luis Velez de Guevara- as well as Alonso de Castillo Solorzano, Gonzalo de Cespedes y Meneses and an anonymous group in Cordoba.

This volume delivers a comprehensive study of banditry in Latin America and of its cultural representation. In its scope across the continent, looking closely at nations where bandit culture has manifested itself forcefully - Mexico (the subject of the case study), the Hispanic south-west of the United States, Argentina, Brazil, Venezuela and Cuba - it imagines a 'Golden Age' of banditry in Latin America from the mid-nineteenth century to the 1940s when so-called 'social bandits', an idea first proposed by Eric Hobsbawm and further developed here, flourished. In its content, this work offers the most detailed and wide-ranging study of its kind currently available.ContentsIntroduction: The Idea of a Golden Age of Latin American Banditry 1850-19501. The Figure of the Bandit in History, Culture and Social Theory2. Mexico: The Myth of the Bandit Nation3. Mexico's Classic Bandit Narrative: Los de abajo4. Beyond Mexico I: Bandit Cultures in Latin America5. Beyond Mexico II: Chicano Bandit CulturesConclusion

Fukuyama's concept of the End of History has been one of the most widely debated theories of international politics since the end of the Cold War. This book discusses Fukuyama's claim that liberal democracy alone is able to satisfy the human aspiration for freedom and dignity, and explores the way in which his thinking is part of a philosophical tradition which includes Kant, Hegel and Marx. Two new chapters in this second edition discuss the ways in which Fukuyama's thinking has developed - they include his celebrated and controversial criticism of neoconservatism and his complex intellectual relationship to Samuel Huntington, whose Clash of Civilization thesis he rejects but whose notion of political decay is central to his more recent work. The authors here argue that Fukuyama's continuing fundamental contributions to debates concerning the spread of democracy and threat of global terror mark him out as one of the most important thinkers of the twenty-first century.

A collection of essays by international experts on Vicente Carducho's treatise the Dialogues on Painting (1633), which dealt with the depiction of religious and profane subjects, the creation of collections and the status of the painter in baroque Spain.

This is the story of the life, professional achievements and personal background, challenges and achievements of Wales's leading historian. During his long career, Kenneth O. Morgan has been a prolific writer and, through his pioneering work, has become a leading authority on Welsh History, British History and Labour History. This autobiography also details Morgan's often entertaining and unconventional personal experiences, and the eminent people he has met along the way - from his work in television, radio and the press as election commentator and book reviewer, to his involvement in the Labour Party from the late 1950s onwards and the close relations he developed with such Labour leaders as James Callaghan, Michael Foot, Douglas Jay and Neil Kinnock. In addition to being a respected author, Morgan has held the position of University Vice-Chancellor in Wales, is an active Labour peer, and continues to lecture at universities around the world - all achieved while juggling his life as a husband and father.In this revealing memoir, published in the year of his eightieth birthday, Morgan reflects on marriage and bereavement, on re-marriage, parenthood, friendship, religion and morality, his reactions to the historical changes he has witnessed, from attending a village school in rural Wales and wartime air-raids, through school in Hampstead and study in Oxford University and in Wales, down to entry into the House of Lords. Despite past traumas, this memoir still conveys invigoratingly a senior scholar's idealism, abiding sense of optimism and belief in progress.Contents.List of IllustrationsForewordChapter 1 A Divided ConsciousnessChapter 2 Education, Education, EducationChapter 3 History-Making: A Welsh HistorianChapter 4 History-Making: A British HistorianChapter 5 History-Making; A Labour HistorianChapter 6 History-Making: A Contemporary HistorianChapter 7: History-Making: A BiographerChapter 8: Experiences: The House of LordsChapter 9: Experiences: TravellingChapter 10: Experiences: Old and New LabourChapter 11 My History

This book is the first and most extensive academic monograph to be published on the work of the Mexican neo-conceptual artist Teresa Margolles. A range of art works produced by Margolles throughout the length of her career, which began in the 1990s (as part of the SEMEFO collective) and continues to the present day, are explored from such theoretical perspectives as the philosophy of death; the difficult spectatorship of death and the corpse; approaches to the representation of death and dead bodies in art from inside and outside Mexico; and the response of art to traumatic events in Mexico during and since the 1990s. The extensive scope of the study is a significant contribution to scholarly material on the artist, attending to difficult questions around art and ethics; its analysis of Margolles's work is situated within the contexts of the long tradition of the display of real bodies and body parts in Mexican visual culture, against the backdrop of the effects of NAFTA and the War on Drugs.

This book deals with significant televisual responses to the events of 9/11 and the subsequent `war on terror', with a focus on programmes from the UK and USA.

This book fills the Iberian linguistic and geographical gap in Arthurian studies, replacing the now-outdated work by William J. Entwistle (1925). It covers Arthurian material in all the major Peninsular Romance languages (Spanish, Portuguese, Catalan, Galician); it follows the spread of Arthurian material overseas with the seaborne expansion of Spain and Portugal from Iberia into America and Asia in the fifteenth and sixteenth centuries; and, as well as examining the specifically Arthurian texts themselves, it traces the continued influence of the medieval Arthurian material and its impact on the society, literature and culture of the Golden Age and beyond, including its presence in Don Quixote, the influential Spanish Arthurian-inspired romance Amadis de Gaula, and in Spanish ballads. Such was its influence that we find an indigenous American woman called 'Iseo' (Iseult); and an Arthurian story appeared in an indigenous language of the Philippines, Tagalog, as late as the nineteenth and early twentieth centuries.

Russell Davies examines the social history of Wales in the years 1870-1948 and challenges a number of generally held views about Wales and the Welsh, offering an alternative history of idiosyncrasies and contradictions of both the country and the people.

During the nineteenth century, the Age of Nationalism, small stateless nations all over Europe developed successful national movements which demanded rights for minority language communities. One of the central questions of Welsh history is why this didn't happen in Wales.Welsh patriotism emphasised radicalism and liberalism, which subsumed Wales within the discourse of British progressive politics. Liberalism promotes majoritarian identities, and in Wales is a key component of British hegemony. Wales in the nineteenth century was more liberal and radical than almost any other country in Europe. Contrary to the popular view that this was a boost for Welsh nationalism, Pam na fu Cymru (Why Wales never happened) shows that this was the very reason for its failure.

A unique interdisciplinary guide to minority ethnic communities and identity in Wales, which critically assesses the idea of Welsh tolerance.

Abbeys and Priories of Medieval Wales is the first comprehensive, illustrated guide to the religious houses of Wales from the twelfth to sixteenth centuries. It offers a thorough introduction to the history of the monastic orders in Wales (the Benedictines, Cluniacs, Augustinians, Premonstratensians, Cistercians, the military orders and the friars), and to life inside medieval Welsh monasteries and nunneries, in addition to providing the histories of almost sixty communities of religious men and women, with descriptions of the standing remains of their buildings. As well as a being a scholarly book, a number of maps, ground plans and practical information make this an indispensable guide for visitors to Wales's monastic heritage.

An authoritative and thorough analysis of the fortunes of the Welsh language in the most tumultuous period of its history.

The history of the men who worked in the dominant industry of north-west Wales and of the struggles they fought.

This is an engaging, best-selling volume reproduced with text panels that provide brief biographies of historical figures and descriptions of major historical sites in Wales. As the only concise history of Wales currently available in print, this book is an ideal introductory study for the general reader. From primitive Stone Age cave-dwellers who were the earliest recorded inhabitants of Wales, through settlement by the Celts before the Roman and Norman invasions, this book leads the reader through the age of the native Welsh princes that culminated with the eventual conquest of Wales by Edward I in 1282. Later seminal themes include the passage of the so-called Union legislations of 1536 and 1543, the impact of successive religious changes, the agrarian and industrial revolutions, and the severe interwar depression of the twentieth century. This new edition concludes with a discussion of the far-reaching political, social and economic changes covering the momentous period from the close of the twentieth century to the present day.

The Place-Names of Wales was originally published in 1998 and reissued in 2005 in the Pocket Guide series. This current updated publication adds some thirty entries, which importantly take into consideration more recent research. The entry for each place-name provides details of historical forms and dates; analyses each name into its component linguistic elements; tracks the later linguistic development of the name and the influences upon it particularly within a bilingual society; compares the name with similar names elsewhere, and interprets that meaning within the history of Wales and in the local context having regard for the landscape and changing land-use. In addition to explaining the link between place-names and language, history and landscape, the introduction includes a section on the significance of place-name study, and a short section to allow non-Welsh speakers to understand some relevant sound-changes.

American Gothic Art and Architecture in the Age of Romantic Literature analyses the impact British Gothic novels and historical romances had on American art and architecture in the Romantic era. Key figures include Thomas Jefferson, Washington Allston, Alexander Jackson Davis, James Fenimore Cooper, Washington Irving, Thomas Cole, Edwin Forrest and Nathaniel Hawthorne. Hawthorne articulated the subject of this book when he wrote that he could understand Sir Walter Scott's romances better after viewing Scott's Gothic Revival house Abbotsford, and he understood the house better for having read the romances. This study investigates this symbiotic relationship between the arts and Gothic literature to reveal new interpretative possibilities.ContentsIntroductionChapter One. Gothic Monticello: Thomas Jefferson's Garden NarrativesChapter Two. 'Banditti Mania': The Gothic Haunting of Washington Allston Chapter Three. 'Arranging the Trap Doors': The Gothic Revival Castles of Alexander Jackson DavisChapter Four. Old Dwellings Transmogrified: The Homes of James Fenimore Cooper and Washington IrvingChapter Five. Gothic Castles in the Landscape: Thomas Cole, Sir Walter Scott And the Hudson River School of PaintingChapter Six. The Theatrical Spectacle of Medieval Revival: Edwin Forrest's Fonthill CastleConclusion. 'Clap It Into a Romance:' Nathaniel Hawthorne's Gothic Houses

Rachel Bromwich's magisterial edition of Trioedd Ynys Prydein has long won its place as a classic of Celtic studies. This revised edition shows the author's continued mastery of the subject, including a new preface by Morfydd Owen, and will be essential reading for Celticists and for those interested in early British history, literature and Arthurian studies.