Bøger udgivet af University of South Carolina Press

Every four years presidential hopefuls and the media travel the primary election circuit through Iowa and New Hampshire. Only then does the focus shift to South Carolina. H. Gibbs Knotts and Jordan Ragusa make the case for shifting the national focus to South Carolina because of its often-predictive role in selecting presidential nominees.

Although he is best known as a mentor to the Reverend Martin Luther King, Jr., Howard Thurman (1900-1981) was an exceptional philosopher and public intellectual in his own right. In Howard Thurman: Philosophy, Civil Rights, and the Search for Common Ground, Kipton E. Jensen provides new ways of understanding Thurman's foundational role in and broad influence on the civil rights movement and argues persuasively that he is one of the unsung heroes of that time. While Thurman's profound influence on King has been documented, Jensen shows how Thurman's reach extended to an entire generation of activists. Thurman espoused a unique brand of personalism. Jensen explicates Thurman's construction of a philosophy on nonviolence and the political power of love. Showing how Thurman was a "e;social activist mystic"e; as well as a pragmatist, Jensen explains how these beliefs helped provide the foundation for King's notion of the beloved community.Throughout his life Thurman strove to create a climate of "e;inner unity of fellowship that went beyond the barriers of race, class, and tradition."e; In this volume Jensen meticulously documents and analyzes Thurman as a philosopher, activist, and peacemaker and illuminates his vital and founding role in and contributions to the monumental achievements of the civil rights era.

Presents a narrative of the earth's tenth largest body of water. In this beautifully illustrated volume, John Sledge explores the people, ships, and cities that have made the Gulf's human history and culture so rich. This is a work of verve and sweep that illuminates both the risks of life on the water and the riches that come from its bounty.

We the people-these words embody the ethos of what it means to be an American citizen. In this heart-stirring collection of watercolour portraits of military veterans - one from each of the fifty states - artist Mary Whyte captures this ethos as well as the dedication, responsibility, and courage it takes to fulfill that promise.

Since the 1970s scholars have regarded Robert M. Calhoon as an invigorating and definitive force when it comes to the study of American Loyalism. In this book, Rebecca Brannon and Joseph Moore seek to provide an understanding of Calhoon's foundational influence and the development continuing in the wake of his prolific career.

Examines the vital role music collections played in the lives of elite women of Charleston, South Carolina, in the years leading up to the Civil War. Candace Bailey has studied a substantial archive of music held at several southern libraries to gain a better understanding of musical culture, instruction, private performance, and cultural tourism.

An illuminating study of an award-winning writer who captured the complex challenges twentieth-century women faced in their struggle for independence. In Understanding Alice Adams, Bryant Mangum examines the thematic intricacies and astute social commentary of Adams's eleven novels and five short story collections.

Since the early 1980s, Jim Grimsley has received increasing acclaim for his achievements in a variety of dramatic and literary genres. David Deutsch offers the first book-length study of Grimsley's diverse work and argues for his vital role in shaping the contemporary queer American literary scene.

Hope, sacrifice, and restoration: throughout the American Civil War and its aftermath, the Foster family endured all of these in no small measure. Drawing from dozens of public and privately owned letters, A. Gibert Kennedy recounts the story of his great-great-grandfather and his family in A South Carolina Upcountry Saga.

Continuing the theme of unexplored moments introduced in Recovering the Piedmont Past: Unexplored Moments in Nineteenth-Century Upcountry South Carolina History, Timothy P. Grady joins with Andrew H. Myers to edit this second anthology that uncovers the microhistory of this northwest region of the state.

How can we make South Carolina better? Normally this question is reserved for lawmakers and voters, but volume three of Writing South Carolina gives voice to 50 high school juniors and seniors from across the State who have offered suggestions.

In this provocative work, Michael Hyde develops a philosophy of communication ethics in which the practice of rhetoric plays a fundamental role in promoting and maintaining the health of our personal and communal existence. He examines how the force of interruption is a catalyst for moral reflection and moral behaviour.

In Children's Biographies of African American Women: Rhetoric, Public Memory, and Agency Sara C. VanderHaagen examines how these biographies encourage young readers to think about themselves as agents in a public world. Specifically VanderHaagen illustrates how these works use traditional means to serve progressive ends and thereby examines the rhetorical power of biography in shaping identity and promoting public action.Drawing on scholarship in rhetoric, memory studies, and children's literature, VanderHaagen presents rhetorical analyses of biographies of three African American women-poet Phillis Wheatley, activist Sojourner Truth, and educator-turned-politician Shirley Chisholm-published in the United States during the twentieth and twenty-first centuries. VanderHaagen begins by analyzing how biographical sketches in books for black children published during the 1920s represent Wheatley and Truth. The study then shifts to books published between 1949 and 2015. VanderHaagen uses a concept adapted from philosopher Paul Ricoeur-the idea of the "e;agential spiral"e;-to chart the ways that biographies have used rhetoric to shape the life stories of Wheatley, Truth, and Chisholm.By bringing a critical, rhetorical perspective to the study of biographies for children, this book advances the understanding of how lives of the past are used persuasively to shape identity and encourage action in the contemporary public world. VanderHaagen contributes to the study of rhetoric and African American children's literature and refocuses the field of memory studies on children's biographies, a significant but often-overlooked genre through which public memories first take shape.

John Gregory Brown's debut novel examines family, race, and faith in a heartbreaking tale of identity, devotion, and regret. The story centres on the Eagen family of New Orleans, Irish Catholics of "mixed blood" in a city where race defines destiny.

Showcases the extraordinary photography of Richard Samuel Roberts, who operated a studio in Columbia, South Carolina until 1935. He was one of the few major African American commercial photographers in the region during the first half of the twentieth century, and his images reveal the social, economic, and cultural realities of the black South.

Percival Everett, a distinguished professor of English at the University of Southern California, is the author of more than thirty books on a variety of subjects and genres. Derek Maus proposes that the best way to analyse Everett's varied oeuvre is within the framework of Menippean satire, which focuses its ridicule on faulty modes of thinking.

Travelers' accounts of the people, culture, and politics of the Southern coastal region after the Civil WarCharleston is one of the most intriguing of American cities, a unique combination of quaint streets, historic architecture, picturesque gardens, and age-old tradition, embroidered with a vivid cultural, literary, and social history. It is a city of contrasts and controversy as well. To trace a documentary history of Charleston from the postbellum era into the twentieth century is to encounter an ever-shifting but consistently alluring landscape. In this collection, ranging from 1865 to 1947, correspondents, travelers, tourists, and other visitors describe all aspects of the city as they encounter it.Sojourns in Charleston begins after the Civil War, when northern journalists flocked south to report on the "e;city of desolation"e; and ruin, continues through Reconstruction, and then moves into the era when national magazine writers began to promote the region as a paradise. From there twentieth-century accounts document a wide range of topics, from the living conditions of African Americans to the creation of cultural institutions that supported preservation and tourism. The most recognizable of the writers include author Owen Wister, novelist William Dean Howells, artist Norman Rockwell, Boston poet Amy Lowell, novelist and Zionist leader Ludwig Lewisohn, poet May Sarton, novelist Glenway Wescott on British author Somerset Maugham in the lowcountry, and French philosopher and writer Simone de Beauvoir. Their varied viewpoints help weave a beautiful tapestry of narratives that reveal the fascinating and evocative history that made this great city what it is today.

"e;Mysticism"e; in Iran is an in-depth analysis of significant transformations in the religious landscape of Safavid Iran that led to the marginalization of Sufism and the eventual emergence of 'irfan as an alternative Shi'i model of spirituality. Ata Anzali draws on a treasure-trove of manuscripts from Iranian archives to offer an original study of the transformation of Safavid Persia from a majority Sunni country to a Twelver Shi'i realm. The work straddles social and intellectual history, beginning with an examination of late Safavid social and religious contexts in which Twelver religious scholars launched a successful campaign against Sufism with the tacit approval of the court. This led to the social, political, and economic marginalization of Sufism, which was stigmatized as an illegitimate mode of piety rooted in a Sunni past. Anzali directs the reader's attention to creative and successful attempts by other members of the ulama to incorporate the Sufi tradition into the new Twelver milieu. He argues that the category of 'irfan, or "e;mysticism,"e; was invented at the end of the Safavid period by mystically minded scholars such as Shah Muhammad Darabi and Qutb al-Din Nayrizi in reference to this domesticated form of Sufism. Key aspects of Sufi thought and practice were revisited in the new environment, which Anzali demonstrates by examining the evolving role of the spiritual master. This traditional Sufi function was reimagined by Shi'i intellectuals to incorporate the guidance of the infallible imams and their deputies, the ulama. Anzali goes on to address the institutionalization of 'irfan in Shi'i madrasas and the role played by prominent religious scholars of the eighteenth and early nineteenth centuries in this regard. The book closes with a chapter devoted to fascinating changes in the thought and practice of 'irfan in the twentieth century during the transformative processes of modernity. Focusing on the little-studied figure of Kayvan Qazvini and his writings, Anzali explains how 'irfan was embraced as a rational, science-friendly, nonsectarian, and anticlerical concept by secular Iranian intellectuals.

A chronicle of the Civil War experiences of the only African American regiment from Illinois. The author details the formation of the regiment, the prejudice that shaped their service, its involvement in many of the famous Civil War battles and the tragic postwar fate of its officers.

In mapping the slow decline of the rice kingdom across the half-century following the Civil War, James H. Tuten offers a provocative new vision of the forces-agricultural, environmental, economic, cultural, and climatic-stacked against planters, laborers, and millers struggling to perpetuate their once-lucrative industry through the challenging postbellum years and into the hardscrabble twentieth century. Concentrating his study on the vast rice plantations of the Heyward, Middleton, and Elliott families of South Carolina, Tuten narrates the ways in which rice producers-both the former grandees of the antebellum period and their newly freed slaves-sought to revive rice production. Both groups had much invested in the economic recovery of rice culture during Reconstruction and the beginning decades of the twentieth century. Despite all disadvantages, rice planting retained a perceived cultural mystique that led many to struggle with its farming long after the profits withered away. Planters tried a host of innovations, including labor contracts with former slaves, experiments in mechanization, consolidation of rice fields, and marketing cooperatives in their efforts to rekindle profits, but these attempts were thwarted by the insurmountable challenges of the postwar economy and a series of hurricanes that destroyed crops and the infrastructure necessary to sustain planting. Taken together, these obstacles ultimately sounded the death knell for the rice kingdom. The study opens with an overview of the history of rice culture in South Carolina through the Reconstruction era and then focuses on the industry's manifestations and decline from 1877 to 1930. Tuten offers a close study of changes in agricultural techniques and tools during the period and demonstrates how adaptive and progressive rice planters became despite their conservative reputations. He also explores the cultural history of rice both as a foodway and a symbol of wealth in the lowcountry, used on currency and bedposts. Tuten concludes with a thorough treatment of the lasting legacy of rice culture, especially in terms of the environment, the continuation of rice foodways and iconography, and the role of rice and rice plantations in the modern tourism industry.

"e;The sun leaned for down bringing shade to the waterfront,"e; begins Michele Moore's entrancing debut novel, harkening back to an era when the legendary fishermen of Charleston's Mosquito Fleet rowed miles offshore for their daily catch. With evocative dialect and remarkable prose, The Cigar Factory tells the story of two entwined families, both devout Catholics-the white McGonegals and the African American Ravenels-in the storied port city of Charleston, South Carolina, during the World Wars. Moore's novel follows the parallel lives of family matriarchs working on segregated floors of the massive Charleston cigar factory, where white and black workers remain divided and misinformed about the duties and treatment received by each other. Cassie McGonegal and herniece Brigid work upstairs in the factory rolling cigars by hand. Meliah Amey Ravenel works in the basement, where she stems the tobacco. While both white and black workers suffer in the harsh working conditions of the factory and both endure the sexual harassment of the foremen, segregation keeps them from recognizing their common plight until the Tobacco Workers Strike of 1945. Through the experience of a brutal picket line, the two women come to realize how much they stand to gain by joining forces, creating a powerful moment in labor history that gives rise to the Civil Rights anthem, "e;We Shall Overcome."e;Moore's extensive historical research included interviews with her own family members who worked at the cigar factory, adding a layer of nuance and authenticity to her empowering story of families and friendships forged through struggle, loss, and redemption. The Cigar Factory includes a foreword by New York Times best-selling author and Story River Books editor at large Pat Conroy.

Set in early 1950s rural South Carolina, One Good Mama Bone chronicles Sarah Creamer's quest to find her "e;mama bone,"e; after she is left to care for a boy who is not her own but instead is the product of an affair between her husband and her best friend and neighbor, a woman she calls "e;Sister."e; When her husband drinks himself to death, Sarah, a dirt-poor homemaker with no family to rely on and the note on the farm long past due, must find a way for her and young Emerson Bridge to survive. But the more daunting obstacle is Sarah's fear that her mother's words, seared in her memory since she first heard them at the age of six, were a prophesy, "e;You ain't got you one good mama bone in you, girl."e;When Sarah reads in the local newspaper that a boy won $680 with his Grand Champion steer at the recent 1951 Fat Cattle Show & Sale, she sees this as their financial salvation and finds a way to get Emerson Bridge a steer from a local farmer to compete in the 1952 show. But the young calf is unsettled at Sarah's farm, crying out in distress and growing louder as the night wears on. Some four miles away, the steer's mother hears his cries and breaks out of a barbed-wire fence to go in search of him. The next morning Sarah finds the young steer quiet, content, and nursing a large cow. Inspired by the mother cow's act of love, Sarah names her Mama Red. And so Sarah's education in motherhood begins with Mama Red as her teacher. But Luther Dobbins, the man who sold Sarah the steer, has his sights set on winning too, and, like Sarah, he is desperate, but not for money. Dobbins is desperate for glory, wanting to regain his lost grand-champion dynasty, and he will stop at nothing to win. Emboldened by her lessons from Mama Red and her budding mama bone, Sarah is committed to victory even after she learns the winning steer's ultimate fate. Will she stop at nothing, even if it means betraying her teacher?McClain's writing is distinguished by a sophisticated and detailed portrayal of the day-to-day realities of rural poverty and an authentic sense of time and place that marks the best southern fiction. Her characters transcend their archetypes and her animal-as-teacher theme recalls the likes of Water for Elephants and The Art of Racing in the Rain. One Good Mama Bone explores the strengths and limitations of parental love, the healing power of the human-animal bond, and the ethical dilemmas of raising animals for food.

Charleston and the Great Depression tells many stories of the city during the 1930s-an era of tremendous want, hope, and change-through a collection of forty annotated primary documents. Included are letters, personal accounts, organizational reports, meeting minutes, speeches, photographs, oral history excerpts, and trial transcripts. Together they reveal the various ways in which ordinary lowcountry residents-largely excluded from formal politics-responded to the era's economic and social crises and made for themselves a "e;New Deal."e; Arranged in chronological order, the documents include Mayor Burnet R. Maybank's 1931 inaugural address, in which the thirty-two-year-old merchant-turned-politician warned grimly of worsening hardship; the trial testimony of Benjamin Rivers, an African American worker executed by the state after being convicted of murdering a Charleston police officer; horror writer H. P. Lovecraft's detailed walking tour of the city, in which the visiting New Englander painted a fascinating but romanticized portrait of Charleston that somehow managed to overlook the adversities facing the local population; and Susan Hamilton's powerful and contradictory memories of her enslavement, gathered as part of the Federal Writers Project. The Great Depression was an era of economic crises and political change but was also a period of great hope and possibility as Americans from across the political spectrum persevered through hard times, driven by the conviction that government power could and should be used to alleviate suffering and create opportunities to better people's lives. These documents capture the voices of diverse Charleston residents-from farmers and dockworkers to students, ministers, public officials, and social workers-as they struggled and strove for a better city and a better country.

Robert Smalls, born a slave in 1839 in Beaufort, South Carolina, gained fame as an African American hero of the American Civil War. The Freedom Ship of Robert Smalls tells the inspirational story of Small's life as a slave, his boyhood dream of freedom, and his bold and daring plan as a young man to commandeer a Confederate gunboat from Charleston Harbor and escape with fifteen fellow slaves and family members. Smalls joined the Union Navy and rose to the rank of captain and became the first African American to command a U.S. service ship. After the war Smalls returned to Beaufort, bought the home of his former master, and began a long career in state and national politics. This new edition of The Freedom Ship of Robert Smalls, originally published in 1971, features Louise Meriwether's original narrative, now illustrated by the colorful paintings of renowned Southern artist Jonathan Green.

On October 20, 1999, thirty-eight-year-old Nell Crowley Davis was bludgeoned, strangled, and stabbed to death in the backyard of her home in Bluffton, South Carolina, near Hilton Head Island. In My Ghost Has a Name: Memoir of a Murder, Rosalyn Rossignol tells the story of how Davis's sixteen-year-old daughter, Sarah Nickel, along with the two teenage boys, came to be charged with the armed robbery and murder. Since no physical evidence tied Nickel to the murder, she was convicted of armed robbery and given the same sentence as the boys-thirty years. In the months that followed, Nickel vehemently insisted that she was innocent.Torn by Nickel's pleas, Rossignol, a childhood friend of the murder victim, committed herself to answering the question that perhaps the police detectives, the press, and the courts had not: whether Sarah Nickel was indeed guilty of this crime.During five years of research, Rossignol read case files and transcripts, examined evidence from the crime scene, listened to the 9-1-1 call, and watched videotaped statements made by the accused in the hours following their arrest. She also interviewed family members, detectives, the solicitor who prosecuted the case, the lawyers who represented the defendants, and the judge who tried the case, as well as Nickel. What Rossignol uncovers is a fascinating maze of twists and turns, replete with a memorable cast of characters including a shotgun-toting grandma, a self-avowed nihilist and Satan-worshipper, and a former Rice Queen of Savannah, Georgia. Unlike all previous investigators, Rossignol has uncovered the truth about what happened, and the reasons why, on that fateful October day.

Sufi Aesthetics argues that the interpretive keys to erotic Sufi poems and their medieval commentaries lie in understanding a unique perceptual experience. Using careful analysis of primary texts, Cyrus Ali Zargar explores the theoretical and poetic pronouncements of two major Muslim mystics, Muhyi al-Din ibn al-'Arabi (d. 1240) and Fakhr al-Din 'Iraqi (d. 1289), under the premise that behind any literary tradition exist organic aesthetic values. The complex assertions of these Sufis appear not as abstract theory, but as a way of seeing all things, including the sensory world. In this study Zargar responds to a long-standing debate in the study of Sufi poetics over the use of erotic language to describe the divine. He argues that such language results from an altered perception of Muslim mystics in which divine beauty and human beauty are seen as one reality. The Sufi masters, Zargar asserts, shared an aesthetic vision quite different from those who have often studied them. Sufism's foremost theoretician, Ibn 'Arabi, is presented from a neglected perspective as a poet, aesthete, and lover of the human form. Ibn 'Arabi in fact proclaimed a view of human beauty markedly similar to that of many mystics from a Persian contemplative school of thought, the "e;School of Passionate Love,"e; which would later find its epitome in 'Iraqi, one of Persian literature's most celebrated poet-saints. Many in this school advocated the controversial practice of gazing at beautiful human faces, a topic Zargar also discusses. The examination of central Sufi texts in Persian and Arabic establishes that the profundity attributed to mystical encounters with the sensory and supersensory has far-reaching extensions in evaluations of that which is seen, that which is deemed beautiful, and that which is expressed as a result. Through this aesthetic approach, this comparative study overturns assumptions made not only about Sufism and classical Arabic and Persian poetry, but also other uses of erotic imagery in Muslim approaches to sexuality, the human body, and the paradise of the afterlife described in the Qur'an.

In the wake of the Arab Spring, the Coptic community was caught up in regional violence, and its predicament became a cause for concern around the world. Copts in Context examines the situation of the Copts as a minority faith in a volatile region and as a community confronting modernity while steeped in tradition.

Credited with predicting the flood and foretelling a second punishment but mentioned only briefly in the Hebrew Bible, Enoch is one of the most intriguing yet little-known characters of ancient Jewish and Christian literature. This book examines ancient references to Enoch and to Enochian themes.

A collection of 18 essays, each of which offers commentary on one of the episodes in James Joyce's ""Ulysses"". Throughout, the common critical concern is with varying articulations of ""femininities"" and ""masculinities"" in Joyce's modernist epic.