Bøger udgivet af University of South Carolina Press

"The transformation of Governor Ralph Northam. Virginia Governor Ralph Northam's "blackface scandal" could have destroyed any politician. The photo of Governor Northam purportedly in blackface created a firestorm not only locally but also in every political sphere. What the Eyes Can't See details why Northam's career did not end with the scandal, and how it made him a better governor-and a better citizen. In this book Margaret Edds draws on unprecedented access to the governor, his aides, and members of the Virginia Legislative Black Caucus, whose initial anger evolved into determination to mine good from an ugly episode. Both scolding and encouraging, they led Northam to a deeper understanding of the racism and pain the photograph symbolized. To Northam's credit, he listened, and more importantly learned the lessons of endemic, systemic racism and applied those lessons to his legislative agenda. Edds provides a revealing examination of race in the nation, how racism might be addressed and reckoned with, and how we all may find a measure of redemption in listening to one another"--

"An illustrated flight across the Southeast. Award-winning environmental scientist, naturalist, writer, educator, and artist Todd Ballantine wings his way across the vast Southeast with entertaining prose and beautiful, instructive illustrations in this delightful exploration of one hundred birds in their various habitats. Chapter by chapter Ballantine highlights which birds can be found at the beach, along the ocean and estuaries, in marshes and wetlands, across fields and open areas, among the brush at the wood's edge, and in the forest. Through his accurate and expressive illustrations, he identifies their plumage, silhouettes, shapes, and coloration, as well as their migration, habitats, and behaviors. Birdlife will be an entertaining and enlightening companion for the birder who forays across the southeastern states or anyone who enjoys learning about birds"--

A celebration of an enslaved potter's art and the poetry he inscribed in clay despite anti-literacy laws

A study of the life, work, and extraordinary influence of an innovative architectAlbert Simons came of age during the vibrant years of the Charleston Renaissance in the early twentieth century. His influential social circle included artists, musicians, writers, historians, and preservationists, many supporting the cultural revival that was reshaping the city. Through his architectural design and passion for preservation, Simons contributed tremendously to the cultural environment of the Charleston Renaissance. His work helped to mold the cityscape and set a course that would both preserve the historic South Carolina city and carry it forward, allowing it to become the thriving urban center it is today. Simons brought both a sense of history and place, born of his deep roots in Charleston, as well as a cosmopolitanism developed during his years of training at the University of Pennsylvania and travels on the European continent. The melding of those sensibilities was a perfect match for the age and made him a true Charleston Renaissance Man. While he preferred the more traditional Beaux-Arts, Classical, and Colonial Revival styles, Simons had the unique ability to balance traditional and modern styles. He believed preservation in Charleston was about retaining the city's architectural heritage but doing so in a way that allowed the city to grow and progress-to be a living city. Looking forward and simultaneously looking back is quintessentially Charleston and a hallmark of Simons's life and work. Featuring more than 100 color and black and white photographs and illustrations alongside author Ralph Muldrow's compelling storytelling, this fascinating book reveals the deep connection between Simons and the Charleston cityscape. With a foreword by Witold Rybczynski, the award-winning author of numerous books including Charleston Fancy: Little Houses and Big Ideas in the Holy City, Muldrow's Charleston Renaissance Man is a celebration of Charleston's unique architectural character and the architect who embodied the Charleston Renaissance.

A vivid and moving story about family, courage, and the power of educationRuth remembers the day the sheriff pulled up in front of her family's home with a white neighbor who claimed Ruth's father owed her recently deceased husband money. It was the early 1940s in Jim Crow South Carolina, and even at the age of eleven, Ruth knew a Black person's word wasn't trusted. But her father remained calm as he waited on her mother's return from the house. Ruth's mother had retrieved a gray book, which she opened and handed to the sheriff. Satisfied by what he saw, the sheriff and the woman left. Ruth didn't know what was in that book, but she knew it was important. In Beatrice's Ledger, Ruth R. Martin brings to life the stories behind her mother's entries in that well-worn ledger, from financial transactions to important details about her family's daily struggle to survive in Smoaks, South Carolina, a small town sixty miles outside of Charleston. Once the land of plantations, slavery, and cotton, by the time Ruth was born in 1930 many of the plantations were gone but the cotton remained. Ruth's family made a living working the land, and her father owned a local grist and sawmill used by Black and white residents in the area. The family worked hard, but life was often difficult, and Ruth offers rich descriptions of the sometimes-perilous existence of a Black family living in rural South Carolina at mid-century. But there was joy as well as hardship, and readers will be drawn into the story of life in Smoaks. Enriched with public records research and interviews with friends and family still living in Smoaks, Martin weaves history, humor, and family lore into a compelling narrative about coming of age as a Black woman in the Jim Crow South. Martin recounts her journey from Smoaks to Tuskegee Institute and beyond. It is a story about the power of family; about the importance of the people we meet along the way; and about the place we call home.

"University of South Carolina in Focus celebrates the university through photographs. The book will showcase its pillars of academic and research excellence and superior student experience, and the beauty of its campus through more than 75 color photographs. It is the most up-to-date portrait of the university, reflecting the fullness of its diversity, not to mention new buildings and public art, but also in its focus on the student experience and its clean and contemporary design"--

A study of recent shifts in the depictions of Asian cultural stereotypes The Tao of S is an engaging study of American racialization of Chinese and Asians, Asian American writing, and contemporary Chinese cultural production, stretching from the nineteenth century to the present. Sheng-mei Ma examines the work of nineteenth-century "e;Sinophobic"e; American writers, such as Bret Harte, Jack London, and Frank Norris, and twentieth-century "e;Sinophiliac"e; authors, such as John Steinbeck and Philip K. Dick, as well as the movies Crazy Rich Asians and Disney's Mulan and a host of contemporary Chinese authors, to illuminate how cultural stereotypes have swung from fearmongering to an overcompensating exultation of everything Asian. Within this framework Ma employs the Taoist principle of yin and yang to illuminate how roles of the once-dominant American hegemony-the yang-and the once-declining Asian civilization-the yin-are now, in the twenty-first century, turned upside down as China rises to write its side of the story, particularly through the soft power of television and media streamed worldwide.A joint publication from the University of South Carolina Press and the National Taiwan University Press.

Addresses the role of citizen voices in steering a democracy through an examination of the rhetoric of publics - active segments of society that influence the general climate of public dialogue - and of the associated public spheres and public opinion.

A 2022 Katie Couric Media Must-Read New Book * A personal meditation on love in the shadow of white privilege and racismChild is the story of Judy Goldman's relationship with Mattie Culp, the Black woman who worked for her family as a live-in maid and helped raise her-the unconscionable scaffolding on which the relationship was built and the deep love. It is also the story of Mattie's child, who was left behind to be raised by someone else. Judy, now eighty, cross-examines what it was to be a privileged white child in the Jim Crow South, how a bond can evolve in and out of step with a changing world, and whether we can ever tell the whole truth, even to ourselves. It is an incandescent book of small moments, heart-warming, heartbreaking, and, ultimately, inspiring.

Early in the twentieth century, for-profit companies such as Duke Power and South Carolina Electric and Gas brought electricity to populous cities and towns across South Carolina, while rural areas remained in the dark. It was not until the advent of publicly owned electric cooperatives in the 1930s that the South Carolina countryside was gradually introduced to the conveniences of life with electricity. Today, electric cooperatives serve more than a quarter of South Carolina's citizens and more than seventy percent of the state's land area, bringing not only power but also high-speed broadband to rural communities.The rise of "e;public"e; power-electricity serviced by member-owned cooperatives and sanctioned by federal and state legislation-is a complicated saga encompassing politics, law, finance, and rural economic development. Empowering Communities examines how the cooperatives helped bring fundamental and transformational change to the lives of rural people in South Carolina, from light to broadband.James E. Clyburn, the majority whip of the U.S. House of Representatives from South Carolina, provides a foreword.

An oasis of art and nature, Brookgreen Gardens is America's first public sculpture garden and largest collection of American figurative sculpture. As Brookgreen begins its ninetieth year, this volume celebrates the art, nature, and history ensconced in its 9,127 acres.

Examines development of Black Radical antislavery movements in the Atlantic World. Essays focus on Denmark Vesey and several other rebellion events, including the forcible rescue of African Americans being trafficked within the United States.

The battle for equality in education during the civil rights era came at a cost to Black Americans on the frontlines. In 1964 when fourteen-year-old June Manning Thomas walked into Orangeburg High School as one of thirteen Black students selected to integrate the all-White school, her classmates mocked, shunned, and yelled racial epithets at her. The trauma she experienced made her wonder if the slow-moving progress was worth the emotional sacrifice. In Struggling to Learn, Thomas, revisits her life growing up in the midst of the civil rights movement before, during, and after desegregation and offers an intimate look at what she and other members of her community endured as they worked to achieve equality for Black students in K-12 schools and higher education.Through poignant personal narrative, supported by meticulous research, Thomas retraces the history of Black education in South Carolina from the post-Civil War era to the present. Focusing largely on events that took place in Orangeburg, South Carolina, during the 1950s and 1960s, Thomas reveals how local leaders, educators, parents, and the NAACP joined forces to improve the quality of education for Black children in the face of resistance from White South Carolinians. Thomas's experiences and the efforts of local activists offer relevant insight because Orangeburg was home to two Black colleges-South Carolina State University and Claflin University-that cultivated a community of highly educated and engaged Black citizens. With help from the NAACP, residents filed several lawsuits to push for equality. In the notable Briggs v. Elliott, Black parents in neighboring Clarendon County sued the school board to challenge segregation after the county ignored their petitions requesting a school bus for their children. That court case became one of five that led to Brown v. Board of Education and the landmark 1954 decision that declared school segregation illegal. Despite the ruling, South Carolina officials did not integrate any public schools until 1963 and the majority of them refused to admit Black students until subsequent court cases, and ultimately the intervention of the federal government, forced all schools to start desegregating in the fall of 1970.In Struggling to Learn, Thomas reflects on the educational gains made by Black South Carolinians during the Jim Crow and civil rights eras, how they were achieved, and why Black people persisted despite opposition and hostility from White citizens. In the final chapters, she explores the current state of education for Black children and young adults in South Carolina and assesses what has been improved and learned through this collective struggle.

Jonathan Green is best known for his vibrant depictions of the Gullah life and culture established by descendants of enslaved Africans who settled between northern Florida and North Carolina during the nineteenth century. For decades, Green's vividly colored paintings and prints have captured and preserved the daily rituals and Gullah traditions of his childhood in the Lowcountry marshes of South Carolina.While Green's art continues to express the same energy, color, and deep respect for his ancestors, his techniques have evolved to feature bolder brush strokes and a use of depth and texture, all guided by his maturing artistic vision that is now more often about experiencing freedom and contentment through his art. This vision is reflected in the 179 new paintings featured in Gullah Spirit. His open and inviting images beckon the world to not only see this vanishing culture but also to embrace its truth and enduring spirit.Using both the aesthetics of his heritage and the abstraction of the human figure, Green creates an almost mythological narrative from his everyday observations of rural and urban environments. Expressed through his mastery of color, Green illuminates the challenges and beauty of work, love, belonging, and the richness of community.Angela D. Mack, executive director of the Gibbes Museum of Art in Charleston, South Carolina, provides a foreword. The book also includes short essays by historian Walter B. Edgar, educator Kim Cliett Long, and curator Kevin Grogan.

First published in 1930 as 200 Years of Charleston Cooking, this collection of more than three hundred recipes was gathered by Blanche Rhett from housewives and their African American cooks in Charleston, South Carolina.

At 7:30 a.m. on June 16, 1944, George Junius Stinney Jr. was escorted by four guards to the death chamber. Wearing socks but no shoes, the 14-year-old Black boy walked with his Bible tucked under his arm. The guards strapped his slight, five-foot-one-inch frame into the electric chair. His small size made it difficult to affix the electrode to his right leg and the face mask, which was clearly too large, fell to the floor when the executioner flipped the switch. That day, George Stinney became, and today remains, the youngest person executed in the United States during the twentieth century.How was it possible, even in Jim Crow South Carolina, for a child to be convicted, sentenced to death, and executed based on circumstantial evidence in a trial that lasted only a few hours? Through extensive archival research and interviews with Stinney's contemporaries-men and women alive today who still carry distinctive memories of the events that rocked the small town of Alcolu and the entire state-Eli Faber pieces together the chain of events that led to this tragic injustice.The first book to fully explore the events leading to Stinney's death, The Child in the Electric Chair offers a compelling narrative with a meticulously researched analysis of the world in which Stinney lived-the era of lynching, segregation, and racist assumptions about Black Americans. Faber explains how a systemically racist system, paired with the personal ambitions of powerful individuals, turned a blind eye to human decency and one of the basic tenets of the American legal system that individuals are innocent until proven guilty.As society continues to grapple with the legacies of racial injustice, the story of George Stinney remains one that can teach us lessons about our collective past and present. By ably placing the Stinney case into a larger context, Faber reveals how this case is not just a travesty of justice locked in the era of the Jim Crow South but rather one that continues to resonate in our own time.A foreword is provided by Carol Berkin, Presidential Professor of History Emerita at Baruch College at the City University of New York and author of several books including Civil War Wives: The Lives and Times of Angelina Grimke Weld, Varina Howell Davis, and Julia Dent Grant.