Bøger udgivet af University of Pennsylvania Press

Composed at the height of the Hundred Years War by Geoffroi de Charny, one of the most respected knights of his age, A Knight's Own Book of Chivalry is an invaluable guide to fourteenth-century knighthood.

Mass produced of tin-lead alloys and cheap to purchase, medieval badges were brooch-like objects displaying familiar images. Sumptuously illustrated, Medieval Badges considers all badges, whether they originated in religious or secular contexts, and highlights the ways in which badges could confer meaning and identity on their wearers.

Reading Children offers a history of the relationship between children and books in Anglo-American modernity, exploring early children's literature, pedagogical practices, property lessons inherent in children's book ownership, and the emergence of childhood itself as a literary property.

Religious Freedom Under Scrutiny argues that without freedom of religion or belief, human rights cannot fully address the needs, yearnings, and vulnerabilities of human beings and that marginalizing freedom of religion or belief would weaken the plausibility and legitimacy of the entire system of human rights.

The city of Hebron is important to Jewish, Islamic, and Christian traditions as home to the Tomb of the Patriarchs, the burial site of three biblical couples: Abraham and Sarah, Isaac and Rebecca, and Jacob and Leah. Today, Hebron is one of the epicenters of the Israel-Palestine conflict, consisting of two unequal populations: a traditional Palestinian majority without citizenship, and a fundamentalist Jewish settler minority with full legal rights. Contemporary Jewish settler practices and sensibilities, legal gray zones, and ruling complicities have remade Hebron into a divided Palestinian city surrounded by a landscape of fragmented, militarized strongholds.In Settling Hebron, Tamara Neuman examines how religion functions as ideology in Hebron, with a focus on Jewish settler expansion and its close but ambivalent relationship to the Israeli state. Neuman presents the first critical ethnography of the Jewish settler populations in Kiryat Arba and the adjacent Jewish Quarter in the Old City of Hebron,considered by many Israelis as the most "ideological" of settlements. Through extensive fieldwork, interviews with settlers, soldiers, displaced Palestinian urban residents and farmers as well as archival research, Neuman challenges dismissive portraits of settlers as rigid, fanatical adherents of an anachronistic worldview. At the same time, she reveals the extent of disconnection between these settler communities and mainstream Modern Orthodox Judaism, both of which interpret written sources on the sacredness of land—biblical texts, rabbinic commentary, and mystical traditions—in radically different ways. Neuman also traces the violent results of a settler formation, Palestinian responses to settler encroachment, and the connection between ideological settlement and economic processes. Settling Hebron explores the complexity of Hebron''s Jewish settler community in its own right—through its routine practices and rituals, its most extreme instances of fundamentalist revision and violence, and its strategic relationships with successive Israeli governments.

Stephen A. Mitchell offers the fullest examination available of witchcraft in late medieval Scandinavia, drawing on extensive sources ranging from the Icelandic sagas to those much less familiar to the nonspecialist: legal cases, church frescoes, law codes, ecclesiastical records, and surviving runic spells.

An account of the first setback suffered by the Allies following the invasion of Europe.

Producing Fashion looks to the past, revealing the rationale behind style choices, while explaining how the interplay of custom, invented traditions, and sales imperatives continue to drive innovation in the fashion industries.

An engaging narrative history of the origins of formal education in the West. Winner of the Jacques Barzun Prize in Cultural History, awarded by the American Philosophical Society.

This book brings together five of Goffman's seminal essays: "Replies and Responses," "Response Cries," "Footing," "The Lecture," and "Radio Talk."

A compact discussion of being, truth, and reality by Karl Jaspers (1883-1969), the founder of German existentialism.

"Kramer ranked among the world's foremost Sumerologists... The book will interest both the scholar and the general educated reader."-Religious Studies Bulletin

Theodore Evergates has assembled, translated, and annotated some two hundred documents from the country of Champagne into a sourcebook that focuses on the political, economic, and legal workings of a feudal society, uncovering the details of private life and social history that are embedded in the official records.

Spanning six continents-Europe, Australia, Africa, Asia, North America, and South America-this edited collection offers a comparative, transnational study of Holocaust and human rights museums that foregrounds the overlapping and often contested work these institutions do in narrating and memorializing histories of genocide and human rights abuses for a public audience. Museums that link the Holocaust with social justice, human rights, and genocide prevention have been founded in many countries-for example, the Kazerne Dossin Memorial Museum in Belgium, the Anne Frank House in the Netherlands, and the Johannesburg Holocaust and Genocide Centre in South Africa-making Holocaust and human rights museums a global phenomenon. It is not uncommon for these institutions to court controversy by linking the Holocaust to human rights issues in their locales and abroad. Some begin from a "Holocaust core" and extrapolate from this history to address broader concerns, while others integrate the Holocaust as "a" or, at times, "the" case study par excellence of human rights abuses. Other institutions that may not explicitly focus on the Holocaust continue to engage these representational practices to highlight other instances of genocide and human rights abuses.The case studies in this book illuminate the convergences between Holocaust and human rights museums in their demands for social justice and reparation, educational and activist purpose, design principles, and curatorial choices. But it also shows how these museums can also be sites of contestation around how stories of suffering, courage, and survival are told; whose stories are prioritized; and who is consulted. Although Holocaust museums were once the most influential form of representation of human rights issues in the international museum and heritage fields, they are now in dialogue-visually, spatially, methodologically-with museums and memorial sites concerned with human rights more broadly. Interrogating debates in both museology and Holocaust memory studies, this volume reveals how institutions dedicated to these concerns have become active and influential contributors to local, national, and transnational dialogues about human rights.Contributors: Avril Alba, Brook Andrew, Jennifer Barrett, Jennifer Carter, Danielle Celermajer, Steven Cooke, Donna-Lee Frieze, Shirli Gilbert, Sulamith Graefenstein, Christoph Hanzig, Vannessa Hearman, Rosanne Kennedy, Marcia Langton, Edwina Light, Wendy Lipworth, A. Dirk Moses, Tali Nates, Jessica Neath, Michael Robertson, Amy Sodaro, Garry Walter.

A richly illustrated presentation of the latest research on traditional American folk artAmericana Insights 2024 is the second volume of an annual series that presents the latest research and discoveries on traditional American folk art and material culture. This installment explores a diverse range of craftspeople and artifacts, treating readers to a journey from Appalachia to the mid-Atlantic and New England, and even onto the Atlantic Ocean. Each essay offers a fresh perspective on American creativity and ingenuity, introducing readers to the makers and materials of early America. This remains the only interdisciplinary publication devoted exclusively to traditional Americana and folk art.Contributors cover a range of topics including historic Cherokee river cane basket weaving traditions, New England folk artists Sturtevant J. Hamblin, the almshouse paintings of German immigrant Charles Hofmann, and the display of American antiques on mid-twentieth-century ocean liners. Additional subjects include Pennsylvania German fraktur, carousel carving, carriage signs, quilts, and game boards. Contributors: Trevor Brandt, Paul D'Ambrosio, Tobin Fraley, Emelie Gevalt, Christopher Malone, Richard Miller, Matthew Monk, Amelia Peck, Christian Roden, Cynthia Schaffner, Eileen M. Smiles, Jennifer Swope.

A comprehensive history of Philadelphia from the region's original Lenape inhabitants to the myriad of residents in the twenty-first centuryPhiladelphia is famous for its colonial and revolutionary buildings and artifacts, which draw tourists from far and wide to gain a better understanding of the nation's founding. Philadelphians, too, value these same buildings and artifacts for the stories they tell about their city. But Philadelphia existed long before the Liberty Bell was first rung, and its history extends well beyond the American Revolution.In Philadelphia: A Narrative History, Paul Kahan presents a comprehensive portrait of the city, from the region's original Lenape inhabitants to the myriad of residents in the twenty-first century.As any history of Philadelphia should, this book chronicles the people and places that make the city unique: from Independence Hall to Eastern State Penitentiary, Benjamin Franklin and Betsy Ross to Cecil B. Moore and Cherelle Parker. Kahan also shows us how Philadelphia has always been defined by ethnic, religious, and racial diversity-from the seventeenth century, when Dutch, Swedes, and Lenapes lived side by side along the Delaware; to the nineteenth century, when the city was home to a vibrant community of free Black and formerly enslaved people; to the twentieth century, when it attracted immigrants from around the world. This diversity, however, often resulted in conflict, especially over access to public spaces. Those two themes- diversity and conflict- have shaped Philadelphia's development and remain visible in the city's culture, society, and even its geography. Understanding Philadelphia's past, Kahan says, is key to envisioning future possibilities for the City of Brotherly Love.

Regina Woods, just weeks before her fourteenth birthday contracted polio. Within a few days, she was paralyzed from the neck down, unable even to breathe by herself. What is most profound about this book is that--while it is an account of catastrophic loss--there is so much triumph in it.

The Permeable Self offers medievalists new insight into the appeal and dangers of the erotics of pedagogy; the remarkable influence of courtly romance conventions on hagiography and mysticism; and the unexpected ways that pregnancy-often devalued in mothers-could be positively ascribed to men, virgins, and God.

Four years before the publication of the First Folio, a group of London printers and booksellers attempted to produce a "collected works" of William Shakespeare as a series of quarto pamphlets. Zachary Lesser examines more than three hundred surviving copies of these "Pavier Quartos," revealing they are far more mysterious than we thought.

A Hawai'ian quilt stitched with anti-imperial messages; a Jesuit report that captures the last words of a Wendat leader; an invitation to a ball, repurposed by enslaved people in colonial Antigua; a book of poetry printed in a Peruvian penitentiary. Countless material texts--legible artifacts--resulted from the diverse intercultural encounters that characterize the history of the Americas. American Contact explores the dynamics of intercultural encounters through the medium of material texts. The forty-eight short chapters present biographies about objects that range in size from four miles long to seven by ten centimeters; date from millennia in the past to the 2000s; and originate from South America, North America, the Caribbean, and other parts of the Atlantic and Pacific worlds. Each essay demonstrates how particular ways of reading can render the complex meanings of the objects legible--or explains why and how the meanings remain illegible. In its diversity and breadth, this volume shows how the field of book history can be more inclusive and expansive. Taken together, the essays shed new light on the material practices of communicating power and resistance, subjection and survivance, in contact zones of America. Contributors: Carlos Aguirre, Ahmed Idrissi Alami, Chadwick Allen, Rhae Lynn Barnes, Molly H. Bassett, Brian Bockelman, George Aaron Broadwell, Rachel Linnea Brown, Nancy Caronia, Raúl Coronado, Marlena Petra Cravens, Agnieszka Czeblakow, Lori Boornazian Diel, Elizabeth A. Dolan, Alejandra Dubcovsky, Cecily Duffie, Devin Fitzgerald, Glenda Goodman, Rachel B. Gross, David D. Hall, Sonia Hazard, Rachel B. Herrmann, Alex Hidalgo, Abimbola Cole Kai-Lewis, Alexandra Kaloyanides, Rachael Scarborough King, Danielle Knox, Bishop Lawton, Jessica C. Linker, Don James McLaughlin, John Henry Merritt, Gabriell Montgomery, Emily L. Moore, Isadora Moura Mota, Barbara E. Mundy, Santiago Muñoz Arbeláez, Marissa Nicosia, Diane Oliva, Megan E. O'Neil, Sergio Ospina Romero, John H. Pollack, Shari Rabin, Daniel Radus, Nathan Rees, Anne Ricculli, Maria Ryan, Maria Carolina Sintura, Cristina Soriano, Chelsea Stieber, Amy Kuʻuleialoha Stillman, Chris Suh, Mathew R. Swiatlowski, Marie Balsley Taylor, Martin A. Tsang, Germaine Warkentin, Adrian Chastain Weimer, Bethany Wiggin, Xine Yao, Corinna Zeltsman.

State of Shock decodes one of the most iconic images of Zionism and Israel: the kibbutz. Lior Libman offers original theoretical and historiographical insights into the imagery and the history of the kibbutz, and, through them, of Hebrew literature and Israeli culture more broadly. Arguing that the establishment of the State of Israel was a rupture that destabilized the kibbutz's deepest conceptual ground and shifted its history, the book uncovers the seemingly surprising Hasidic resonances in the identity of the kibbutz and its self-perception as fulfilling the metaphysical in the physical. By interrogating the changes and upheavals brought about by Jewish sovereignty, their impact on the kibbutz, and its response to them, Libman defines the kibbutz's transition into Israeli statehood as a cultural trauma which robbed it of its familiar frames for interpreting historical experience. Disoriented, the kibbutz reacted in shock: it was unable to reimagine itself in the new conditions. Libman charts how the kibbutz, originally conceived as avant garde--a political and aesthetic form that acts in history--began its demise in 1948, in the early years of the State of Israel. Turning from its origin as a breakaway human-creation engaged in a constant process of becoming--of history-making--the kibbutz, Libman shows, transformed into a fetish: a sanctified, substitutional, fossilized political and aesthetic object of compulsive metaphysical longing, frozen in time and detached from history.

On Revival is a critique of one of the most important tenets of Zionist thinking: "Hebrew revival," or the idea that Hebrew--a largely unspoken language before the twentieth century--was revitalized as part of a broader national "revival" which ultimately led to the establishment of the Israeli nation-state. This story of language revival has been commemorated in Israeli popular memory and in Jewish historiography as a triumphant transformation narrative that marks the success of the Zionist revolution. But a closer look at the work of early twentieth-century Hebrew writers reveals different sentiments. Roni Henig explores the loaded, figurative discourse of revival in the work of Hebrew authors and thinkers working roughly between 1890 and 1920. For these authors, the language once known as "the holy tongue" became a vernacular in the making. Rather than embracing "revival" as a neutral, descriptive term, Henig takes a critical approach, employing close readings of canonical texts to analyze the primary tropes used to articulate this aesthetic and political project of "reviving" Hebrew. She shows that for many writers, the national mission of language revival was entwined with a sense of mourning and loss. These writers perceived--and simultaneously produced--the language as neither dead nor fully alive. Henig argues that it is this figure of the living-dead that lies at the heart of the revival discourse and which is constitutive of Jewish nationalism. On Revival contributes to current debates in comparative literary studies by addressing the limitations of the national language paradigm and thinking beyond concepts of origin, nativity, and possession in language. Informed by critical literary theory, including feminist and postcolonial critiques, the book challenges Zionism's monolingual lens and the auto-Orientalism involved in the project of revival, questioning charged ideological concepts such as "native speaker" and "mother tongue."