Bøger udgivet af University of Arizona Press

Chocolate: Pathway to the Gods takes readers on a journey through 3,000 years of the history of chocolate. It is a trip filled with surprises. And it is a beautifully illustrated tour, featuring 132 vibrant color photographs and a captivating sixty-minute DVD documentary. Along the way, readers learn about the mystical allure of chocolate for the peoples of Mesoamerica, who were the first to make it and who still incorporate it into their lives and ceremonies today. Although it didn't receive its Western scientific name, Theobroma cacao--"food of the gods"--until the eighteenth century, the cacao tree has been at the center of Mesoamerican mythology for thousands of years. Not only did this "chocolate tree" produce the actual seeds from which chocolate was extracted but it was also symbolically endowed with cosmic powers that enabled a dialogue between humans and their gods. From the pre-Columbian images included in this sumptuous book, we are able to see for ourselves the importance of chocolate to the Maya, Aztecs, Olmecs, Mixtecs, and Zapotecs who grew, produced, traded, and fought over the prized substance. Through archaeological and other ethnohistoric research, the authors of this fascinating book document the significance of chocolate--to gods, kings, and everyday people--over several millennia. The illustrations allow us to envision the many ancient uses of this magical elixir: in divination ceremonies, in human sacrifices, and even in ball games. And as mythological connections between cacao trees, primordial rainforests, and biodiversity are unveiled, our own quest for ecological balance is reignited. In demonstrating the extraordinary value of chocolate in Mesoamerica, the authors provide new reasons--if any are needed--to celebrate this wondrous concoction.

"A comprehensive and well-documented assessment ... This work is not simply focused on the military, although the author, by virtue of his vast experience with the U.S. Army, might have been content to do so. What sets this book apart is the author's excellent social history of a military facility. The remarkable co-existence between culturally diverse and sometimes contentious ethnic communities within the confines of a U.S. Army installation makes Ywhat would otherwise be? standard military history unique and worthwhile reading."

"My red pickup choked on burnt oilas I drove down Highway 99. . . ." Abraham Tovar is a young man who works in a sausage factory and desperately longs to create a history of his own. As Abraham's life becomes absorbed into the blood and spice of pork, his thoughts explore his ancestry, roam the stars, and reflect upon the despairs and strengths of factory workers who live with "the unyielding memory of pig." "I pulled into Galdini Sausage at noon.The workers walked out of productionand swatted away the flies desperate for pork.Pork gripped the men and was everywhere, in the form of blood, in the form of fat, and in pink meat that stuck to the workers' shoes." "Work Done Right" is a sequence of narrative poems, told with a lyricist's tenderness and an eye for detail, that address the human condition in unexpected ways. David Dominguez explores Abraham's struggle to maintain personal dignity in harsh circumstances, juxtaposing bleak images of the sausage factory with the hope of finding one's true place in the world. Through his sensuously textured words, he pays tribute to people and place as he takes readers on a mystic journey toward redemption.

In rural Rajasthan, patriarchal ideology is upheld and reinforced through male-governed social and legal institutions. This book tells how women defy that control through acts of "domestic warfare": theft, poisoning, affairs, flights home, threats to divide the joint household, sly acts of sabotage, and refusals to work, eat, or have sex.Erin Moore details the life of an extended Muslim family she has known for twenty years. In many ways the plight of the central character, Hunni, is representative of dilemmas experienced by the majority of north Indian peasant women who are deprived of equal rights before the law.An account of cultural hegemony and defiance, Moore's work reveals how so-called "modern" state institutions and practices reinforce traditional arrangements -- and how women resist patriarchy in overt and covert ways.

Josh Henneha has always been a traveler, drowning in dreams, burning with desires. As a young boy growing up within the Muskogee Creek Nation in rural Oklahoma, Josh experiences a yearning for something he cannot tame. Quiet and skinny and shy, he feels out of place, at once inflamed and ashamed by his attraction to other boys. Driven by a need to understand himself and his history, Josh struggles to reconcile the conflicting voices he hears--from the messages of sin and scorn of the non-Indian Christian churches his parents attend in order to assimilate, to the powerful stories of his older Creek relatives, which have been the center of his upbringing, memory, and ongoing experience. In his fevered and passionate dreams, Josh catches a glimpse of something that makes the Muskogee Creek world come alive. Lifted by his great-aunt Lucilleas tales of her own wild girlhood, Josh learns to fly back through time, to relive his peopleas history, and uncover a hidden legacy of triumphs and betrayals, ceremonies and secrets he can forge into a new sense of himself. When as a man, Josh rediscovers the boyhood friend who first stirred his desires, he realizes a transcendent love that helps take him even deeper into the Creek world he has explored all along in his imagination. Interweaving past and present, history and story, explicit realism and dreamlike visions, Craig Womackas "Drowning in Fire" explores a young manas journey to understand his cultural and sexual identity within a framework drawn from the community of his origins. A groundbreaking and provocative coming-of-age story, "Drowning in Fire" is a vividly realized novel by an impressive literary talent.

Arizona's rugged Chiricahua Mountains have a special place in frontier history. They were the haven of many well-known personalities, from Cochise to Johnny Ringo, as well as the home of prospectors, cattlemen, and hardscrabble farmers eking out a tough living in an unforgiving landscape. In this delightful and well-researched book, Alden Hayes shares his love for the area, gained over fifty years. From his vantage point near the tiny twin communities of Portal and Paradise on the eastern slopes of the Chiricahuas, Hayes brings the famous and the not-so-famous together in a profile of this striking landscape, showing how place can be a powerful formative influence on people's lives. When Hayes first arrived in 1941 to manage his new father-in-law's apple orchard, he met folks who had been born in Arizona before it became a state. Even if most had never personally worried about Indian attacks, they had known people who had. Over the years, Hayes heard the handed-down stories about the area's early days of Anglo settlement. He also researched census records, newspaper archives, and the files of the Arizona Historical Society to uncover the area's natural history, prehistory, Spanish and Mexican regimes, and particularly its Anglo history from the mid nineteenth century to the beginning of World War II. His book is a rich account of the region and more, a celebration of rural life, brimming with tales of people whose stories were shaped by the landscape. Today the Chiricahuas are a magnet for outdoor enthusiasts and the site of the American Museum of Natural History's Southwestern Research Station--and still a rugged area that remains off the beaten track. Hayes brings his straightforwardand articulate style to this captivating account of earlier days in southeastern Arizona and opens up a portal to paradise for readers everywhere.

Tejada's innovative work dramatically widens the scope of Latina/o literature, showing us exactly it can accomplish. The poems move very much like a three-act play, in which the first act is one of origins; the second, a staging of desire; and the third, a symbiosis. These acts magnify one another when unified. Each poem within the collection positions itself within the avant-garde, in which the artful use of language aims to dazzle, surprise, and enliven. The poems dance by, preserving a tension between hurry and delay, momentum and stasis, and every line is like a newly launched firecracker, sending out startling patterns of spark and flare.

Skilled predators prized by hunters and cursed by ranchers, mountain lions are the wild soul of the American West. Now a wildlife biologist brings you nose to nose with the elusive cougar. Harley Shaw shares dramatic stories culled from his years of studying mountain lions, separating fact from myth regarding their habits while raising serious questions about mankind's relationship with this commanding creature. "Most of us move into the country because we love wildlife," writes Shaw. "But none of us will tolerate having our pets or children eaten. . . . When lion/human encounters occur, the lion (or bear, or wolf) always ultimately loses." "Soul among Lions" offers us a chance to consider the true meaning of that loss.

Newcomers to the Southwest usually find that their favorite landscape plants aren't suited to the hot, dry climate. Many authors offer advice on adapting plants to the desert; now Mary Irish tells how gardeners can better adapt themselves to the challenge. Drawing on her experience with public horticulture in the Phoenix metropolitan area, Irish explores the vexations and delights of desert gardening. She offers practical advice on plants and gardening practices for anyone who lives in the Southwest, from El Paso to Palm Springs, Tucson to Las Vegas. Irish encourages readers who may be new to the desert--or desert dwellers who may be new to gardening--to stop struggling against heat, aridity, and poor soils and instead learn to use and appreciate the wonderful and well-adapted plants native to the desert. She shares information and anecdotes about trees, shrubs, perennials, agaves, cacti, and other plants that make gardening in the Southwest a unique experience, and provides further information about plants from other desert regions that will easily adapt to the Southwest. In addition to descriptions of plants, Irish also offers tips on planting, watering, pruning, and propagation. For anyone who has struggled to maintain a patch of green or blanched at their water bill after unproductive irrigation, the answer to an attractive landscape may be as close as the desert around you. And for anyone who has bought a catalog guide to desert plants and not known which to choose, this book can set you on the right path. Mary Irish shows how to take heart in available plants of adaptable beauty in a book to enjoy while waiting for the next planting cycle.

"I write what I eat and smell," says Diana GarcA-a, and her words are a bountiful harvest. Her poems color the page with the vibrancy and sweetness of figs, the freshness of tortillas, and the sensuality of language. In this, GarcA-a's first collection of poems, she takes a bittersweet look back at the migrant labor camps of California and offers a tribute to the people who toiled there. Writing from the heart of California's San Joaquin Valley, she catapults the reader into the lives of the campesinos with their daily joys and sorrows. Bold, political, and familial, GarcA-a's poems gift the reader with a sense of earth, struggle, and pride--each line filled with the sounds of agrarian music, from mariachi melodies to repatriation revolts. Embodied with such spirit, her poems rise with the convictions of power and equality

The language of the Tohono O'odham (formerly known as Papago) and Pima Indians is an important subfamily of Uto-Aztecan spoken by some 14,000 people in southern Arizona and northern Sonora. This dictionary is a useful tool for native speakers, linguists, and any outsiders working among those peoples. The second edition has been expanded to more than 5,000 entries and enhanced by a more accessible format. It includes full definitions of all lexical items; taxonomic classification of plants and animals; restrictive labels; a pronunciation guide; an etymology of loan words; and examples of usage for affixes, idioms, combining forms, and other items peculiar to the Tohona O'odham-Pima language. Appendixes contain information on phonology, kinship and cultural terms, the numbering system, time, and the calendar. Maps and charts define the locations of place names, reservations, and the complete language family. "Reviews of the first edition: " "Linguists and anthropologists will value this splendidly organized summarization."--"Library Journal" "Dictionaries of American Indian languages are relatively rare. Practical dictionaries which serve laymen and which are simultaneously of use to professional linguists are fewer. This dictionary falls into the latter category and is one of the most successful of its kind."--"Choice"