Bøger udgivet af UNIV OF AKRON PR

"It's nearly impossible to write poetry that holds the human desire for joy and the insistent agitations of protest at the same time, but Lena Khalaf Tuffaha's gorgeous and wide-ranging new collection Something About Living does just that. Her poems interweave Palestine's historic suffering, the challenges of living in this world full of violence and ill will, and the gentle delights we embrace to survive that violence. Khalaf Tuffaha's elegant poems sing the fractured songs of Diaspora while remaining clear-eyed to the cause of the fracturing: the multinational hubris of colonialism and greed. This collection is her witness to our collective unraveling, vowel by vowel, syllable by syllable. "Let the plural be a return of us" the speaker of "On the Thirtieth Friday We Consider Plurals" says and this plurality is our tenuous humanity and the deep need to hang on to kindness in our communities. In these poems Khalaf Tuffaha reminds us that love isn't an idea; it is a radical act. Especially for those who, like this poet, travel through the world vigilantly, but steadfastly remain heart first. -Adrian Matejka, author of Somebody Else Sold the World"--

"Nonbinary Bird of Paradise shakes its tail feathers, reveling in a body that cannot be contained in gender binaries. Its opening sequence re-imagines the Judeo-Christian Eve as a queer person who, instead of eating of the proverbial forbidden fruit, conjures a femme lover: "God made man / in his own image, / so they say. / So I made a beloved / in mine," she says. Eve's power triggers a jealous God to manipulate Adam toward behaviors of toxic masculinity and to exile the two humans from the Garden of Eden. This retelling, accompanied by other retellings of classical and biblical narratives, indicts the ways in which religion and myth have created and buttressed compulsory heterosexuality. Elsewhere in the collection, Phillips delights in the autobiography of their imagination, the rendering of self after self after self. "Would you stay // & watch me," Phillips asks in the titular poem, wondering if the beloved will deem them desirable, even though they are masculine without being a man, "even / though / I have no blue velvet / skirt or ruby-raw / throat?""--

The mission of The International Journal of Ethical Leadership is to spread awareness of the fact that every worthwhile human endeavor requires the application and embodiment of ethical leadership to succeed, endure, and produce positive outcomes for present and future generations. The journal's aim is to expand the transdisciplinary, international conversation that is ongoing around the question of what ethical leadership requires. Our hope is that with each issue of this journal, contributors are able to highlight a range of perspectives on ethical leadership in theory and action around the globe. Our intention is not to endorse particular opinions, but to host a trusted forum for readers to explore a diversity of views. Our intention is not to endorse particular opinions, but to host a trusted forum for readers to explore a diversity of views. IJEL is broad in scope, accepting submissions from academic, professional, and lay perspectives.

"The Music of My Life: Finding My Way After My Mother's MS Diagnosis follows the life of Steve McClain after his mother is diagnosed with multiple sclerosis early in his childhood. He recounts the story of his mother's life growing up in Northeast Ohio and her struggles with single parenthood and a devastating, chronic illness, at a time when there was very little to no treatment. This work began as a way to tell the story of Steve's mother, but it is as much her story as it is his own journey as caregiver, son, musician, and MS patient"--

True Tales from the Campaign Trail finds Democratic and Republican political consultants putting aside their differences to offer entertaining and honest insights into the art of the political campaign. The variety of funny foibles and lessons learned makes for an engaging celebration of the democratic process and the campaign trail.True Tales from the Campaign Trail, Volume 3 is a compilation of great campaign anecdotes from experienced political consultants, Democratic and Republican, and other great storytellers. Many of the stories are funny. Many of the stories give you a behind-the-scenes view of what happens in campaigns when the camera is off and the reporters have put down their laptops, and all of these stories are stories that only an insider could tell. Anyone with any curiosity about how political campaigns are run and won will enjoy this book.Contributors: Jerry Austin, Corey Busch, Terry Casey, Bill Cohen, James Crounse, Mike Curtin, Tom Diemer, Bill Fletcher, Les Francis, Joe Hallet, David Heller, Bill Hershey, Bob Leonard, Lee Leonard, Joanne Limbach, Bob Ney, Ike McLeese, Tim Miller, Lincoln Mitchell, Bob Mulholland, Phil Noble, John Polidori, Sandy Theis, Mark Siegel, Katherine Rogers, Steve Rosenthal, Mary Anne Sharkey, Hank Sheinkopf, William Sweeney, Don Sweitzer, Paul Tipps, Gerry Tyson, Jim Underwood, Mark Weaver, David Yepsen, Abe Zaidan, and John Zogby.

Marble Orchard explores physical and psychic pain through ekphrastic poems (in response to film and to paintings), crowd-sourced writing from overheard conversations, and formal pieces that use the vessels of traditional poetic forms.

"Everwhen is an anxious, verdant poetry collection that is preoccupied with a chthonic era-when the secrets of long ago catch up to now, and when the past, present, and future collapse into what's long been identified by indigenous cultures and early naturalists as Uncreation or Deep Time. Driven by the voice of the betrayed Roman goddess Ceres, these poems consider what it is like to live out of time, to suffer unnamed illnesses of the female body, to love and grieve at the end of the world, and to even find hope and joy in "the way an apocalypse can mean/ to reveal.""--

"What does it mean to make something to share publicly when you are unsure of your own presence? If I Could Give You a Line cultivates the strangeness of presence in motherhood when the self is hyper-aware of its erasure. The collection explores its obsession with the physicality of visual art, down to the line, asserting and creating a voice that longs to be as present as a waver in the line of an Agnes Martin painting. A line that pulls you in to see the hand that made it. For Oeding's speakers, to look at art as mothers gives them permission to make it. Through humor, provocation, and uncertainty, this associative work builds momentary worlds of looking and connecting. The voice in these poems are confident in their performance and gesture to the reader to participate in their world-building, using materials like toddler garbage, preliterate scribbles, boiled green beans, James Turrell's skies, Cara Delevingne's eyebrows, and Yayoi Kusama's mirrors"--

How do you map grief? Dear Outsiders explores how we are part of and stranger to our environments and to our families and how identities form by where and who we come from. Told through two siblings' perspectives of the loss of their parents, the book is a map of isolation, longing, and what it means to be deserted and alive.

"Doom Scroll explores an anxious domesticity. These prose poems hedge toward moments of levity-a Joy Division song, a meal at Denny's, underwear draped over a fence "like a lurid dreamcatcher" -as a pandemic lockdown, busted politics, and other existential dreads loom in the margins"--

In Free Clean Fill Dirt, Pagel dwells in the anti-ordinary ordinary strata of Midwestern mythologies, emergencies, landscapes, and crises. Using a blend of ecopoetic, visual, and archival modes, Free Clean Fill Dirt is a collection of poems making intimacy of deep time and vanitas of vision.

"Hail We Akron! gathers memories, impressions, and opinions of alumni, friends, stakeholders, and donors about Akron's hometown college since its achievement of state status, the third phase of its transformation from Buchtel College and the municipal university. A celebratory collection rather than a chronicle, it gives voice to those who worked and studied here, to the sports fans and concertgoers, the taxpayers and the angels, the employers of graduates and the vendors of goods and services. Instead of the authority of a single narrative, it offers the range of a panorama and the variety of a collage. It is a grassroots report"--

"Annah Browning's poetry collection Witch Doctrine is a gothic instruction manual for how to exist in a heartbreaking world. Through a series of spell poems and a cast of haunting personas-including a sentient house, a mentoring witch, and a housekeeping ghost-Browning leads the reader in dark and slyly humorous mediations on mortality, loss, feminist power, and survival: "you'll take / another branch for the fire / and you will make it.""--

"Unhistorical draws on historical narrative, confessional poetry, and detective fiction to tell the story of a contemporary romantic relationship that begins in Scotland and falls apart in America, as the narrator finds herself in the role of spectator to her partner's genius. Many of these poems draw from the elegiac tradition, following a speaker who is, at turns, tourist in and historian of a landscape that is foreign to them. The middle section of this manuscript, entitled 'The Resurrectionists,' follows an alternate version of Sir Arthur Conan Doyle's Holmes and Watson as they journey to solve a mystery in Scotland while grappling with their own anguished friendship"

A speech made by the Mingo warrior Logan in 1774 has long been cited as an example of Native American eloquence, but it has been unclear how and to whom Logan's Lament was first given. This book shows conclusively that John Gibson was the sole witness to and translator of this oration.

"This is the story of the crayon. Following the Civil War, three entrepreneurial families took their innovative ideas for school chalk from the kitchen stove and transformed them into the American Crayon Company. Color Capital of the World tells this story through the eyes of one of the founding family's descendants, tracing the cycle of build, boom, and bust. Readers will come away feeling a greater appreciation of the human story behind the crayon and the Ohio town that produced more crayons and paints than anywhere in the world"--

The story of a gifted artist and his relationship to the world, a relationship that was severed by schizophrenia, and how in grappling with that diagnosis, he himself became his great life work. A compelling foray into the life and work of African American poet philosopher Walter K. Delbridge.

"Emily Corwin's sensorium is a gurlesque party, is lush and anxious and blossoming with rot. In her second collection, Corwin investigates the textures of physical and psychic pain-the celluloid of classic horror films, greasy computer screens and text messages, ballrooms and hallways and pig blood, surgical instruments, lipsticks, medication, teenage romance and demons. Sensorium considers the beauty in body horror, the viscera boiling under a pretty crust"--

This book is intended to round out the picture of American psychology's past, adding the history of psychological practice to the story of psychological science. Written by two well-recognized authorities in the field, this book covers the profession and practice of psychology in America from the late nineteenth century to the present.

A History of Jonathan Alder: His Captivity and Life with the Indians is one of the most extensive first person accounts to survive from Ohios pioneer and early settlement eras. Nine year-old Alder was captured and taken to Ohio by Indians in 1782. Adopted by a Mingo warrior and his Shawnee wife, Alder lived as an Indian until 1805. After he left the Indians, Alder became one of the first European settlers to live in central Ohio. Alder composed his memoirs in the 1840s. His account chronicles his life for fifty years, from the time of his capture to 1832. The narrative, therfore, provides a unique perspective on fronteir Ohio and its transformation from wilderness to statehood and the continuing evolution in the relationship between Ohios Indians and whites from the Revolutionary War-era to a time when many of the states Native peoples had been removed. Alders recollection provides an exceptional look at early Ohio. His portrait of his captors is revealing, complex, and sympathetic. The latter part of his narrative in which he describes his experiences in central Ohio is an extraordinary rich account of early pioneer life. Further, Alder was fortunate in that he encountered many of the persons and took part in many of the events that have become touchstones in Ohios pioneer history, including Simon Kenton, Simon Girty, and Col. William Crawford. He participated in the Battles of Fort Recovery and Fallen Timbers, and his recollection of these actions are among the few extant accounts that describe these events from a Native American perspective.