Bøger udgivet af TWO LINES PR

An electric collection that evokes the works of Andrei Tarkovsky and Ingeborg Bachmann, Under the Neomoon is a neon-tinged mediation on humanity's violent folly and the importance of storytelling from down below, from the wage worker's hovel.

Winner of the Mishima PrizeIn a small fishing village, the new police chief's teenage daughter listens to the locals who come to her father with bottles of liquor and stories to tell, reading into their words and poring over the silence they leave behind. As conflicting accounts of horrific violence-including a dangerous attempt to save some indentured Korean coal mine workers from the Japanese military police and the fate of a group of Chinese refugees-come in and out of focus, she sets out for the Bay, where the tide has recently turned red and an ominous boat from the past has suddenly reappeared.Populated by an infectious cast of characters that includes a solemn drunk with a burden to bear; a scarred woman constantly tormented by the local kids' fireworks; a lone communist; and the "Silica Four," a group of out-of-work men who love to gossip-Masatsugu Ono's Mishima Prize-winning novel is a masterful epic in village miniature: proof again that there are no small stories-and that the echoes of history's untreated wounds return again and again.

"A collection of Maria Judite de Carvalho's work between 1959 and 1967: twenty-six short stories about men and women trapped by a culture that values them as workers but not as people"--

"Eight female writers from Haiti, Martinique, and Guadeloupe explore the beauty, pain, and complexity wrapped up in their Caribbean identities. A collection of poems and short stories translated from French"--

"A contemporary classic exploring identity, politics, and revolution. This novel is composed as a series of farewells written by Pirkko Saisio-to her mother, to girlfriends she thought she'd spend her life with, and, finally, her to daughter"--

"A narrator's journey to discover his true self and the outermost reaches of sexual and artistic expression"--

As Lord begins, a Brazilian author is arriving at London's Heathrow airport for reasons he doesn't fully understand. Only aware that he has been invited to take part in a mysterious mission, the Brazilian starts to churn with anxiety. Torn between returning home and continuing boldly forward, he becomes absorbed by fears: What if the Englishman who invited him here proves malign? Maybe he won't show up? Or maybe he'll leave the Brazilian lost and adrift in London, with no money or place to stay? Ever more confused and enmeshed in a reality of his own making, the Brazilian wanders more and more through London's immigrant Hackney neighborhood, losing his memory, adopting strange behaviors, experiencing surreal sexual encounters, and developing a powerful fear of ever seeing himself reflected in a mirror.A novel about the unsettling space between identities, and a disturbing portrait of dementia from the inside out, Lord constructs an altogether original story out of the ways we search for new versions of ourselves. With jaw-dropping scenes and sensual, at times grotesque images, renowned Brazilian author João Gilberto Noll grants us stunning new visions of our own personalities and the profound transformations that overtake us throughout life.

"The once-bucolic Catalonian village of Vidreres has been ravaged by a harsh recession, and now two of its young men have died in a horrible car crash. As the town attends the funeral, a banker named Ernest heads to the tree where they died, trying to make sense of the tragedy. There he meets a brutish trucker, who in between Internet hookups and trips to prostitutes has taken a liking to Iona, the fiancaee of one of the dead boys. Iona might be just what he needs to fix his tawdry life, but she's mixed up with an artist who makes frightening projects. Masterfully conjuring the voices of each of these four characters, Toni Sala entwines their lives and their feelings of guilt, fear, and rage over an unspeakable loss."--Amazon.com.